Mexican Folk Magic: Ancient Traditions and Modern Practices

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Mexican folk magic, also known as "brujería," is a rich and vibrant tradition deeply rooted in the cultural and spiritual heritage of Mexico. It combines elements of indigenous practices, European folk traditions, and Catholicism to create a unique and powerful form of magic. One of the key aspects of Mexican folk magic is the belief in the power of the natural world. Practitioners often work with herbs, flowers, and other natural materials to create talismans, potions, and remedies. These items are believed to harness the energy and essence of the plants, allowing practitioners to draw upon their healing and protective properties. Common herbs used in Mexican folk magic include lavender for relaxation, rosemary for purification, and rue for protection.


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Common herbs used in Mexican folk magic include lavender for relaxation, rosemary for purification, and rue for protection. Another important element of Mexican folk magic is the use of rituals and ceremonies to connect with the spiritual realm. These rituals often involve the invocation of saints and deities, as well as the use of candles, incense, and prayer.

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“The Monsters of Music” is a contemporary fantasy YA novel by the indie author Rebecca F. Kenney.

The novel is a gender-bent retelling of Gaston Leroux’s “The Phantom of the Opera”, transported in the contemporary setting of the talent show “Voices Rising”.
Here the “Phantom” is Mel, a muse of the Lianhan Sídhe- Celtic Faeries that have to take a human protégé and infuse them with their magic not to let it consume them, but cannot use their powers for themselves; she is not supposed to reveal their existence to humans and, moreover, she thinks she can’t show her face because she was victim of an acid attack in her childhood and half of her face is badly scarred.
At the auditions, she chooses Kiyo, a shy, talented and attractive contestant to take to fame and glory.
To ensure the progress of her protégé in her show, she doesn’t only gift him with her powers but also sabotages the competition and threatens one of the judges, until feelings get in the way of her plan.

The novel is aimed at a teenage audience, who is the target that surely can appreciate it best, not only for how the romance between the main characters is managed, but also for the choice of the songs that accompany the chapters and the talent show setting.
The rhythm of the narration is fast-paced, which makes the book an easy, fun read; throughout the novel I found many references and homages to the names of the original novel.
I liked the dynamics between the characters and I appreciated that Mel was ruthless and morally grey, while Kiyo was sweet and innocent: it was nice to see the girl being the Beast to the Beauty for once. Also her revindication of her own talents and her refusal to being perpetually confined in the shadows made her an interesting main character, far from a helpless damsel in distress.
I also found minor characters, like Madame Boucher and the rival Harley, very well-written (I especially cherished the finale of the contest).
Although I’m personally not a fan of the songs mentioned in the book (although they are credible for a TV talent show), I loved the descriptions of the performances and I found the details of the voice coaching very believable.
If anything, I thought that the worldbuilding explained very well the implications of being a Lianhan Sídhe and their involvement in the arts, but I would have liked to know more about the other Faes living in the world and how they influence human lives.

In conclusion, I definitely recommend this book to teenagers who look for a captivating contemporary fantasy with a pop twist.

The novel is a gender-bent retelling of Gaston Leroux’s “The Phantom of the Opera”, transported in the contemporary setting of the talent show “Voices Rising”.
Here the “Phantom” is Mel, a muse of the Lianhan Sídhe- Celtic Faeries that have to take a human protégé and infuse them with their magic not to let it consume them, but cannot use their powers for themselves; she is not supposed to reveal their existence to humans and, moreover, she thinks she can’t show her face because she was victim of an acid attack in her childhood and half of her face is badly scarred.
At the auditions, she chooses Kiyo, a shy, talented and attractive contestant to take to fame and glory.
To ensure the progress of her protégé in her show, she doesn’t only gift him with her powers but also sabotages the competition and threatens one of the judges, until feelings get in the way of her plan.
Mexican folk magoc

The goal of these rituals is to establish a connection with divine forces and seek their guidance and assistance. For example, a practitioner may perform a ritual to Saint Michael the Archangel for protection against negative energies or to the Virgin Mary for blessings and fertility. Mexican folk magic also incorporates the use of amulets and charms for various purposes. These can range from simple objects like coins or crystals to more elaborate crafted items, such as milagros (small metal charms) or corn dolls. These objects are believed to possess magical properties and are often worn or carried as a form of protection or as a symbol of devotion. Milagros, for example, are often offered as a token of gratitude and placed on altars or shrines as an offering to the divine. In addition to its practical applications, Mexican folk magic holds cultural and symbolic significance for many Mexicans. It is deeply intertwined with religious and cultural celebrations, such as Día de los Muertos (Day of the Dead) and Las Posadas (a Christmas tradition). Mexican folk magic serves as a way for individuals to connect with their ancestors, their heritage, and the wider community. Overall, Mexican folk magic is a diverse and complex tradition that draws upon various cultural and spiritual influences. It is deeply ingrained in the cultural fabric of Mexico and continues to be practiced and celebrated by many people today. It serves as a reminder of the rich blend of beliefs and traditions that have shaped Mexican culture throughout history..

Reviews for "Protecting Against Evil: Mexican Folk Magic Amulets and Talismans"

1. Samantha - 2 stars: I was really disappointed with "Mexican folk magic". The storyline felt disjointed and the characters were underdeveloped. The author had a great opportunity to explore the rich history and culture of Mexico, but instead, the magical elements were cliched and lacked depth. Overall, it felt like a missed opportunity and left me feeling unsatisfied as a reader.
2. Jake - 1 star: "Mexican folk magic" was a complete letdown. The writing was uninspiring, and I found myself struggling to even finish the book. The characters were flat and lacked any real depth, making it difficult for me to connect with the story. The plot was predictable, and the magic system felt contrived. I would not recommend this book to anyone looking for a captivating and well-written fantasy novel.
3. Emma - 2 stars: I had high hopes for "Mexican folk magic", but unfortunately, it did not deliver. The pacing was off, with slow and uneventful sections followed by rushed and confusing ones. The prose was lackluster and failed to evoke any emotion or atmosphere. While the concept of Mexican folk magic was intriguing, it was not effectively woven into the narrative. Overall, this book lacked the depth and engagement I look for in a fantasy novel.
4. Michael - 1 star: "Mexican folk magic" was a disappointment on multiple levels. The plot was predictable and lacked originality, with no surprising twists or turns. The characters were one-dimensional and lacked any real growth throughout the story. The writing style was monotonous and failed to capture my attention. Overall, this book failed to engage me as a reader and left me feeling unsatisfied. I would not recommend it to anyone looking for a captivating fantasy read.

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