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The Salem witch trials literature refers to the various works of writing that have been produced over the centuries, inspired by and centered around the infamous witchcraft trials that took place in Salem, Massachusetts in the late 17th century. These trials and the resulting hysteria have captured the imagination of writers, historians, and playwrights, with numerous works exploring the events, the people involved, and the social and cultural contexts in which they occurred. One of the earliest documented works on the subject is "Wonders of the Invisible World" by Cotton Mather, a Puritan minister who was a prominent figure during the trials. Published in 1693, Mather's book provides a firsthand account of the events, emphasizing the religious and moral implications of witchcraft. It reflects the prevailing belief at the time that witchcraft was a sin against God and that the trials were a necessary means of purging evil from society. In the 19th century, as interest in witchcraft and the occult grew, the Salem witch trials became a popular subject for sensationalist literature.

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Pressured by her politically powerful aunt Vyvian to be wandfasted to attractive Level Five Mage Lukas Grey, Elloren draws the ire of his jealous, would-be suitor Fallon Bane another Level Five Mage rumored to be the next Black Witch. I m a great believer you can t be prejudiced against fictional races and the most strongly loathed are the Kelts metaphors for Irish people and people with wings.

In the 19th century, as interest in witchcraft and the occult grew, the Salem witch trials became a popular subject for sensationalist literature. Various authors created fictionalized accounts of the trials, often embellishing the details and incorporating elements of romance and horror. One notable example is "The Salem Witchcraft, Volumes I and II" by Charles Wentworth Upham, published in 1867.

Book Review: The Black Witch (The Black Witch Chronicles #1) by Laurie Forest

Elloren Gardner is the granddaughter of the last prophesied Black Witch, Carnissa Gardner, who drove back the enemy forces and saved the Gardnerian people during the Realm War. But while she is the absolute spitting image of her famous grandmother, Elloren is utterly devoid of power in a society that prizes magical ability above all else.

When she is granted the opportunity to pursue her lifelong dream of becoming an apothecary, Elloren joins her brothers at the prestigious Verpax University to embrace a destiny of her own, free from the shadow of her grandmother’s legacy. But she soon realizes that the university, which admits all manner of people—including the fire-wielding, winged Icarals, the sworn enemies of all Gardnerians—is a treacherous place for the granddaughter of the Black Witch.

As evil looms on the horizon and the pressure to live up to her heritage builds, everything Elloren thought she knew will be challenged and torn away. Her best hope of survival may be among the most unlikely band of misfits…if only she can find the courage to trust those she’s been taught to hate and fear.

GOOD ENOUGH TO PURSUE BOOK TWO.

I had heard about a million different conflicting reviews and issues with this book. But with a personal friends and Morrighan’s Review (give her a follow!) I chose to give it a chance.

Overall, it was good. I definitely had some issues with it but I liked what was being laid out and want to see where it continues to go.

• The way that racism was depicted as always a bad thing (this is a fantasy so it’s between the different races in the book: witches, fae, werewolves, etc.). Elloren (and others) would make me so mad with how they were all treating each other and the things they would do and say. But, as time went on Elloren consciously realized what she was doing and how wrong she was. This allowed her character to grow a lot and made the book so much better.
• I really loved the setting. There wasn’t a lot of world-building, but I thought it was fun to have it at a school. I feel like any school setting is immediately judged against Harry Potter, but this is so vastly different I had a good time with it.
• The nuanced relationships. Things were a lot more focused on friendships rather than relationships (though, those are definitely building up). Since Elloren was evolving she was opening herself up to new people and they were all learning from each other.

Things I struggled with:

• For a witch her doesn’t have powers (but obviously does) they NEVER SHOWED UP. I thought surely within 600 pages we have that grand moment where her powers come in full force, but nope. So now I have to wait til I get book two to see how that comes out.
• Elloren was a wreck most of the time. I felt she cried literally every other page (not saying crying is a bad thing, but if I notice something recurring that often, holy wow). Her emotions were kind of all over the place and boys were taking up a lot of her time.
• There wasn’t much that moved the plot forward. She spent her time at school, making friends, overcoming her own misguided sense of hatred, but at the same time, it didn’t lead anywhere. Things are happening further away from her, but the “battle” hasn’t come to them yet. I guess this book was setting up for all to come.

Overall audience notes:

• Young adult fantasy + paranormal (witches)
• Language: b**ch used a few times
• Romance: a lightly passionate kiss
• Violence: magic, physical, bullying
• Trigger warnings: racism, bullying, racial slurs, animal cruelty

I had heard about a million different conflicting reviews and issues with this book. But with a personal friends and Morrighan’s Review (give her a follow!) I chose to give it a chance.

Upham's work attempted to provide a more balanced and nuanced portrayal of the trials, drawing on historical documents and firsthand testimonies. In the 20th century, the Salem witch trials continued to captivate writers and artists, inspiring numerous plays, novels, and even films. Arthur Miller's play "The Crucible" (1953) is perhaps the most famous and enduring work on the subject. Set during the trials but intended as an allegory for McCarthyism, it explores themes of mass hysteria, persecution, and the abuse of power. Other notable literary works include Marion Starkey's "The Devil in Massachusetts" (1949), a detailed historical account of the trials; Katherine Howe's novel "The Physick Book of Deliverance Dane" (2009), which weaves together a present-day plot with the historical events of the trials; and Stacy Schiff's "The Witches: Salem, 1692" (2015), a meticulously researched and critically acclaimed nonfiction account. The Salem witch trials literature reflects the enduring fascination and intrigue surrounding this dark chapter in American history. By exploring the complexities and nuances of the trials and their implications, these works continue to shed light on themes of justice, religion, and the human capacity for fear and persecution..

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