Witchcraft object art, also known as occult art or magical art, refers to the artistic representation and creation of objects associated with witchcraft and occult practices. These objects often hold symbolic meaning and are believed to possess inherent power or energy. The field encompasses a wide range of art forms, including paintings, sculptures, jewelry, and ritual tools. Throughout history, various cultures have produced artwork inspired by witchcraft and magic. In ancient civilizations, such as ancient Egypt and Mesopotamia, objects such as amulets and talismans were created to protect individuals from evil spirits or bring good fortune. Similarly, in medieval Europe, grimoires and magical texts were often adorned with intricate illustrations and symbols.
Which I immediately filled up with all the yarn that came in the past few days. It really isn’t an addiction. Of course I’ll live long enough to actually use it all… Stop laughing dear readers, stop laughing…
I m not exactly sure what I m going to send, but I want more choices than I have, from what I ve made in the last two years, and I d love for this puzzle inspired fabric to be one of them. I do a LOT of jigsaw puzzles you can see some of my favorites here and in the past few months, I started getting more and more messages suggesting I try out a Magic Puzzle.
Similarly, in medieval Europe, grimoires and magical texts were often adorned with intricate illustrations and symbols. In contemporary times, witchcraft object art has experienced a resurgence in popularity. Modern artists and artisans create pieces that draw inspiration from witchcraft, Wicca, and other occult practices.
Tag: Magic Puzzle Company
It has been a colorful couple of weeks. I warped up another Structo, this time with a summer/winter motif, that can explore the many ways to manipulate the tie-down threads to create different looks. I just did the first one, in brick formation, and this just made me smile, in the bleak mid winter days of February. I love the black background.
Over the weekend, I taught a two day remote class, actually it was one day, spread over two afternoons, with a group in California. I just marvel that I can wake up in NJ, do my usual morning routine, work a bit in the studio, flip on the computer and guide a dozen women 3000 miles away through a project. They were an enthusiastic group, and had some wonderful scraps, leftovers and workshop samples to play with. And one woman described how much the project made her smile when she remembered each bit of fabric, handwoven or otherwise, and the story behind it. I think I should call these memory mats. Anyway, here is a sampling. Photos are still rolling in!
If your guild is interested in this workshop, here is a link to the prospectus.
The Magic Puzzle Company, which inspired a fabric I wove this time last year, in spite of a broken shoulder, issued three more puzzles in the series. We dove into the first one, and I grabbed the poster and ran off to the studio with it. The colors were glorious, and perfect for the grey days of winter, and I knew I was jumping into the deep end on the next project.
I pulled as much yarn as I could fit on the counter, almost all of it is hand-dyed, except for a couple of commercial coned yarn fill ins and some extreme novelties, which I toss in here and there.
I used the draft from the puzzle fabric I did last year, converting it from 12 shafts to 8, because the floor loom I want to put it on is the only one that’s free. My daughter commandeered the 12 shaft loom! Because I’m using so many different weights of yarn and so many different structures, all requiring different setts, I carefully printed out the threading sequence, added yarn samples, and outlined a custom sett, which was important to know how many inches this baby would take up, since the loom was only 25″ wide. The number of ends is misleading, and the sett is an average of about 27epi, but it depends…
And then I started winding. I did five different 8 yard chains, each with about 5″ worth of warp.
And here they are all together waiting to be sleyed through the reed.
I had just the best time this week, carefully working from the skeins directly to the warping board, taping the ends to the mill frame instead of knotting, less waste and quicker, as I changed warp ends, sometimes every thread. Though I had a plan, often I deviated a bit with the color or blend of colors, throwing in a novelty here and there. It is the most creative I get in the weaving process and it is so much fun to see it all come together. I can’t wait to get this sleyed, threaded and beamed, and try the first couple of inches. I can’t imagine I’ll hate it, there is just too much fun color, but you never know…
So stay tuned to see how this goes…
These artworks may incorporate pagan symbols, such as pentagrams, triple goddesses, or the elements of nature. What sets witchcraft object art apart from traditional art forms is the belief in the inherent power of the objects themselves. Many individuals who practice witchcraft believe that certain materials, colors, and symbols possess unique energy that can be harnessed for various purposes, such as protection, healing, or divination. Consequently, artists create objects specifically designed to channel or enhance these energies. Witchcraft object art can serve both practical and symbolic purposes. For example, an artist may create a ritual tool, such as a wand or athame, which can be used in spellwork and ceremonial rituals. These objects are made with intention and often undergo consecration or purification rituals before they are used. Symbolically, witchcraft object art can be seen as a way to express one's spirituality and connection to the natural world. Many practitioners of witchcraft view their craft as a way to establish a harmonious relationship with the universe and tap into its abundant energy. Through creating or owning witchcraft object art, individuals can surround themselves with symbols and objects that remind them of their beliefs and values. Overall, witchcraft object art represents the intersection of art, spirituality, and magic. It allows artists and practitioners to express their connection to the occult world and harness the power they believe resides within specific objects. Whether it serves a practical or symbolic purpose, witchcraft object art offers a glimpse into the mystical and esoteric aspects of human existence..
Reviews for "Art and the Occult: Picturing Witchcraft Objects in Dark Imagery"
1. Jane Doe - 2/5 - I did not enjoy "Witchcraft object art" at all. The exhibition felt disjointed and lacked a clear theme or message. The artworks seemed random and unappealing to me, with no real artistic merit. I found myself questioning why certain objects were even considered art in the first place. Overall, it was a disappointing experience and I would not recommend it to others.
2. John Smith - 1/5 - "Witchcraft object art" was a complete waste of my time and money. The exhibition was filled with inexplicable and meaningless objects presented as art. I could not find any discernible talent or creativity in the pieces on display. It felt like a pretentious attempt at being edgy, but it ultimately fell flat. I left feeling frustrated and unsatisfied with the entire experience.
3. Sarah Thompson - 2/5 - I was expecting "Witchcraft object art" to be intriguing and thought-provoking, but unfortunately, it missed the mark for me. The objects on display seemed kitschy and derivative, lacking originality and depth. The exhibition failed to engage me or spark any interest. I felt disconnected from the artworks, as they failed to evoke any emotional response or intellectual stimulation. Overall, I was underwhelmed by the entire experience.