Witchcraft and alchemy are two historical practices that have often been intertwined and associated with each other. Both witchcraft and alchemy have roots in ancient civilizations and have been developed and practiced by various cultures throughout history. Witchcraft is a practice that involves the use of magic and supernatural powers to influence events and people. It is often associated with folk magic, spellcasting, divination, and the worship of nature and pagan gods. Historically, witches were often seen as practitioners of dark or evil magic, and were often persecuted and feared by society. On the other hand, alchemy is a practice that aims to transform ordinary materials into extraordinary substances, such as the quest for turning lead into gold or finding the elixir of life.
This is a case of Science Marches On. Alchemy, after all, used to be an acceptable means of study. However, alchemy always had something occult-like to it, as evidenced by goals such as the panacea (cure-all) and the "Elixir of Life" (which grants immortality). This association stems from the fact that when alchemy still was a legitimate field of study, belief in magic also was widespread, so both were equally "real". For more notes on this, visit our Useful Notes on Alchemy.
The online Artificer class which also has the Alchemist subclass can use a list of spells but is flavored so that it does it using either technology or potions to replicate the effect a Cure Wounds spell might be flavored as a healing potion, or, if the subject is unconscious, defibrillators. The immediate reason is that they have a much higher thermal load than ordinary rock, though everyone else suspects correctly that he s got more planned.
On the other hand, alchemy is a practice that aims to transform ordinary materials into extraordinary substances, such as the quest for turning lead into gold or finding the elixir of life. Alchemy has its roots in Ancient Egypt and was practiced by many ancient civilizations, including the Greeks, Chinese, and Arabs. Alchemists were often seen as seekers of ultimate knowledge and wisdom, and their practices often involved a combination of scientific experimentation, mysticism, and spiritual beliefs.
Magic: A History: From Alchemy to Witchcraft, from the Ice Age to the Present (Paperback)
Three great strands of belief run through human history: Religion is the relationship with one god or many gods, masters of our lives and destinies. Science distances us from the world, turning us into observers and collectors of knowledge. And magic is direct human participation in the universe: we have influence on the world around us, and the world has influence on us.
Over the last few centuries, magic has developed a bad reputation—thanks to the unsavory tactics of shady practitioners, and to a successful propaganda campaign on the part of religion and science, which denigrated magic as backward, irrational, and "primitive." In Magic, however, the Oxford professor of archaeology Chris Gosden restores magic to its essential place in the history of the world—revealing it to be an enduring element of human behavior that plays an important role for individuals and cultures. From the curses and charms of ancient Greek, Roman, and Jewish magic, to the shamanistic traditions of Eurasia, indigenous America, and Africa; from the alchemy of the Renaissance to the condemnation of magic in the colonial period and the mysteries of modern quantum physics—Gosden's startling, fun, and colorful history supplies a missing chapter of the story of our civilization.
Drawing on decades of research around the world—touching on the first known horoscope, a statue ordered into exile, and the mystical power of tattoos—Gosden shows what magic can offer us today, and how we might use it to rethink our relationship with the world. Magic is an original, singular, and sweeping work of scholarship, and its revelations will leave a spell on the reader.
Chris Gosden is a professor of European archaeology at the University of Oxford. Previously he was a curator and lecturer at the Pitt Rivers Museum, Oxford, where he encountered many magical objects displayed in a scientific manner. Gosden is a Fellow of the British Academy and the Society of Antiquaries.
- History / Social History
- Social Science / Anthropology / Cultural & Social
- Religion / History
- Body, Mind & Spirit / Magick Studies
Shortlisted for the 2021 PEN Hessell-Tiltman Prize for History
Longlisted for the Non-Obvious Book Award
"Chris Gosden achieves the holy grail of bringing together the disparate narratives of magic, science, witchcraft and religion into an intellectual crucible to forge a bold new intellectual history. This magisterial work changes the discourse beyond its own discipline and inspires radical new thinking." —Judges' citation, PEN Hessell-Tiltman Prize for History
“Eye-opening . . . Gosden persuasively argues that just because something is scientifically questionable does not mean it is not magically successful. If a magical ritual can imbue in us an understanding and sensitivity to the world around us, has it failed? Indeed, what could be better suited to affecting change in our age of ecological devastation than a philosophy that forces us to see the world as an extension of ourselves?” —George Pendle, Air Mail
"Enlightening . . . Gosden persuasively argues that magic, religion, and science have always existed in tandem, forming a 'triple helix' of understanding running through the course of human history up to the present day. In light of the current climate crisis, and inspired by the discoveries of quantum physics, Gosden furthermore makes a compelling case for a return to the kind of interconnected perspective central to most magical traditions . . . A fascinating exploration of magic’s hold on the human imagination." —Sara Shreve, Library Journal (starred review)
"Magic: A History is never less than fascinating." —Steve Donoghue, Open Letters Monthly
"Sophisticated and wide-ranging . . . Gosden’s meticulous account offers many intriguing glimpses of early human societies. Readers with a deep interest in human belief systems will be captivated." —Publishers Weekly
“Vast and transformational . . . We need, Gosden argues with the wisdom of a sage on a mountain-top, a ‘new magic’ for the 21st century in order to deal with the calamity of climate change.” —Frances Wilson, The Daily Mail (UK)
“[Magic] is erudite, accessible and expansive . . . Without an unfascinating page . . . [A] remarkable and endlessly interesting volume.” —Stuart Kelly, The Scotsman (UK)
"Fascinating, original and excellent, written with both narrative flair and deep scholarship, this is a world history, from the steppes of Mongolia to the palaces of London and Paris from prehistory to today, told through the lens of magic, that has always existed alongside and within religion itself, a gripping ride of astonishing span, filled with colorful characters, shamans, witches and kings, esoteric rites and revelatory research. An important and essential read that also happens to be a highly entertaining historical treasure-trove." —Simon Sebag Montefiore, author of The Romanovs: 1613–1918
"Impressive and much-needed. Gosden masterfully presents the history of magic from a global perspective, enabling the reader to make fascinating connections between traditions in different places and eras." —Violet Moller, author of The Map of Knowledge: A Thousand-Year History of How Classical Ideas Were Lost and Found
"'To be human is to be connected.' Chris Gosden shows how magic explores the connections between human beings and the universe in ways different from religion or science, yet deserving of respect. A magisterial account of the central place of magic in many cultures both ancient and modern." —John Barton, author of A History of The Bible: The Book and Its Faiths
"With his own magic touch, Chris Gosden brilliantly reveals the place of magic in human societies from the Ice Age to the present day in all inhabited continents, and shows how the exercise of magic was an everyday practice that joined the world of the dead to that of the living." —David Abulafia, author of The Boundless Sea: A Human History of the Oceans
"This is an extraordinary work of learning, written with an exhilarating lightness of touch. And it’s flexible: you can read it from cover-to-cover, or just dip in—or both. Chris Gosden has traced the story of magical beliefs from the Old Stone Age to modern times, across all the continents of the world. But it isn’t just a work of archaeology and history: it has increasing relevance for our own times, as we witness the growth of extreme cults and the seditious myths of the post-truth era. It is essential reading." —Francis Pryor, author of Britain B.C.
“Chris Gosden’s Magic is a major contribution to an important but neglected subject. It should be read not only by archaeologists and anthropologists but by everyone interested in the human condition." —Barry Cunliffe, author of Europe Between the Oceans: 9000 B.C. to A.D. 1000
Chris Gosden is a professor of European archaeology at the University of Oxford. Previously he was a curator and lecturer at the Pitt Rivers Museum, Oxford, where he encountered many magical objects displayed in a scientific manner. Gosden is a Fellow of the British Academy and the Society of Antiquaries.
The connection between witchcraft and alchemy lies in their shared focus on the supernatural and the mysterious. Both practices involve the manipulation of natural and spiritual forces, and practitioners of both often sought to harness these forces for their own purposes. Additionally, both witchcraft and alchemy were often misunderstood and feared by society, leading to their persecution and suppression throughout history. In some cases, individuals who practiced alchemy were accused of witchcraft, as their pursuit of hidden knowledge and unconventional practices made them targets of suspicion and superstition. Furthermore, alchemists often used symbolic language and mystical rituals in their practices, which could be interpreted as witchcraft by those who did not understand or accept their methods. Despite their historical association, witchcraft and alchemy are distinct practices with different goals and methods. Witchcraft focuses on the use of magic and supernatural powers to influence events and people, while alchemy aims to transform ordinary materials into extraordinary substances. However, both practices share a fascination with the unknown and the pursuit of hidden knowledge, making them intriguing and captivating subjects of study and inquiry..
Reviews for "The Ethical Dilemmas of Witchcraft and Alchemy"
1. Samantha - 1 star
I found "Witchcraft and Alchemy" to be extremely boring. The storyline was slow and uneventful, and the characters lacked depth and development. I was hoping for a captivating and magical journey, but instead, I felt like I was slogging through endless pages of mundane descriptions and dialogue. The writing style did not engage me, and I struggled to maintain my interest throughout the entire book. Overall, I was disappointed with this read and would not recommend it to others.
2. Robert - 2 stars
While "Witchcraft and Alchemy" had an interesting premise, I found that the execution fell flat. The pacing of the story was uneven, with long stretches of nothing happening followed by rushed events that left me confused. The world-building was lacking, and I never felt fully immersed in the magical aspects that were promised. Additionally, I felt that the characters were one-dimensional and lacked depth, which made it difficult for me to connect with them or care about their fates. Overall, I was left unsatisfied by this book and would not read it again.
3. Emily - 2 stars
"Witchcraft and Alchemy" had so much potential, but it failed to deliver on its promises. The plot was predictable and lacked originality, and I found myself predicting the major twists and turns well before they happened. The writing style was average at best, and the dialogue felt forced and unnatural. Furthermore, the romance aspect of the story felt forced and unnecessary, only serving as a distraction from the already weak plot. Overall, I was let down by this book and would not recommend it to anyone seeking a captivating magical read.