Ancient pagan inscriptions are important artifacts that provide insight into the beliefs, customs, and rituals of ancient pagan societies. These inscriptions, found on various objects such as statues, altars, and tombs, are written in different languages including Latin, Greek, and Celtic. One of the most common themes found in these inscriptions is devotion to gods and goddesses. Many inscriptions are dedicated to specific deities, often requesting their protection or favor. These inscriptions offer valuable information about the practices of worship and the gods that were venerated by ancient pagans. Apart from the devotion to gods, ancient pagan inscriptions also reveal the importance of rituals and ceremonies in ancient pagan societies.
Apart from the devotion to gods, ancient pagan inscriptions also reveal the importance of rituals and ceremonies in ancient pagan societies. Some inscriptions contain instructions for rituals and sacrifices, providing a glimpse into the religious practices of these societies. These inscriptions also give insights into the social and hierarchical structures of these civilizations by mentioning the names of priests, priestesses, and other religious officials.
Richard Brome
One of the leading playwrights of the 1630s, his career cut short by the closure of the theatres in 1642. Seen in his day as a natural successor to Jonson and Shakespeare. Neglected since. This page keeps tabs on various interesting Brome-related things.
Love, Where is now thy deity
Love, where is now thy deity,
When Fortune alters thy decree
In making of another blessed
With her thou plantedst in my breast?
And, Fortune, where is thy despite,
That gavest another my delight,
When Death has ta'en from him and thee
The precious prize, as well as me?
Of Love I blame th'inconstancy;
Of Fortune curse the cruelty;
Death, my revenger, yet, shall scape
Though he has done the greatest rape
For he is kindest of the three:
In taking her he calls for me.
His kindness carries yet a blot:
For though he calls he takes me not.
- "Love, where is now thy deity" is a song sung in Act Four of The English Moor, its lyrics preserved in the manuscript version of the play, and first published by Sara Jayne Steen in 1983. This MIDI file contains the music to a contemporary setting of the lyric, printed and discussed by John P. Cutts in 1986, and transcribed to MIDI by me.
Newly published: Richard A. Cave, gen. ed., Richard Brome Online (2010). Scholarly editions of every Brome play, illustrated with video clips of performance. I'm a contributor to the edition, so I'm biased, but - it's marvellous. Transforms our ability to say things about Brome.
Richard Brome - a selective bibliography
1. Texts:
- Brome, Richard. Richard Brome Online (2010), gen. ed. Richard A. Cave. This now effectively supersedes al the individual play editions listed below.
- Brome, Richard. The Dramatic Works of Richard Brome, ed. John Pearson, 3 vols. 1873; New York, AMS Press, 1966. Now
- Brome, Richard. The Antipodes, ed. Ann Haaker. Lincoln, Nebraska: Regents, 1966.
- Brome, Richard. The Antipodes, ed. David Scott Kastan and Richard Proudfoot. London: Nick Hern books, 2000.
- Brome, Richard. The English Moore; or the Mock-Mariage, ed. Sarah Jayne Steen. Columbia: Missouri University Press, 1983.
- Brome, Richard. A Jovial Crew, ed. Ann Haaker. London: Edward Arnold, 1968.
- Brome, Richard. A Critical Old-Spelling Edition of Richard Brome's A Mad Couple Well Match'd, ed. Steen H. Spove. New York: Garland, 1979.
Brome, Richard. The Northern Lasse, ed. Harvey Fried. New York: Garland, 1980. - Brome, Richard. A Critical Edition of Richard Brome's The Weeding of Covent Garden and the Sparagus Garden, ed. Donald S. McClure. New York: Garland, 1980.
- Brome, Richard, and Thomas Heywood. The Late Lancashire Witches, ed. Laird H. Barber. New York: Garland, 1979.
- Brome, Richard, and Thomas Heywood. The Witches of Lancashire, ed. Gabriel Egan. . London: Globe Quartoes, 2002. [the play edited by Barber as The Late Lancashire Witches].
2. Secondary material (books):
- R.J. Kaufmann, Richard Brome: Caroline Playwright (New York: Columbia UP, 1961).
- Catherine M. Shaw, Richard Brome (Boston: Twayne, 1980).
- Martin Butler, Theatre and Crisis 1632-1642 (Cambridge: Cambridge UP, 1984).
- Ira Clark , Professional Playwrights: Massinger, Ford, Shirley & Brome (Lexington: Kentucky UP, 1992).
- Julie Sanders, Caroline Drama: The Plays of Massinger, Ford, Shirley and Brome (Plymouth: Northcote House, 1999).
- Matthew Steggle, Richard Brome: Place and Politics on the Caroline Stage (Manchester: Manchester University Press, 2004). "Admirable and clear-headed" (Times Literary Supplement); "most impressive" (Ben Jonson Journal); "a thoroughly good book" (Notes and Queries).
STill so hard-hearted? what may be
Furthermore, these inscriptions sometimes contain references to ancient pagan myths and legends. These references help researchers in understanding the stories and characters that were significant to ancient pagans and their religious beliefs. The inscriptions often depict scenes from these myths and are accompanied by short descriptions or prayers. However, deciphering and interpreting ancient pagan inscriptions can be a challenging task. Many inscriptions are damaged or fragmented, making it difficult to accurately translate and understand their meaning. Additionally, some inscriptions contain ancient languages or dialects that are no longer widely spoken or studied, further complicating the process of decipherment. Despite these challenges, scholars and archaeologists continue to study and analyze ancient pagan inscriptions to gain a deeper understanding of the religious and cultural practices of ancient societies. These inscriptions offer unique insights into the belief systems and daily life of ancient pagans, shedding light on their worldview and the importance of religion in their societies. In conclusion, ancient pagan inscriptions are valuable sources of information for understanding the beliefs, rituals, and practices of ancient pagan societies. From devotion to gods and goddesses to descriptions of rituals and references to myths, these inscriptions provide researchers with valuable clues about the religious and cultural practices of these civilizations. Although deciphering and interpreting these inscriptions can be challenging, their study continues to provide valuable insights into the ancient pagan world..
Reviews for "Sacred Scripts: The Sacredness of Ancient Pagan Inscriptions"
- Sarah - 2 stars - I found "Ancient pagan inscriptions and their explanations" to be incredibly dry and unengaging. The author seemed more interested in showing off their knowledge of ancient languages than actually explaining the inscriptions in a way that was accessible to the average reader. I was also disappointed by the lack of illustrations or images to accompany the inscriptions, making it difficult to fully understand and appreciate their significance. Overall, I would not recommend this book to anyone looking for an engaging and informative read on ancient pagan inscriptions.
- Mark - 1 star - I have to say that "Ancient pagan inscriptions and their explanations" was a huge disappointment for me. The book was filled with convoluted jargon and complex linguistic analysis that made it nearly impossible to follow along. It felt more like a textbook for advanced scholars than a book meant for the general public. Additionally, the author's writing style lacked clarity and failed to provide any real insights into the inscriptions. I was left feeling confused and frustrated after attempting to read this book.
- Emily - 2 stars - As someone with a casual interest in ancient history, I found "Ancient pagan inscriptions and their explanations" to be completely inaccessible. The author assumes a level of prior knowledge and familiarity with linguistic concepts that I simply do not possess. The explanations were filled with technical terms and complex theories that left me feeling overwhelmed and lost. I appreciate academic rigor, but this book could have benefited from a more reader-friendly approach. I would not recommend it to anyone without a strong background in linguistics or ancient history.