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A lot of the fun in LWA comes from just seeing all the fantastical things magic can do. Magic in LWA isn’t the ordered system of rules you see in a lot of other anime; it’s more like Harry Potter, where magic exists and does magical things. There’s no concrete explanation of exactly how magic works beyond a few general rules, but that’s all we really need. LWA’s magic is, for lack of a better word, magical. We don’t need to know exactly how it works to know that it’s fun to watch. However, not everyone in the world of LWA views magic like that.

Diana is also often the one who actually solves the problems Akko runs into precisely because Diana puts in the work to figure everything out without rushing in to things. Here Diana basically still treats Akko the way Andrew treated Akko during his second appearance; basically pretentious prim aristocrat with a hint of warming up, a tsundere but not romantically.

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Little Witch Academia Ending

A quicky summary: giant nuke monster, yada yada yada, Akko and Diana do a whole skybeam magic scene and save the world.

What tripped me up was the sudden decision to include Diana. Now logically, Diana sort of makes sense; the entire point is to reflect Croix and Chariot. Whereas Croix and Chariot couldn't get along, Diana and Akko can and as we know, "friendship beats everything".

There were two approaches they could've taken; subtlety, which they didn't take, or the whole shebang, which they did. So, that leads me to say that they didn't push the lead in to the overdramatic grand finale enough.

By the end of the series, the attitude Diana takes towards Akko is around (and I can't believe I'm saying this) Amity's treatment towards Luz somewhere in the earlier half of the Owl House. Now granted, the Owl House clearly drew some inspiration from Little Witch Academia, but I think the relation progression made more sense there. Here Diana basically still treats Akko the way Andrew treated Akko during his second appearance; basically pretentious prim aristocrat with a hint of warming up, a "tsundere" but not romantically.

Now you could argue that this is just how she is, and I wouldn't necessarily disagree with you, but the issue is this attitude really should've been shown before the grand finale. There were scenes where she shows begrudging respect and hints of admiration towards Akko, but, and maybe its the translations, most of the time she still acts like people are there to impress her.

I get that she's mature for her age and stuff, but goddamn it just doesn't make sense.

In a few episodes prior we see Akko at her low point. Diana shows her that she was into Chariot and tells her to move forward. I'll be honest with you, I think Shiny Rod made a mistake; if it had just swapped owners to Diana, gave her a few more life lessons about family or whatever, then let her finish the job of saving the world, the world would still be happy while Akko is left in her catatonic state or something.

That scene where Diana and Akko talk about hope, a fairly objective summary of it would be: Diana tells Akko how much more accomplished she is with her ambition and role model (despite both starting in the same place) while she's trying to convince Akko that Akko is more suited to following Chariot's footsteps (ironic, cuz the whole point is Akko not needing to be like Chariot). Akko even points this out, and Diana's response is basically "no its you, in fact im jelly of u" and Akko's just like "OK". She claims that its the reason she left the school, but taking into account all the hints and respect given here and there (nowhere near enough nor suggestive enough), I came to the conlusion that someone needed to go a doctor, because someone was clearly pulling crap out of their--

Anyway, we go back to the subtlety vs. spectacle thing; the signs weren't subtle, per se, as we clearly see scenes of her noticing some stuff here and there. Most prominently, the first episode where she screws up and Akko notices. However, in later episodes, Diana largely does nothing wrong (and actually cleans up after some of Akko's mistakes). Any interest she had in Akko was largely more concerned about mysteries involving her rather than her. I think they could've emphasized her reaction towards Akko more prominently, to better highlight their relationship development. There was only 1 episode where Diana actually has a moment of weakness that she and Akko go through together.

On the other hand, Chariot's and Akko's relationship development was far less hollow. Was it generic? Somewhat, in that it's a combination of the fairly typical mentor passing onto the mentee and betrayal relationships. But if Chariot and Akko fired that arrow, that'd be a perfectly satisfying climax, because of how prominently she impacted Akko throughout the entire series and how prominently Akko influenced Chariot throughout the entire series (FYI I think Sucy and Lotte together with Akko would've worked too). Ultimately, while Akko and Diana did have a similar vibe going on, it wasn't emphasized anywhere near enough, which makes it, imo, a disappointing, missed opportunity.

And to be clear, I'm not against the show's climax being the two working together, but if they wanted to do that, they should've really built up that relationship, and I mean REALLY build it up. You can bring up all the examples of how Diana and Akko bond; even together, it's just not nearly enough. In fact, from a lot of comments I see, I'd say they piggybacked off the fact that the audience was kinda shipping the two together so they came in with somewhat of a bias/prejudice that romanticized the otherwise underdeveloped relation (this bias is also why I think Sucy and Lotte would work; in addition to the most screen time, they were also introduced as Akko's first friends, meaning as her first friends, the audience will have a bias towards them).

That scene where Diana and Akko talk about hope, a fairly objective summary of it would be: Diana tells Akko how much more accomplished she is with her ambition and role model (despite both starting in the same place) while she's trying to convince Akko that Akko is more suited to following Chariot's footsteps (ironic, cuz the whole point is Akko not needing to be like Chariot). Akko even points this out, and Diana's response is basically "no its you, in fact im jelly of u" and Akko's just like "OK". She claims that its the reason she left the school, but taking into account all the hints and respect given here and there (nowhere near enough nor suggestive enough), I came to the conlusion that someone needed to go a doctor, because someone was clearly pulling crap out of their--

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baits tricase