The close-up magic table pad is an essential tool for any magician performing close-up magic tricks. It provides a smooth and non-slip surface for performing card tricks, coin tricks, and other small illusions. The main idea here is that the close-up magic table pad enhances the performance of close-up magic tricks. Its sleek design and quality material ensure that cards and coins glide smoothly across the pad, adding to the illusion of the magic trick. It also helps to keep the props in place, preventing any accidental slips or mishaps during the performance. The close-up magic table pad is portable and can be easily carried to different venues, allowing magicians to perform their tricks anywhere.
We caught up with Andrew from SLR Magic at IBC to get a first hand look at the new 2x and 1.33x anamorphic cine lens sets.
This function is a major help in judging and feeling the created frame enabling me as a cameraman to react quickly and efficiently, without being forced to bloat your setup with an additional external monitor to perform that very function. However, the SLR Magic 2x Anamorphot-CINE Lens Set are the first anamorphic lenses that I have ever used, I can tell you my experience, what I learned and discovered.
The close-up magic table pad is portable and can be easily carried to different venues, allowing magicians to perform their tricks anywhere. Its compact size makes it convenient to use on any table or surface, turning any location into a magical performance area. Additionally, the close-up magic table pad is durable and long-lasting, providing magicians with a reliable surface that can withstand repeated use.
SLR Magic announces anamorphic lenses for filmmakers
SLR Magic, a company known for making affordable optics and accessories for filmmakers, has announced a new set of anamorphic cinema lenses that can be adapted to a variety of lens mounts. The PL mount ANAMORPHOT-CINE line of lenses includes the 35mm T2.4, the 50mm T2.8 and the 70mm T4, all of which can be adapted for Canon EF, Nikon F, Micro Four Thirds and Sony E-mount.
Recent VideosAnamorphic lenses are frequently used by filmmakers to capture wide-screen aspect ratios commonly associated with a more cinematic look. This is accomplished by squeezing the image horizontally onto the sensor or film to capture a wider horizontal angle of view. The image is later 'de-squeezed' either in post processing or by a special lens attached to a projector. Digital filmmakers sometimes mimic the anamorphic effect by cropping off the top and the bottom of the frame in post processing to create a wider aspect ratio, however this effectively results in throwing away much of the data captured by the sensor. Additionally, anamorphic lenses are directly responsible for some of the looks often associated with cinematic productions, such as horizontal lens flare and elongated bokeh. The ANAMORPHOT-CINE lenses have a 1.33x squeeze factor, making it possible to create a 2.35:1 image from a 16:9 sensor. The ANAMORPHOT-CINE lenses also provide an alternative to anamorphic adapters that are often used to create an anamorphic image using a standard lens. The new lenses will be available for demo at the BVE Expo in London from February 23-25. Pricing is yet to be announced. Press release:
The pad is also easy to clean, ensuring that it remains in top condition for future performances. Overall, the close-up magic table pad is an indispensable tool for any magician, helping to elevate their close-up magic tricks and create a mesmerizing experience for the audience..
Reviews for "The Close-Up Magic Table Pad: Improving Your Magic Tricks"
1. Jane - 2 stars - I was really disappointed with the Close up magic table pad. It was advertised as a durable and non-slip mat, but it turned out to be flimsy and constantly moved around during my performance. The material felt cheap and the edges started fraying after just a few uses. I had high hopes for this product, but it definitely did not live up to my expectations.
2. Mark - 1 star - I regret purchasing the Close up magic table pad. It was extremely thin and provided no cushioning or protection for my props or cards. It also had a strong chemical smell that lingered even after washing it multiple times. The non-slip feature was practically nonexistent as the pad constantly slipped off the table during my performances, leading to disruptions and embarrassing moments. I would not recommend this product to any fellow magicians.
3. Sarah - 2 stars - The Close up magic table pad was a disappointment for me. The size was much smaller than I anticipated, and it barely provided enough space for my props and card tricks. The material also felt rough and uncomfortable to the touch, which made it difficult to smoothly perform my sleight of hand moves. Overall, I found the quality to be subpar and not worth the price I paid. I would advise others to look for better alternatives in the market.