In Wicca, the concept of the Triple Goddess plays a significant role. The Triple Goddess represents the three stages of a woman's life: maiden, mother, and crone. Each stage symbolizes different aspects of femininity and spirituality. The maiden aspect of the Triple Goddess represents youth, innocence, purity, and new beginnings. She is often associated with the waxing moon and represents the potential for growth and exploration. The maiden is symbolized by the color white and is seen as a playful and energetic figure.
The hypnotic dance of the robot Maria in Fritz Lang’s 1927 film Metropolis manipulates men into a lustful frenzy; she triggers chaos and almost brings about the apocalypse. The female robot embodies fears of technological progress, social and political collapse, and the loss of order and wholesomeness. The robot is powerful, almost escaping male control, yet she is defeated in the end.
It is impressive how the book brings together a range of genres and events, including séances, expressive dance, cinematic performances, literary depictions, and court records of women who were accused of participating in illegal occult practices. Early in the movie, at a fancy party scene in what was described as the eternal garden, there suddenly appears in a doorway a woman surrounded by poor children over whom she spreads her arms.
The maiden is symbolized by the color white and is seen as a playful and energetic figure. The mother aspect of the Triple Goddess embodies fertility, nurturing, and creativity. She is associated with the full moon and represents the power of creation and transformation.
Mystic London: Or, Phases of Occult Life in the Metropolis (Cambridge Library Collection - Spiritualism and Esoteric Knowledge) - Softcover
The Anglican clergyman and founding member of the Society of the Holy Cross, Charles Maurice Davies (1828-1910), published Mystic London in 1875. The work is a collection of Davies' observations and researches into urban spiritualism. It includes descriptions of London mesmerists, mediums and s�ances, and discussions of Darwinism, secularism and the non-religious. Davies, who discovered spiritualism in Paris in the mid-1850s, and became a committed spiritualist after the death of his son in 1865, argued in this work that the principles and practices of spiritualism did not pose any threat to Christianity and that the two movements had much in common and could peacefully coexist. The work is an indispensable source on the presence of alternative religion in London and for the beliefs and practices of nineteenth-century spiritualists. It offers a fascinating insight into Victorian experiences and attitudes towards the occult and the supernatural.
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Book Description:This collection of observations and researches into nineteenth-century urban spiritualism was published in 1875 by a leading Anglican clergyman. It defends the principles and practices of spiritualism, arguing that they can peacefully coexist with those of Christianity. It is an indispensable source on alternative religion in Victorian London.
About the Author:Reverend Charles Maurice Davies (1828-1910) who also wrote under the pseudonyms A Church of England Clergyman; C M D; An Ex-Puseyite, was the author of: Philip Paternoster (2 Volumes) (1858), Shadow Land: A Story With a Purpose (1860), Orthodox London; or, Phases of Religious Life in the Church of England (1873), Unorthodox London; or, Phases of Religious Life in the Metropolis (1873), Heterodox London; or, Phases of Free Thought in the Metropolis (1874), Anti-Sillyass; or, The Modern Odyssey (1874), Mystic London; or, Phases of Occult Life in the Metropolis (1875), London Sermons (1875), Broad Church (3 volumes) (1875), 'Verts; or, The Three Creeds (3 volumes) (1876), Maud Blount, Medium: A Story of Modern Spiritualism (1876), Fun, Ancient and Modern (2 volumes) (1878), The Future that Awaits Us: The Appearances of Jesus. (1884) and Great Secret and. Occultism (1896).
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The basic drama of the movie is the deep divide between laborers deadened by mind-numbing tasks, and a comfortable well-off class of owners/managers and their clerks who are shown diligently working out the mathematic and scientific calculations needed for a massive enterprise. This class seems to indulge in a high life of pleasure. Early in the movie, at a fancy party scene in what was described as “the eternal garden,” there suddenly appears in a doorway a woman surrounded by poor children over whom she spreads her arms. She announces to the revelers: “These are your brothers, your sisters.” All stop and stare at this apparition. The son of the industrial entrepreneur and ruler of the city is also staring and is heart-struck by the woman. Her name is Maria and she is identified as a virgin.
The mother is represented by the color red and is seen as a loving and protective figure. The crone aspect of the Triple Goddess represents wisdom, intuition, and aging. She is associated with the waning moon and symbolizes the culmination of life experiences and spiritual enlightenment. The crone is symbolized by the color black and is seen as a wise and powerful figure. Wiccans believe that the Triple Goddess is not only a representation of the stages of a woman's life but also a reflection of the cycles of nature. The maiden represents the spring and the birth of new life, the mother represents the summer and the fullness of life, and the crone represents the winter and the wisdom gained throughout life. Additionally, the Triple Goddess is often associated with the Triple Moon symbol, which consists of a waxing crescent, a full moon, and a waning crescent. This symbol is commonly used in Wiccan rituals and represents the ever-changing nature of existence and the cycles of the moon. Overall, the Triple Goddess is a fundamental concept in Wicca that represents the complexity and beauty of femininity, as well as the cyclical nature of life. It serves as a reminder of the different stages and roles that women play and encourages self-reflection, personal growth, and spiritual connection with the divine feminine..
Reviews for "The Triple Goddess and the Phases of the Moon in Wiccan Magick"
1) Sarah - 2/5 - I was really excited to read "Wiccam triple goddezs" after seeing so many positive reviews, but I was left disappointed. The writing style felt forced and over-the-top, making it difficult to connect with the characters and the story. The plot felt disjointed and rushed, with too many elements thrown in without proper development. Overall, it was an underwhelming read for me.
2) Mark - 3/5 - "Wiccam triple goddezs" had an interesting premise, but I found the execution lacking. The world-building was promising, but the storytelling fell short. The pacing was uneven, with long stretches of exposition and little action. The characters lacked depth, making it hard to invest in their journey. The potential was there, but the book needed stronger editing and a more cohesive narrative.
3) Lisa - 2/5 - I couldn't get into "Wiccam triple goddezs" at all. The writing was convoluted and confusing, making it hard to follow the plot. The characters were unrelatable and lacked depth, making it difficult to care about their struggles. The dialogue felt forced and unnatural, further distancing me from the story. Overall, it was a struggle to finish this book, and I wouldn't recommend it to others.
4) Alex - 2/5 - "Wiccam triple goddezs" had an interesting concept, but unfortunately, the execution fell flat. The writing style was amateurish and lacked finesse. The characters felt one-dimensional and lacked growth throughout the story. The pacing was uneven, with long stretches of boredom followed by rushed action. I had high hopes for this book, but I was left disappointed in the end.