Bone divination art refers to the ancient practice of using bones, ivory, or shells to predict the future or gain insight into unanswered questions. This form of divination has been used by cultures all over the world, from Africa to Asia to Europe. The bones, shells, or ivory are thrown or cast onto a surface, and the patterns formed are then interpreted by the diviner. One of the most famous examples of bone divination art is the use of the cowrie shell by African diviners. Cowrie shells were considered sacred and were believed to possess spiritual power. They were often used in rituals and ceremonies and were also used as a form of currency.
The easiest is the yes/no method. Simply ask a yes or no question, take a bone, and drop it on a table or other hard surface. If it lies more horizontal, the answer is yes. If it is more vertical, the answer is no.
Throughout the Old Testament, a number of colorful Biblical characters used bone divination as a means to predict the future and advise patrons on matters ranging from the ordinary to issues of communal or tribal importance. The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection.
They were often used in rituals and ceremonies and were also used as a form of currency. When used for divination, the shells were thrown onto the ground or a special mat, and the patterns formed were interpreted to provide guidance or answer questions. Another notable example of bone divination art is the use of the knucklebones of sheep or goats in ancient Greece and Rome.
Bone Reading Sets
I have four different bone sets, soon to be five. The first one I acquired is a set called “Witchdoctor Bones: The Art of African Fortune Telling.” I bought this so long ago that the bones have dried out and one has cracked in two places. It is a simple set that comes with six bones, four stones and two nuts of some sort. There is a small pamphlet of instructions that was originally yellow, but now is turning brown with age. The instructions are brief and not very enlightening. I couldn’t make much sense of them so I put them away.
I acquired my next set on my first visit to the Lucky Mojo Shop over ten years ago. It was a set of Shagai and it came in a small embroidered pouch, with a one page sheet of instructions. It consisted of four sheep astragali. The bones have four faces and you take the number from each face and determine the meaning of the toss from the numbers. You can find the instructions in cat yronwode’s Throwing the Bones (page 50), and in the book Riding Windhorses. This set was very easy to understand. The most difficult thing was learning to tell which side of each bone was showing so that you could determine its number and refer to the answer sheet. It was fun, but not very challenging. As a tarot reader, I had what I thought was a better means of divination available to me, so the Shagai were also put away after a brief while.
I got my third set from Lucky Mojo also. It is a Bone Reading Set, item number DIV_BON_SET1. It consists of fifteen items, a muslin bag with an item list, and a double-sided page of instructions. You can see one that is very similar to it here. I was in the San Francisco Bay area visiting friends when I purchased it. On the first night of my visit one of my hosts did a bone reading for me. I didn’t have a question at the time so I just made something up off the top of my head. The reading was so good that it even indicated that my question was BS. The next day we were off to Lucky Mojo with the bone set being number one on my list of things to purchase.
I got a set of my own and I got to visit with cat and nagasiva for a little while. Cat demonstrated some things about the bone set and made some recommendations on things to go with the basic set, which I bought. I also purchased a bunch of small items to go with it of the type that you really have to be in the shop to appreciate, and I purchased cat’s new book Throwing the Bones. It was like being a small child in a candy shop. I had to pass on the silver-lined kapala though, as it was a bit out of my price range.
I started reading the book and playing with my bones immediately. I played with them every evening of my visit and I have continued to work with them almost every day since.
My enjoyment and interest in the bones and all things bone related led to my purchasing The Oracle of the Bones, by Claire O’Neil. It is interesting in its own right, but it is a fixed system, with four resin bones, a reading cloth and a book with meanings of different thrown configurations. It is out of print now, but it is still readily available used and in some cases new.
My original Lucky Mojo set of fifteen items has changed quite a bit. I have added and removed pieces such that it is now a truly unique and personal tool. It has many more pieces for one thing. I also made a couple of reading cloths and I bought a goat skin to use a reading surface. It makes an aesthetically pleasing backdrop for the bones. You can see a bit of it in the header above.
Bone reading systems have been around almost as long as mankind, yet I have found that there is a dearth of written material on how to read the bones. Cat yronwode’s book is a good starting place, and every time I have had a reading done by another reader I have learned something new and interesting about bone reading, even if it is only how many different ways there are to do it. There are still some people who learned to read the bones in a family or other traditional manner. Some are even on the Internet. I suspect that as bone sets become more available, and as more people try them, they will become increasingly popular. The method I use is not based on any tradition, but it works for me. Judging from the number of people now offering bone readings I suspect that I am not the only one who has found this to be so. I have spent more hours on the bones than I care to think about, when I should be doing other things. Yet my enthusiasm hasn’t waned – it has increased. This blog is a way for me to express and share my enthusiasm.
By admin | 2012-12-20T21:39:41-08:00 December 20th, 2012 | Divination Sets, Show and Tell | Comments Off on Bone Reading Sets
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These knucklebones were often used as dice in games, but they were also used for divination purposes. The bones were thrown onto a flat surface, and the positions in which they landed were interpreted to determine the outcome of a situation or provide guidance. In some cultures, such as the Native American tribes of North America, animal bones were used for divination. The bones of animals such as deer or bison were considered to hold spiritual significance and were used to communicate with the spirit world. The bones were often thrown onto a hide or other surface, and the pattern formed was interpreted by a shaman or medicine man to provide insights or answer questions. Overall, bone divination art is an ancient and fascinating practice that has been used by cultures around the world. It involves the interpretation of patterns formed by bones, ivory, or shells thrown onto a surface. Whether using cowrie shells, knucklebones, or animal bones, the diviner seeks insight and guidance into the future or unanswered questions. The art of bone divination continues to be practiced and appreciated by those who seek a deeper understanding of the world around them..
Reviews for "Bone Divination in Popular Culture: From Movies to Books"
1. Sarah - 2/5 - I was really disappointed with the bone divination art workshop. The instructor seemed disinterested and lacked knowledge about the subject. The materials provided were subpar and the overall experience felt rushed. I came into the class with high expectations and left feeling unsatisfied. I wouldn't recommend this workshop to others who are looking to learn about bone divination.
2. John - 1/5 - This bone divination art class was a complete waste of time and money. The instructor seemed more concerned with promoting their own products than actually teaching us about the art. The information provided was shallow and lacked depth. I left the class feeling confused and unsatisfied. Save yourself the trouble and find another workshop that actually delivers on its promises.
3. Emily - 2/5 - I attended the bone divination art class hoping to learn more about this unique form of divination. However, the instructor's teaching style was disorganized and hard to follow. The class lacked structure, and the information provided was very basic and didn't go into any depth. I left feeling like I hadn't learned anything new. I wouldn't recommend this workshop to anyone seeking a comprehensive understanding of bone divination.