In recent years, there has been a resurgence in the popularity of vinyl records among music enthusiasts. The spell of vinyl continues to captivate listeners and maintain a strong following. One of the main reasons for this enduring fascination with vinyl is the unique sound quality that it offers. Many audiophiles argue that vinyl records produce a warmer and richer sound compared to digital formats. The analog nature of vinyl is believed to preserve the nuances and subtleties of the music, providing a more authentic and immersive listening experience. Additionally, vinyl records are prized for their tangible nature.
Metafields::JsonStringDrop, "jit"=>0, "listed_at"=>"2022-11-13 20:21:12", "media_mail_compliant"=>1, "on_preorder"=>0, "preorder_ship_date"=>"none", "record_label"=>"Metal Blade Records", "secondary_brands"=>Metafields::JsonStringDrop, "time_to_ship"=>"Usually ships in 1 business days"> -->
Established as intrepid pathfinders on the journey of classic Heavy Metal into the mystic, Tragic Magic sees the Vancouver outfit honing their approach to seductive effect. The advent of CD-R and CD-RW formats, which, rather than being factory-stamped, use photosensitive dyes to allow for writing by capable disc drives, has opened the door for anyone with a modern computer to create their own CDs at a very cheap cost.
Additionally, vinyl records are prized for their tangible nature. Holding an album in your hands, carefully placing it onto a turntable, and delicately lowering the needle can be a ritualistic experience that connects the listener to the music in a more personal and engaging way. The large album artwork also allows for a deeper visual appreciation of the music.
Spell Songs: Spell Songs II – Let the Light In Review
The subtitle for Spell Songs’ latest studio album – Spell Songs II – is Let The Light In. Sometimes people don’t really read into album titles but this album is definitive proof that they should; they almost always tell you what kind of album you’re going to be experiencing.
Let The Light In is just like the title suggests – an extremely uplifting, calming, riveting, and oftentimes moving collection of songs featuring truly talented artists, culminating in one of the best indie-folk albums of the entire year.
The one job that every album opener has is to make sure that it conveys to the listener what kind of album they’re going to hear for the next hour or so. Sometimes a poor opener can sour your taste on an entire album – gratefully, that’s not the case here. Bramble serves as a hopeful opener, symbolizing that it’s time to Let the Light In and be prepared to be inspired with the rest of the songs to come.
Karine Polwart’s vocals effortlessly flow through the track. She never once belts any vocal, instead choosing to lay low a little bit. She simply meditates the lyrics and it results in a deeply moving and interesting opener which is just what this album needed.
This track then beautifully transitions over to the stripped-down guitar featured on St Kilda Wren sung by Julie Fowlis whose vocals are genuinely haunting yet peaceful at the same time. Crafting a song this methodical yet folksy is such a difficult task and yet Fowler rose to the occasion and made it look like a cakewalk.
But easily the strongest on the album is the next song – Oak, with lead vocals provided by Kris Drever, who shines brightly on this track. His vocals are a perfect mixture of country and folk, culminating in a truly memorable and catchy tune, and one that will most definitely be added to my daily rotation playlist. Simple instrumentals blended with the carefree vocals by Drever is a recipe for greatness.
Some tracks are so truly show-stopping that others simply don’t stand out as much in contrast , such as Rachel Newton’s Swifts. While still a marvellous tune, it definitely feels as though it lacks some of the flair and style that the previous tracks so effortlessly displayed. The same sentiment can be echoed with Beth Porter’s Daisy. A great track to be sure, but there are some missing ingredients.
Gratefully though, things start to pick up once again as soon as Swallow begins. It’s definitely one of the most menacing tracks on the album, featuring some gorgeous vocals by Jim Molyneux.
Spell Songs II: Let The Light In is a terrific exercise in indie folk music and one that is sure to take you on a rollercoaster ride of emotions throughout its fifteen tracks. Not all of them are equally great, but you’d be hard-pressed to find better, more fine-tuned indie album this year.
Score: 4/5
Share this:
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on WhatsApp (Opens in new window)
CDs experience no physical degradation from repeated playings, as the laser read mechanism does not physically wear down the surface. CDs are less sensitive to temperature, humidity and rough handling than vinyl, but are still susceptible to scratches and extreme temperatures or conditions. Stamped discs do not lose quality over time, but the CD-R and CD-RW formats used in-home by consumers can slowly degrade over several years.
Another factor contributing to the enduring spell of vinyl is the collectability and nostalgia associated with these records. Many music lovers enjoy browsing through record stores, flipping through stacks of albums, and stumbling upon hidden gems. Owning a physical copy of an album also creates a sense of ownership and pride that is often lacking in digital music consumption. Furthermore, the vinyl format serves as a gateway to exploration and discovery. As collectors seek out rare and obscure albums, they are exposed to new genres and artists they may have otherwise overlooked. This exploration of different musical landscapes can broaden one's horizons and lead to a deeper appreciation for the art form. It also allows for a greater connection to the past, as vinyl records are a link to the earlier eras of music production. In conclusion, the spell of vinyl continues to enchant music enthusiasts due to its unique sound quality, tangible nature, collectability, and role in exploration and discovery. As long as there are listeners who appreciate the immersive and personal experience that vinyl provides, this format will thrive and live on in the hearts of music lovers around the world..
Reviews for "The Vinyl Resurgence in Film: How Soundtracks Are Driving Interest in Records"
1. John - 2/5
I was really disappointed with the "Continuing the Spell" vinyl. The sound quality was subpar, with constant crackling and distortion. It was as if the pressing was rushed and lacked proper quality control. The album itself also felt lackluster, with a few standout tracks but mostly forgettable ones. I was expecting a much better product considering the hype around it.
2. Sarah - 2/5
I have to say, "Continuing the Spell" vinyl didn't live up to my expectations. The packaging was poorly designed and flimsy, which is a shame because I love collecting vinyls for their aesthetic appeal. The album itself felt disjointed and lacked cohesion. The songs didn't flow well together, and it felt like a collection of random tracks rather than a cohesive body of work. Overall, it was a letdown for me.
3. Michael - 1/5
"Continuing the Spell" vinyl was a complete waste of money for me. The vinyl itself was warped and caused skipping issues, even though I handled it extremely carefully. Aside from that, the songs were just not enjoyable to listen to. The artist's vocals were often off-pitch, and the instrumentals felt repetitive and unoriginal. I regret purchasing this vinyl and would not recommend it to anyone.