dallas cowbohs

Wiccan lunar progression is a concept that is deeply rooted in Wiccan traditions and beliefs. In Wicca, the moon holds significant importance and is considered a symbol of feminine energy and power. The lunar cycles play a vital role in Wiccan rituals, magic spells, and the overall spiritual practices of Wiccans. The lunar progression consists of eight distinct phases, each representing a different aspect of the moon's journey. These phases are widely recognized and observed by Wiccans to mark the passage of time and to align their energy and intentions with the natural rhythms of the Earth and the cosmos. The first phase of the lunar progression is the New Moon.

Pure historical overview of magic goes to David Prices's large thome. It is very well researched and writen.

Black pebbled paper over boards, TA and publisher s logo in gold on spine, white illustrated dj, TA and publisher s logo in black on spine, TA in black and illustration of black top hat and white dove on front panel, black and white reproduction of The Great Lafayette poster on rear panel, buff endpapers. I find the Encyclopedia of Magic and Magicians by TA Waters to be an invaluable reference source although it does contain the occasional inaccuracy or omission.

The first phase of the lunar progression is the New Moon. This is the time when the moon is not visible in the sky, representing the beginning of a new cycle. It is a time for setting intentions, starting anew, and planting seeds for new projects or goals.

The magic thrie

I'll start this forum off by asking what is your favorite magic history book and why? It could be a general history book, a history book which focuses on a specific topic, or it could be a biography.

A good read is "A Life Among Secrets" the Uncommon life and adventures of Eddie Fields by Stephen Minch. Here's a man that did it all and led by all account a very interesting life. I enjoyed it and would recommend it as a decent biography

My top two favorite magic books happen to be autobiographies: "Milo & Roger" by Arthur Brandon and "Illusion Show" by David Bamberg. Two men with wildly disparate backgrounds and of different generations, both books have fascinating stories of development through trial and adversity. Not only about magic, both have a lot to say about the performing arts and self-producing.

I go back to them again and again and again.

As far as general history of magic is concerned, I like Milbourne Christopher's The Illustrated History of Magic, even though some of his statements do not stand up to extremely close scrutiny. It at least gives a perspective of what was going on around the world at various historical times.

Fifty Years in the Magic Circle by Signor Blitz is another book that gives a good read.

I'm not as sanguine about the Robert-Houdin memoirs, because some of the material therein is patently untrue. It's a good publicity book, though.

Founder of CODBAMMC

My Chickasaw name is "Throws Money at Cups."

"Hiding the Elephant: How Magicians Invented the Impossible and Learned to Dissapear" by Jim Steinmeyer is a TERRIFIC book outlining the history of "invisibility". The book itself is fairly new, I don't think it has even been out a full year. This one is a really great read. I had much troubles putting it down.

"Houdini on Magic" (edited by Walter B. Gibson & Morris N. Young is a very intriguing book, because it is basically Houdini talking about all of his various picks and methods for escaping from. well everything! There IS a small section on magic, but it is fairly elemetary stuff, and the book's forte is really about escapism.

Expect the Unexpected

Magic: A Pictoral History of Conjurers in the Theater

I think it is a well writen history. Otherwise, I tend to be fond of Bibliographys. But, I am a book collector.

I guess my favorite initial book was Milbourne Christopher's "Panorama of Magic". True enough it was very superfical and fleeting and even inaccurate in some areas but you never had the opportunity I had to discuss it.

I sat down at my first Columbus Magi-
fest about 1975 with Horace Marshall. I was new to magic and I have always loved history. I mentioned every name I had read in Christopher's book. Horace either had seen them, built for them, or knew about them. Wow what a treat.

There are so many very good books out there now. Anything by Mike Caveny or Jim Steinmeyer are must reads. Both detail nuts and beautiful writers.

Pure historical overview of magic goes to David Prices's large thome. It is very well researched and writen.

Richard E. Hughes, Hughes Magic Inc., 352 N. Prospect St., Ravenna, OH 44266 (330)296-4023
www.hughesmagic.com
[email protected]
Write direct as I will be turning off my PM's.

Thought I’d jump in with a title and some comments.

There are many good books out there, but one author not yet mentioned is Eddie Dawes. His writing is so consistently good, prolific, AND accurate. Plus, I can’t think of another history author who documents his facts with references so well.

“Illusion Show” by David Bamberg has been widely heralded as a great read – and for good reason. Great selection, in my opinion.

Generally, I agree with Bill Palmer’s comments, though I’d add that I believe Blitz’s autobiography has a lot of puff in it as well – perhaps that’s what Bill meant by his “good read” comment. As to Robert-Houdin’s biography, accurate or not, it is a true classic of our literature. Yes, he took literary license, but his chapter on mountebanks, often omitted in the English-language editions, is generally thought to provide excellent insight into their lives.

Jordini’s selection of Houdini on Magic is an interesting choice. What I also like about that book is the Houdini “articles” on the likes of Katterfelto, Jacob Philadelphia, Hofzinser, and George Heubeck. Perhaps some or all of this material first appeared in Houdini’s Conjurer’s Magazine, but I still love reading it.

The Magician’s selection of the Blackstone Book of Magic and Illusion is another interesting choice, though I’ve often wished that Blackstone wrote more about his family history than about general magic history (then again, maybe the history section was really done by Charlie and Regina Reynolds).

BKentner’s choice of the Price book is another good one. Price pulled few punches, and perhaps the only major drawback to his work is that his attitude comes through so clearly sometimes that a reader has to wonder where the history left off and the bias crept in. Lest anybody think I’m trying to knock a dead man, David was always kind to me and I did make this comment to him one day, to which he replied (in typical Price fashion), “well it’s my book, Clay.” Right you were, David.

I envy hugmagic’s chance to sit down and chat with a man like Horace Marshall. What a treat and rare opportunity. By the way, Milbourne Christopher's first history book was a little pamphlet titled “Panorama of Prestidigitators,” 44 pages long and self-published by the author in 1956. It’s pretty hard to find nowadays.

To those of you who have been kind enough to jump in and offer your thoughts, here is a sneak preview of an entry for Dr. Dawes’ The Great Illusionists verbatim from the first instalment of the second edition of Historians’ Guide to Conjuring. It should be going to the printer, and I’m pasting it here in a flush of pride and relief and as a “proud papa.”

I realize that some of you may find the information is more than you care to know, but like bkentner, I’m a book lover. If any of you care to comment on the entry, please feel free, good or bad. I just hope enough people but the book or I’m gonna lose my shirt on this thing!

“[EAD100] — The / Great / Illusionists.
Newton Abbot[, Devon] & London: David & Charles, [1979]. Printed in Newton Abbot by Redwood Burn Limited, Trowbridge and Esher. ISBN 0-7153-7773-6. First U.K. edition, approximately 5,000 copies printed (unstated).
(24.6 x 19.2 cm.) [i-x]11-216 pp. Illustrated, references and notes, index.
Black pebbled paper over boards, TA and publisher’s logo in gold on spine, white illustrated dj, TA and publisher’s logo in black on spine, TA in black and illustration of black top hat and white dove on front panel, black and white reproduction of The Great Lafayette poster on rear panel, buff endpapers. £7.50.

See illustrations EAD100TP, EAD100CVR, EAD100DJ, and index reproduced at pp 55-59. As the blurb aptly states, this book “traces the history of conjuring and illusion through the lives and achievements of the finest practitioners of the art …”. This book was written over an astonishingly short period in 1978. As with The Book of Magic, Dawes was approached by the publisher on extremely short notice to write a book which had already been titled and in fact pre-sold at the Frankfurt Book Fair in 1978. During the Christmas holidays of 1978, the author and his wife spent two intense weeks in their den, the author dictating the text and Mrs. Dawes typing it up. Profusely illustrated and one of the classics of conjuring histories, uniquely reflecting the author’s training as a scientist and science’s relationship to magic through the ages.”

I find the 'Encyclopedia of Magic and Magicians' by TA Waters to be an invaluable reference source (although it does contain the occasional inaccuracy or omission).

I'd love to see it brought up to date with the inclusion of many more photographs and entries.

To those of you who have been kind enough to jump in and offer your thoughts, here is a sneak preview of an entry for Dr. Dawes’ The Great Illusionists verbatim from the first instalment of the second edition of Historians’ Guide to Conjuring. It should be going to the printer, and I’m pasting it here in a flush of pride and relief and as a “proud papa.”

As the moon starts to wax and becomes visible in the sky, it enters the Waxing Crescent phase. This is a time of growth and manifestation, where Wiccans focus on nurturing their intentions and allowing them to prosper. The next phase is the First Quarter, also known as the Waxing Half Moon. This phase is associated with action and taking steps towards achieving one's goals. It is a time for making adjustments and overcoming challenges that may arise. The Waxing Gibbous phase follows, representing a time of refinement and fine-tuning. Wiccans use this phase to evaluate their progress, reassess their intentions, and make any necessary changes to ensure continued growth and success. The Full Moon, perhaps the most well-known phase, symbolizes the peak of energy and power. It is a time for celebration and gratitude, as well as for performing rituals and spells that harness the heightened energy of the moon. After the Full Moon, the moon begins to wane, entering the phase known as Waning Gibbous. This phase is associated with reflection and release. Wiccans use this time to let go of anything that no longer serves them and to release any negative energies or emotions. The Last Quarter, or Waning Half Moon, follows as the moon continues to decrease in size. Wiccans use this phase to evaluate their progress, learn from their experiences, and prepare for the next cycle. Finally, the moon enters the Waning Crescent phase, also known as the Balsamic Moon. This is a time of rest, reflection, and introspection. It is a period for self-care and taking a break before the start of a new cycle. Wiccans believe that by aligning their practices with the lunar progression, they can tap into the natural energies of the moon and the universe. This allows them to enhance their spiritual connection, manifest their intentions, and live in harmony with the cycles of nature. The Wiccan lunar progression serves as a guide for Wiccans to live intentional and balanced lives, both spiritually and magically..

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