The magical fortress sonnet is a unique and captivating form of poetry that combines the enchantment of magic with the structure and elegance of a sonnet. In this form, the poet weaves a tale of a mystical fortress that holds extraordinary powers and secrets. The main idea of the magical fortress sonnet is to transport the reader into a world of fantasy and wonder. The poet uses vivid language and imagery to create an enchanting setting within the fortress, where anything is possible. This form of poetry allows the reader to escape from reality and enter a realm where imagination reigns supreme. The sonnet form adds to the beauty and allure of the magical fortress sonnet.
The sonnet form adds to the beauty and allure of the magical fortress sonnet. With its strict rhyming scheme and rhythm, the sonnet creates a sense of harmony and balance within the poem. The fourteen lines of a sonnet also provide a structure that guides the poet's exploration of the magical fortress and helps to convey the themes and emotions of the poem.
Return from Witch Mountain (1978)
Alien kids with psychic powers, Tony (Ike Eisenmann) and Tia (Kim Richards), come to Los Angeles, California, for a vacation. After he is seen using his powers, Tony is kidnapped by an unscrupulous scientist (Christopher Lee, House of Dracula) and his greedy sidekick (Bette Davis), who want to exploit the boy’s abilities.
Reaction & Thoughts:
“That’s why I like science. They’re always discovering new expensive things.”
Against all expectations, Escape to Witch Mountain (1974) made tons of money for the Walt Disney Corporation. Not entirely unexpected, the studio decided that the success of the 1974 movie demanded a sequel. Malcolm Marmorstein, who had written Disney’s highly popular musical fantasy Pete’s Dragon (1977), came up with Return from Witch Mountain, which I ended up enjoying far more than I anticipated.
The movie continues the saga of extraterrestrial siblings with telekinesis powers, Tony and Tia. While Return from Witch Mountain isn’t as interesting as the somewhat somber Escape to Witch Mountain, the admittedly goofier sequel felt a bit tidier than its predecessor — the story moves along at an entertaining pace.
As he did with Escape to Witch Mountain, director John Hough (The Legend of Hell House) does his darn best to keep things from getting too cute. I was also pleasantly surprised to see that the visual effects were a tad better the second time around. While the optical effects are still nowhere near the level of Mary Poppins (1964), the illusions are good enough. Lalo Schifrin’s (Dirty Harry) music score is good, too.
Additionally, veterans Bette Davis and Christopher Lee inject credibility into many silly situations. Lee is genuinely creepy as the “mad scientist” who wants to use the kids for his own nefarious purposes. It’s as if no one bothered to tell him that this was a Disney flick — Lee’s imposing 6’5″ frame and potent voice tower over all others in the film.
Lee has good rapport with Davis. However, unlike Lee, Davis places her tongue into her cheek — she provides plenty of giggles as Lee’s greedy partner-in-crime. Child actors Ike Eisenmann and Kim Richards are as likable as ever. Character actor Anthony James (Burnt Offerings) has a few good moments as Davis’s shady nephew.
Conclusions & Final Thoughts:
Return from Witch Mountain may not have quite the amount of cheerleaders Escape to Witch Mountain has, but I liked it. The film is light entertainment, but I don’t really see that as a negative. The kids were great, and it was a lot of fun seeing heavyweight champions Bette Davis and Sir Christopher Lee together in a movie aimed at children. Followed by a short-lived TV series. Color, 94 minutes, Rated G.
Bette Davis AND hot mess express Kim Richards in a movie together? That’s almost too much to handle. I love 70s Disney, so much fun and the look of the films of this era are so fake and polished. Love it.
Within the magical fortress sonnet, the poet may explore a variety of themes and ideas. The fortress itself may symbolize a place of safety and protection, or it may represent a barrier that the protagonist must overcome. The magic within the fortress may serve as a metaphor for the power of imagination, or it may represent the supernatural abilities and forces that exist within the poet's imagined world. Regardless of the specific themes or ideas explored within the magical fortress sonnet, the main idea remains the same: to transport the reader into a world of enchantment and awe. Through the carefully chosen words and imagery, the poet invites the reader to step inside the magical fortress and experience its wonders for themselves. In conclusion, the magical fortress sonnet is a captivating form of poetry that combines the allure of magic with the elegance of a sonnet. Through vivid language and imagery, the poet transports the reader into a world of fantasy and wonder, exploring themes of protection, barriers, imagination, and supernatural forces. This form of poetry invites the reader to escape from reality and enter a realm where anything is possible..
Reviews for "Resurrecting Legends: Using Magical Fortress Sonnets to Preserve Folklore"
1. Jane - 2/5 - I was really disappointed with "Magical fortress sonnet." The plot was confusing and hard to follow. The characters were one-dimensional and I couldn't connect with any of them. The writing style felt disjointed and at times pretentious. Overall, I found this book to be a struggle to finish, and I would not recommend it to others.
2. Mark - 3/5 - While "Magical fortress sonnet" had an interesting premise, I felt that it fell short of its potential. The world-building was weak and the magical elements were underdeveloped. The pacing was inconsistent, with long periods of inaction followed by rushed and chaotic scenes. The dialogue was also lackluster and did not engage me as a reader. Although there were some moments of intrigue, overall, I found this book to be average at best.
3. Sarah - 2/5 - "Magical fortress sonnet" was a confusing and convoluted read. The story lacked a clear direction, making it difficult to stay engaged. The characters were shallow and lacked depth, which made it hard for me to care about their struggles. Additionally, the writing style was overly verbose and self-indulgent, making it a chore to read. I was disappointed with this book and would not recommend it to others.
4. Michael - 2/5 - I had high hopes for "Magical fortress sonnet," but unfortunately, it did not live up to my expectations. The plot was muddled and the pacing was erratic. I found myself constantly questioning the decisions and motivations of the characters, as they were not well developed. The writing style was overly descriptive and bogged down the story, making it a tedious read. Overall, I was left feeling dissatisfied and would not recommend this book.