Magic is a powerful and intriguing force that has captivated human beings for centuries. From ancient rituals to modern fantasy novels, magic has always held a certain allure and fascination. But with great power comes great responsibility, and magic is no exception. The weight of magic refers to the burdens and consequences that come with harnessing such a force. While magic can be used for good, it can also be easily abused and lead to disastrous outcomes. It is not a mere tool or plaything, but a force that must be respected and wielded responsibly.
It is not a mere tool or plaything, but a force that must be respected and wielded responsibly. One of the key aspects of the weight of magic is the ethical dilemma it presents. When one has the power to influence the world around them through magic, they must constantly grapple with questions of right and wrong.
History of Pioneer Pete
Alameda County State College was established by the California state legislature in 1957 and first opened its doors to students in September of 1959. As the current Hayward Hills location was not yet ready to house the university, classes initiated at Foothill High School downtown. At the same time that the new college was coming into being, the United States was locked in the beginnings of a Cold War-spawned Space Race with the Soviet Union. NASA’s unmanned Pioneer Space Program had begun in 1958, and the feeling of breaking new ground (literally) with the hilltop campus and an association with President Kennedy’s “New Frontier” at the time led to the selection of a “Pioneer” theme to represent the new college – represented by an astronaut mascot - along with a cosmic set of colors for the college: red, black, and white.
The first known appearance of “The Pioneer,” what the mascot was originally called, is a drawing from 1961 of an astronaut in a red, black, and white space-suit with a helmet, the only visible physical features of the Pioneer being a nose and an eye, making the figure androgynous and mysterious. The Pioneer is standing next to the Great Seal of the State of California which is surrounded by a red ring that reads “Alameda County State College” with “Pioneers” in black below the encircled state seal. While there are other interpretations of the Pioneer that appear throughout the first half of the 1960s, particularly on student hand books of more cartoonish, “Jetsons-esque” looking drawings, the state seal incarnation of The Pioneer seems to be the most “official” of the time period. In the 1963 Elan yearbook, there is an image of two female students unveiling a large statue of the Pioneer mascot and the last known bit of Space Age theming is the 1965 Elan, with rocket ships on the cover and the first ten pages being a countdown to “blast off!”
The Pioneer (and any evidence of a mascot at all) disappears from the historical record for twelve years. In 1972, the then California State College at Hayward became California State University, Hayward. In 1977, the student-ran yearbook began once again, now called Horizons instead of Elan. The cover illustration is of a herd of silhouetted horses running through a valley of what can be assumed to be the Hayward/East Bay Hills. Inside, several different sketches of various “Wild West” looking individuals abound, apparently a new mascot for a newly named university. As the excitement of the space race subsided, the Pioneer morphed into a wild, coonskin cap-wearing frontiersman, a Daniel Boone type character. In the 1980s, “Pioneer Pete” had officially been adopted, including the revolver he carried in his hand and the small sack of presumably gold that hung from his hip.
By 2005, a new, gun-free Pioneer Pete that would be recognizable to students of recent years appeared, sporting a very long and shaggy, reddishbrown beard-mustache combo and cowboy/western-esque hat. In 2013, the latest interpretation of Pioneer Pete, who sports a brown mustache; black, wide-brimmed hat with a white band; a red “Cal State East Bay” t-shirt; blue jeans; and a Pioneers belt buckle, came into existence. However, the Pioneer and Pioneer Pete’s history does not end here.
On April 23rd, 2018, The Daily Aztec, San Diego State University’s campus newspaper, announced that the California Faculty Association condemned three different mascots from the California State University system: San Diego State University’s Monty Montezuma the Aztec Warrior, California State University, Long Beach’s Prospector Pete, and California State University, East Bay’s very own Pioneer Pete “as being representative of ‘a genocidal history against Indigenous peoples in California.’”
On May 10th, 2018, CSU East Bay’s Faculty Diversity and Equity Committee (FDEC) passed a resolution to retire the current image of Pioneer Pete. Afterward this resolution headed to CSUEB's Academic Senate and on October 6 the senators voted to remove Pioneer Pete as the mascot.
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The first known appearance of “The Pioneer,” what the mascot was originally called, is a drawing from 1961 of an astronaut in a red, black, and white space-suit with a helmet, the only visible physical features of the Pioneer being a nose and an eye, making the figure androgynous and mysterious. The Pioneer is standing next to the Great Seal of the State of California which is surrounded by a red ring that reads “Alameda County State College” with “Pioneers” in black below the encircled state seal. While there are other interpretations of the Pioneer that appear throughout the first half of the 1960s, particularly on student hand books of more cartoonish, “Jetsons-esque” looking drawings, the state seal incarnation of The Pioneer seems to be the most “official” of the time period. In the 1963 Elan yearbook, there is an image of two female students unveiling a large statue of the Pioneer mascot and the last known bit of Space Age theming is the 1965 Elan, with rocket ships on the cover and the first ten pages being a countdown to “blast off!”
What are the limits to one's power? Should they use magic to benefit themselves at the expense of others? These moral quandaries can weigh heavily on a magician's conscience. In addition to the ethical considerations, the weight of magic also includes the physical and mental toll it can take on a practitioner. using magic requires immense concentration, focus, and energy. The more powerful the magic, the more draining it can be on the individual. This can result in physical exhaustion, mental strain, and even a loss of oneself if not properly balanced and managed. Furthermore, the weight of magic extends beyond the personal realm. The use of magic can have far-reaching consequences on the world and those around the magician. Magic can disrupt the natural order, upset the balance of power, and create unintended consequences that ripple through space and time. This means that a magician carries the responsibility for the consequences of their actions, for better or for worse. The weight of magic is not just a fictional concept, but also speaks to deeper truths about power and responsibility in our own lives. It serves as a metaphor for the choices we make and the impact they can have. It urges us to consider the consequences of our actions and to use power for the greater good rather than personal gain. In conclusion, the weight of magic highlights the responsibility and consequences that come with harnessing such a powerful force. It encompasses the ethical dilemmas, physical and mental toll, and far-reaching consequences that magic can have. It serves as a reminder that power must be wielded with caution and care, as the choices we make can have a profound impact on ourselves and the world around us..
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