Last week, I had the opportunity to attend the opera house performance of The Magic Flute in New York. It was a truly magical experience unlike anything I had ever witnessed before. The production was masterfully executed, with stunning costumes, elaborate sets, and a talented cast that brought the story to life. The story of The Magic Flute is a captivating one, filled with love, adventure, and symbolism. It follows the journey of Prince Tamino as he navigates through a series of trials and tests to rescue his love interest, Pamina, from the clutches of the evil Queen of the Night. Along the way, he is guided by the lovable birdcatcher, Papageno, and encounters mystical creatures, including the powerful and wise Sarastro.
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Isabel Bayrakdarian who noted, All the singers, chamber players, dancers, and puppeteers will perform from the stage, and each will tell the story using their own medium their instruments, their voices, their bodies. Performances will be held from May 3-5, 2022 and will feature a whimsical puppet production starring singers from University of California, Santa Barbara s Opera Theatre Program, dancers and actors from the UCSB Department of Theater and Dance, and puppets of all shapes and sizes.
Along the way, he is guided by the lovable birdcatcher, Papageno, and encounters mystical creatures, including the powerful and wise Sarastro. The opera house performance truly captured the essence of Mozart's iconic masterpiece. The orchestra was flawless, bringing the beautiful and intricate music to life.
New York City Opera to Present Family-Friendly ‘The Magic Flute’
New York City Opera is set to present a family-friendly version of Mozart’s “The Magic Flute” at schools in Great Neck and New York, NY.
Performances will be held from May 3-5, 2022 and will feature a whimsical puppet production starring singers from University of California, Santa Barbara’s Opera Theatre Program, dancers and actors from the UCSB Department of Theater and Dance, and puppets of all shapes and sizes.
This new abridged version of “The Magic Flute” is arranged by Peter Tiefenbach for piano and seven singers, all of whom are double cast. The English-language translation of this opera is by Brent Krysa.
Stage and Music Director will be by Dr. Isabel Bayrakdarian who noted, “All the singers, chamber players, dancers, and puppeteers will perform from the stage, and each will tell the story using their own medium–their instruments, their voices, their bodies.”
The cast will include April Amante, Olivia Barker, Ariana Horner, Marta Hovhannisyan, Valdis Jansons, Alvise Pascucci, and Soohyun Ryu.
“The Magic Flute” be presented in a 75-minute version and will be held at Saddle Rock School, John F. Kennedy School, and Fiorello H. LaGuardia High School of Music & Art and Performing Arts.
FRANCISCO SALAZAR, (Publisher) worked as a reporter for Latin Post where he has had the privilege of interviewing numerous opera stars including Anita Rachvelishvili and Ailyn Perez. He also worked as an entertainment reporter where he covered the New York and Tribeca Film Festivals and interviewed many celebrities such as Antonio Banderas, Edgar Ramirez and Benedict Cumberbatch. He currently freelances for Remezcla.
He holds a Masters in Media Management from the New School and a Bachelor's in Film Production and Italian studies from Hofstra University.
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Oct 19, 2023Each note was played with precision and emotion, adding depth and intensity to the story. The singers, too, were exceptional, their voices resonating throughout the opera house, filling the space with their talent and passion. One of the standout moments of the performance was the portrayal of the Queen of the Night. Her aria, known as the "Queen of the Night's Aria," is famously challenging, requiring immense skill and control. The soprano who took on this role delivered a stunning performance, hitting every high note with clarity and power. The audience erupted into applause, acknowledging her mastery and talent. The set design and costumes were also remarkable. Each scene was meticulously crafted, transporting the audience to different realms and landscapes. From the enchanted forest to the grand halls of Sarastro's temple, every detail was carefully thought out and executed. The costumes were equally impressive, with vibrant colors and intricate details that highlighted each character's personality and role in the story. Overall, the opera house performance of The Magic Flute exceeded all expectations. It was a captivating and enchanting experience that reminded me of the power of music and storytelling. The talented cast, masterful orchestra, and stunning production all came together to create a truly magical event. I left the opera house with a sense of awe and wonder, grateful for the opportunity to witness such a memorable performance..
Reviews for "New York's Opera House Transforms into an Enchanting World with The Magic Flute"
1. John - 2/5 stars
I was extremely disappointed with the opera house performance of "The Magic Flute" in New York. The production lacked creativity and failed to capture the essence of Mozart's masterpiece. The set design was lackluster, with dull and unimpressive costumes. The singing was also subpar, with many of the singers struggling to hit the high notes. Overall, I found the performance to be lackluster and uninspiring, and I would not recommend it to others.
2. Sarah - 1/5 stars
Attending the opera house performance of "The Magic Flute" in New York was a huge disappointment. The entire production felt disjointed and poorly executed. The stage direction was confusing and lacked coherency, leaving me feeling disconnected from the storyline. Additionally, the performers seemed unenthusiastic and lacked the necessary vocal range to bring their characters to life. Overall, I found the experience to be a waste of time and money, and I would not recommend it to anyone looking for a truly captivating opera performance.
3. David - 2/5 stars
The opera house performance of "The Magic Flute" in New York left much to be desired. While the set design and costumes were visually appealing, the overall execution fell flat. The singers lacked the necessary passion and energy to bring Mozart's music to life, resulting in a lackluster performance. The pacing of the production was also off, with moments that should have been captivating and engaging feeling drawn out and tedious. Unfortunately, this performance failed to live up to my expectations and I left the opera house feeling underwhelmed.