The Conjurer of Oz Witch of the Eastern is a fictional character in L. Frank Baum's beloved "Oz" series. She is introduced in the third book, "Ozma of Oz," and plays a significant role in the story. The Witch of the Eastern, also known as Mombi, is a powerful sorceress who resides in the eastern part of the magical land of Oz. She is first encountered by Dorothy and her companions, Tin Woodman and Scarecrow, when they end up in Oz after a shipwreck. Mombi is known for her ability to change her appearance at will, and she uses this power to deceive and manipulate others.
Ursin F, Rubeis G, Steger F. Ursin F, et al. Urologe A. 2021 Jun;60(6):784-789. doi: 10.1007/s00120-020-01136-6. Urologe A. 2021. PMID: 32034424 Free PMC article. Review. German.
Therefore gradually the idea was enforced that the obsessed should receive somatic treatment in addition to magic and liturgical which rids the obsessed of black bile. Lurid tales of secret gatherings, where witches worshipped the Devil and ate the flesh of unbaptized infants, combined with widespread economic hardship, famine, and war to produce unprecedented levels of paranoia and anxiety that lasted for generations.
Mombi is known for her ability to change her appearance at will, and she uses this power to deceive and manipulate others. She is initially disguised as a young girl named Tip, who becomes a companion to the adventurers. However, it is soon revealed that Mombi has sinister intentions.
The History of Witchcraft and Demonology
Vividly detailed and highly readable, this classic history of witchcraft and demonology provides a thorough exploration of sorcery, Satanism, and every variety of the black arts. Reflecting popular folklore and theological opinions of the late medieval and early Renaissance periods, this survey of necromancy traces witchcraft from ancient times to the twentieth century, describing the link between heresy and the occult. Threaded with dramatic accounts of witch trials and devil's pacts, this time-tested reference offers a compelling look at The Worship of the Witch, Demons and Familiars, the Sabbat, and Diabolic Possession and Modern Spiritism. It also offers fascinating insight into the role of the Witch in Dramatic Literature.
A prolific occult historian, Montague Summers wrote numerous books, and he edited and translated such important early demonology and witchcraft texts as the Malleus Maleficarum . An intriguing perspective on the development of the black arts and their heretical interpretations by society, church, and state, The History of Witchcraft and Demonology will capture the attention of the general reader as well as the occult enthusiast. Eight meticulously reproduced illustrations from the original publication are included in this unabridged edition.
Reprint of Kegan Paul, Trench, Trubner & Co., Ltd., London, 1926 edition.
| Availability | Usually ships in 24 to 48 hours |
| ISBN 10 | 0486460118 |
| ISBN 13 | 9780486460116 |
| Author/Editor | Montague Summers |
| Format | Book |
| Page Count | 384 |
| Dimensions | 5 1/2 x 8 1/2 |
Demonology, i.e. the faith in the existence of mental diseases caused by demons was a medical problem from the 16th to the beginning of the 18th century. Two types of mental diseases were differentiated: those caused by natural causes and those caused by demonic obsession with attempts of clinical differentiation of the two groups. Among obsessions most frequently hallucinatory and hallucinotic mental diseases were included (in particular with demonic contents), mental disorders with a queer, unusual and antisocial behaviour, conditions of extreme unrest, vomiting of queer things, prediction of the future, "talking foreign languages" the subjects had not learned etc. The way to overcome demonological prejudices was an attempt to clear the obsessed of guilt, to prove that they are the victims of the devil whom they are unable to fight because of their impaired fantasy and because the devil is found of melancholic juice. Therefore gradually the idea was enforced that the obsessed should receive somatic treatment (in addition to magic and liturgical) which rids the obsessed of black bile. Demonology and witchcraft (which was revived during the renaissance along with demonology) are two different phenomena (witchcraft was a social phenomenon) which were frequently confounded or considered identical. This is why some mentally ill people were summoned in court and tried as sorcerers and witches.
She wants to rule over Oz and has been keeping Princess Ozma, the rightful ruler of the land, hidden and transformed into a boy named Tip. Mombi fears Ozma's power and wants to keep her from reclaiming the throne. Throughout the story, Mombi tries various schemes to maintain her control over Oz, but she is ultimately defeated by Dorothy and her friends. They use their intelligence and bravery to outsmart Mombi and free Princess Ozma. The main idea of Mombi's character is that power and manipulation can only go so far. Despite her magical abilities, Mombi is ultimately defeated by kindness, friendship, and the determination of the protagonists. Her downfall highlights the importance of good morals and values in a society. In conclusion, the Conjurer of Oz Witch of the Eastern, also known as Mombi, is a compelling character in L. Frank Baum's "Oz" series. She represents the dangers of power and manipulation, but is ultimately defeated by the forces of goodness. Her character emphasizes the importance of kindness and friendship in overcoming obstacles..
Reviews for "The Conjurer of Oz: Witch of the Eastern - A Feminist Perspective"
1. John - 1/5 stars - I was really disappointed with "The Conjurer of Oz: Witch of the Eastern." The storyline was confusing and the pacing was way off. The characters lacked depth and development, and I found it difficult to connect with any of them. The dialogue felt forced and unnatural, making it hard to stay engaged in the story. Overall, I felt like the book was a letdown and I wouldn't recommend it to others.
2. Emily - 2/5 stars - "The Conjurer of Oz: Witch of the Eastern" fell short of my expectations. While the concept sounded intriguing, the execution was poor. The writing style was clunky and the prose seemed amateurish. Additionally, the plot lacked originality and felt like a rehash of other fantasy stories. The characters were one-dimensional and their actions often didn't make sense. I struggled to finish the book and ultimately felt unsatisfied by the end.
3. Jessica - 2/5 stars - I found "The Conjurer of Oz: Witch of the Eastern" to be quite underwhelming. The pacing was slow, and the plot lacked excitement. The author attempted to incorporate too many subplots and ideas without fully developing any of them, resulting in a messy storyline. The characters were bland and unmemorable, with little growth or relatability. Overall, I felt detached from the events and couldn't fully invest in the story. It's a shame because I had high hopes for this book.
4. Michael - 1/5 stars - "The Conjurer of Oz: Witch of the Eastern" was a complete waste of time for me. The writing was subpar, filled with grammatical errors and awkward sentence structure. The world-building felt shallow and inconsistent, making it hard to immerse myself in the story. The book dragged on with unnecessary detail, and the lack of pacing made it difficult to maintain interest. The characters were forgettable and their actions felt forced. I regret picking up this book and would not recommend it to anyone.