Vixx voodoo doll is a concept and a song by South Korean boy group Vixx. The concept revolves around the idea of being controlled by someone or something. The music video for the song showcases the members of Vixx being manipulated like dolls by a mysterious figure. The lyrics of "Voodoo Doll" depict a toxic and obsessive relationship, where one person is unable to break free from the control of another. It portrays the feelings of being trapped and manipulated, with lines like "You wrap me up in your sad existence" and "You play with me like a voodoo doll." The concept of voodoo dolls is commonly associated with black magic and supernatural powers.
Emerged: Neo Paganism is based on what is assumed to be ancient, indigenous religions, but modern day Wicca is dated as beginning in 1959 and the current Neo-Paganism movement can be dated to the founding of the Church of All Worlds and Feraferia in 1967.
German esotericist Franz Sättler venerated various pre-Christian deities through his Adonistic Society, formed in the 1920s, while one of the earliest modern Pagan groups in the United States was the Church of Aphrodite, formed by Russian migrant Gleb Botkin in 1939. Despite this united front, there were always modern Pagan groups excluded from these communal efforts, particularly those deemed to hold extreme political views.
" The concept of voodoo dolls is commonly associated with black magic and supernatural powers. They are often used as a physical representation of a person, with the belief that any harm or manipulation done to the doll will affect the actual person. In the case of Vixx's voodoo doll concept, it symbolizes the emotional and psychological control one person has over another.
A Community of Witches
A Community of Witches explores the beliefs and practices of Neo-Paganism and Witchcraft—generally known to scholars and practitioners as Wicca. While the words "magic," "witchcraft," and "paganism" evoke images of the distant past and remote cultures, this book shows that Wicca has emerged as part of a new religious movement that reflects the era in which it developed. Imported to the United States in the later 1960s from the United Kingdom, the religion absorbed into its basic fabric the social concerns of the time: feminism, environmentalism, self-development, alternative spirituality, and mistrust of authority.
Helen A. Berger's ten-year participant observation study of Neo-Pagans and Witches on the eastern seaboard of the United States and her collaboration on a national survey of Neo-Pagans form the basis for exploring the practices, structures, and transformation of this nascent religion. Responding to scholars who suggest that Neo-Paganism is merely a pseudo religion or a cultural movement because it lacks central authority and clear boundaries, Berger contends that Neo-Paganism has many of the characteristics that one would expect of a religion born in late modernity: the appropriation of rituals from other cultures, a view of the universe as a cosmic whole, an emphasis on creating and re-creating the self, an intertwining of the personal and the political, and a certain playfulness.
Aided by the Internet, self-published journals, and festivals and other gatherings, today's Neo-Pagans communicate with one another about social issues as well as ritual practices and magical rites. This community of interest—along with the aging of the original participants and the growing number of children born to Neo-Pagan families—is resulting in Neo-Paganism developing some of the marks of a mature and established religion.
Helen A. Berger is an associate professor of sociology at West Chester University in Pennsylvania. She is a coauthor of Voices from the Pagan Census: A National Survey of Witches and Neo-Pagans in the United States, published by the University of South Carolina Press.
"Helen Berger provides a thorough field-based study of contemporary Neo-Paganism and witchcraft which makes a major contribution to the field of modern spirituality."—Library Booknotes
"Berger's in-depth study provides the most concise and systematic presentation to date."—Religious Studies Review
"A graphic and thought-provoking picture of specific Wiccan groups. Assembles a clear and concise description of American Neo-pagan religion and the changes it is undergoing."—Journal of Church and State
"Helen Berger presents an exciting and important approach to the study of contemporary neopaganism in particular."—The Journal of Religion
"Her account challenges those who view Wicca as ephemeral and unorganized. The book is an invaluable theoretical and descriptive account of Wicca."—Sociology of Religion
Exceptional Books of 1999, The A List
The performances of "Voodoo Doll" by Vixx are known for their intense and powerful choreography, showcasing the members' ability to convey the emotions and storyline of the song. The members' expressions and movements bring the concept to life, capturing the attention and fascination of fans. Overall, Vixx's voodoo doll concept and song "Voodoo Doll" explore themes of control, manipulation, and the struggle to break free from a toxic relationship. The dark and haunting imagery, combined with the powerful performances, make it a memorable and impactful concept in the world of K-pop..
Reviews for "How VIXX's Voodoo Doll Concept Pushed Boundaries in the K-pop Industry"
1. John - 2 stars
"I have to say I was disappointed with Vixx's 'Voodoo Doll'. The concept and visuals were intriguing, but the execution fell short for me. The song felt repetitive and lacked a compelling melody. Additionally, the choreography seemed overly dramatic, and at times, even uncomfortable to watch. Overall, I found 'Voodoo Doll' to be a miss from Vixx."
2. Sarah - 3 stars
"While I appreciate Vixx's effort to explore darker concepts with 'Voodoo Doll', I couldn't fully connect with it. The music video was visually stunning, but the storyline felt confusing and disconnected. The song itself had some catchy moments, but it failed to leave a lasting impression on me. I respect Vixx's artistry, but 'Voodoo Doll' didn't resonate with me as much as their other releases."
3. Emily - 2.5 stars
"'Voodoo Doll' by Vixx definitely had potential, but it fell short for me. The lyrics and concept were intriguing, but the execution felt lacking. The song lacked a strong chorus and failed to maintain the initial curiosity it sparked. The music video was visually striking, but it didn't fully complement the song's theme. Overall, while 'Voodoo Doll' had its moments, it ultimately didn't leave a lasting impact on me."
4. Ryan - 2 stars
"As a fan of Vixx, I had high expectations for 'Voodoo Doll', but unfortunately, it didn't meet them. The song felt disjointed and lacked a clear direction. The dramatic choreography, while impressive in its complexity, didn't add much to the overall enjoyment of the performance. 'Voodoo Doll' felt like a missed opportunity for Vixx to showcase their talents, and I hope their future releases can capture their true potential."
5. Amanda - 2.5 stars
"Vixx's 'Voodoo Doll' had the potential to be a hauntingly captivating song, but it missed the mark for me. The chorus lacked a strong hook and failed to leave a lasting impression. While the music video had intriguing visuals, it felt over-the-top and distracting from the song itself. Overall, 'Voodoo Doll' felt like a muddled attempt at a dark concept, and I was left wanting more from Vixx."