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Should you go? It’s decidedly not scary. 2 stars
With The Curse of La Llorona we get the eighth installment in The Conjuring Universe franchise that s eight films in just six years and with that James Wan has almost created a horror subgenre all his own. The middle of the film tracks off into some weird kind of rubber reality where Lacy Hartselle seems to be trapped in an alternate version of her life where you are not quite sure what is going on.
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The curse of a vengeful nun in 2019
Sean Patrick Thomas and Linda Cardellini “The Curse of La Llorona.” (Warner Brothers Entertainment/TNS)
By Katie Walsh | Tribune News Service April 19, 2019 at 1:14 p.m.What we call the Conjuring Universe has become a sprawling franchise of big-budget horror-lite spookfests that pull from every urban legend, folk tale and ghost story one can think of, usually involving vengeful feminine spirits and the women with whom they do battle.
We’ve got hauntings, possessions (“The Conjuring” and “The Conjuring 2”), creepy dolls (“Annabelle” and “Annabelle: Creation”), demonic nuns (“The Nun,” obviously) and now, the ancient ghost of a murderous mother in “The Curse of La Llorona,” directed by Michael Chaves, making his feature debut.
Six movies in, there are a few hallmarks of the freaky franchise kicked off by director James Wan. The films are often set in the 1970s and feature dizzyingly long tracking shots that give the camera (and, therefore, the audience) their own set of eyes to reveal or conceal the things that go bump in the night. The look, feel and dynamic movement of the films gives the loosely connected series an aesthetic DNA. Here it’s literally genetic — “The Curse of La Llorona” cinematographer Michael Burgess is the son of “The Conjuring 2” cinematographer Don Burgess, and he shot second unit footage on that film and “The Nun.”
The victims of our latest Frightening Female Phantom (all these ghosts have the same look, don’t they?) are Anna (Linda Cardellini), a widowed social worker trying to get by with her two kids, Chris (Roman Christou) and Sam (Jaynee-Lynne Kinchen) in 1973 Los Angeles. When Anna makes a welfare check on one of her troubled clients, Patricia (Patricia Velasquez), she unknowingly invites the menacing spirit of La Llorona into her life. The weeping woman, clad in billowing white garb, has roamed the earth since 1673, when she drowned her two sons in a jealous rage caused by her husband’s infidelity, then drowned herself. Now her demonic spirit stalks new children to replace hers. It serves as a spooky story and warning tale in Latinx households — behave, or La Llorona will get you.
“The Curse of La Llorona” is a combination ghost story and haunted house horror flick sprinkled with folksy mythology and shamanic rituals. It relies heavily on jump scares, rather than anything existentially terrifying, and there are some leaps in magical logic that don’t quite make sense. The script, which must have consisted of dozens of pages reading “La Llorona screams in someone’s face,” or “someone is dragged down a hallway” is lightweight at best.
Surprisingly, the only other writing credit for team Mikki Daughtry and Tobias Iaconis is the heartstring-tugging cystic fibrosis teen romance “Five Feet Apart.” Bittersweet teen romance is their thing, horror not so much.
The “Conjuring” spinoffs are like Xerox copies — each new iteration comes out to diminished returns. The structure, ideas and style are there, but there isn’t the same heft of themes or slick craft Wan expressed in his two “Conjuring” films.
“The Curse of La Llorona” is middling B-movie schlock that goes for the low-hanging fruit: sequences you know will end with some kind of jump, bump or scream, and jokes that cut the tension and indicate everyone here knows what’s up. We do. Wail as she might, the silly, not scary “The Curse of La Llorona” never reaches the operatic heights that the best of the franchise can offer.
“THE CURSE OF LA LLORONA”
Directed by: Michael Chaves
Starring: Linda Cardellini, Raymond Cruz, Roman Christou, Jaynee-Lynne Kinchen
Rated: R for violence and terror.
Should you go? It’s decidedly not scary. 2 stars
Rae Hunt as Sister Margaret Catherine
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Reviews for "The Connection Between Volkris Viame Con Mascohas and Stress Reduction"
1. Jessica - ★★☆☆☆
I did not enjoy "Volkris viame con mascohas" at all. The storyline was confusing and the characters were not well developed. The plot felt disjointed and hard to follow, leading to a lack of engagement throughout the book. Additionally, I found the writing style to be dull and lacking in creativity. Overall, I was disappointed and do not recommend this book to others.
2. Mark - ★☆☆☆☆
"Volkris viame con mascohas" was a complete waste of time. The dialogue was awkward and unrealistic, making it difficult to connect with any of the characters. The pacing was incredibly slow, and I found myself constantly checking how much of the book was left to endure. The lack of a clear resolution or satisfying ending left me feeling frustrated and unfulfilled. Save yourself the trouble and skip this one.
3. Sarah - ★★☆☆☆
I had high hopes for "Volkris viame con mascohas" but sadly, it fell short of my expectations. The plot was predictable, and the twists were not impactful. The writing style was overly descriptive, making the reading experience tedious rather than immersive. The pacing was inconsistent, with sections that dragged on for too long and others that felt rushed. Overall, I found this book to be underwhelming and wouldn't recommend it to others.
4. Michael - ★☆☆☆☆
I found "Volkris viame con mascohas" to be incredibly boring and unoriginal. The clichéd characters and predictable plot made it difficult to stay engaged throughout the story. Additionally, the writing lacked depth and creativity, leaving me feeling unsatisfied with the overall reading experience. I was hoping for something more unique and thought-provoking, but unfortunately, this book failed to deliver. I would not recommend it to anyone looking for an exciting or original read.
5. Emily - ★★☆☆☆
"Volkris viame con mascohas" was a disappointing read for me. The characters were poorly developed, and their actions often felt forced or unrealistic. The pacing was uneven, with long stretches of monotony followed by sudden bursts of action that felt out of place. The lack of a clear direction in the plot made it difficult to connect with the story, and I found myself losing interest as I read. Overall, I was left feeling unsatisfied and do not think it is worth recommending to others.