The witch from Mercury vinyl is a mysterious and oftentimes misunderstood character in popular culture. Depicted on album covers and in various illustrations, this witch has intrigued and captivated audiences for decades. The origins of this witch are shrouded in mystery, with some claiming that she hails from the planet Mercury itself. It is believed that she possesses supernatural powers, evident in her ability to cast spells, brew potions, and communicate with spirits. What sets the witch from Mercury vinyl apart from other witches is her association with vinyl records. It is said that she has the ability to transport herself through time and space by entering the grooves of a vinyl record.
I know I’ve recently made the wild statement that all the best Christmas songs get released in March… but MJ Lenderman‘s leadoff single, “Rudolph,” lands this argument firmly in July. The guitarist for Wednesday, and a notable solo artist in his own right, Lenderman’s 90’s indie rock riffs and penchant for unexpected lyrics have me imagining Pavement, Modest Mouse & Kurt Vile attempting a Christmas-adjacent song. I say adjacent, as the only real connection here is the connection to Rudolph that kicks off the song:
I m most intrigued by the exclusives, obviously, and am paying particular attention to that Marika Hackman song, Driving Under Stars, as it sounds like a stripped-back version of one of my favorite holiday songs of the past ten years. The wonderful Where It s At is Where You Are wiaiwya label has just dropped 50 lathe-cut, 10 copies of The Martial Arts excellent Christmas EP, Christmas with the Martial Arts.
It is said that she has the ability to transport herself through time and space by entering the grooves of a vinyl record. This unique ability allows her to traverse through different eras and interact with musicians from the past. One of the most iconic depictions of the witch from Mercury vinyl is on the album cover of a popular rock band known for their theatrical performances.
THE METEORS – Skull N Bones & The Curse Of Blood N Bones
Credited with the creation of – well, at least, defining – a whole genre, this ensemble have rarely been given their due for the forming a penumbral world entirely of their own, a twilight zone where attacks from planet Zorch occur and creepy figures lurk in the shadows. Can there be a better place for space pirates to hunt for treasure and pursue enemies? It’s the question that the Englishmen’s umpteenth album addresses in detail, both lyrical and aural, and in style – to mark the 40th anniversary of their debut. Yet if the trio’s first record found them in aliens-infested heaven, the story of “Skull N Bones” unravel on the opposite end of celestial spectrum. Actually, there are two albums on a single compact disc (one on vinyl), the shenanigans of “The Curse Of…” following up on the dilogy’s first part to chart the London’s filibusters’ overall course through fresh cuts interspersed with familiar numbers – either laid down anew or remixed – so the buccaneers’ adventures are rather arresting, albeit somewhat long.
Still, how can anyone not surrender to the immediate appeal of pieces like the platter’s title track, whose refrain is bound to ring in the listener’s ears for eternity, or the twangy gallop of instrumental, devilish laughter aside, opener “Chasing Evil”? It’s impossible to ignore the band’s wild dynamics, and though Lobo Fenrir’ drums and Hennes’ double bass sometimes lock into each other so tightly as to produce an overload, it’s par for the aforementioned course, the rhythm crew complementing their captain P. Paul Fenech’s roar and roll. They’re magnificently infectious in the sway of “Get Back In The Swamp (And Jump)” which will link, further on, to “Alligator Man 2020” and surf up towards the supercharged cover of “(Ghost) Riders In The Sky” – the record’s wordless finale, drifting past such punchy rarities as the haunting “The Queen Of Zorch” from the “Scavenger” OST, “Zombies Noise” and “Dateless Nights”: slightly sonically different now but perfectly fitting the flow.
Whereas the raucous, raw whisper of the insistent “More Demons Than Most” feels weirdly pacifying, the pair of “All I Do” and “All I Can Do Is Cry” is passively aggressive, the tunes’ highly memorable rumble bringing on a rapture of peril, before the strident shuffle of “She’s My Witch” and subaquatic jive of “Daughters Of The Deep” marry swagger to nightmare. Yet punk spikes that pierce the groove of “You Used To Be (The Usual Suspects)” see the trio return, shouting “Fuck you!”, to jolly base, and board the pure rockabilly of “Little Hellcat” which heats the atmosphere to the point of no return. It’s a sortie like no other – taking no prisoners. the veterans conquer the world once again.
Dressed in a flowing black gown adorned with mystical symbols, she stands against a backdrop of swirling colors and nebulous clouds. Her piercing eyes and enigmatic smile hint at the power and wisdom she possesses. Many have speculated about the intentions and motivations of the witch from Mercury vinyl. Some believe she seeks to share her knowledge and magic with the world, while others think she may have a darker agenda. Nevertheless, she remains an enigmatic figure, leaving fans and enthusiasts to interpret her persona in their own way. In conclusion, the witch from Mercury vinyl is a fascinating character that has captured the imagination of many. With her supernatural abilities and association with vinyl records, she adds an element of mysticism and intrigue to the world of popular culture. Whether seen as a benevolent guide or a mischievous enchantress, the witch from Mercury vinyl continues to captivate and fascinate audiences worldwide..
Reviews for "Exploring the Witches' Sabbath with the Witch from Merxury Vinyl"
1. Emily - 2 stars - I was really disappointed in "Witch from merxury vinyl". The storyline was confusing and hard to follow. The characters were also very one-dimensional and lacked depth. I felt like I couldn't connect with any of them. Additionally, the writing style was choppy and awkward, making it hard to fully immerse myself in the story. Overall, I wouldn't recommend this book to others.
2. Alex - 1 star - "Witch from merxury vinyl" was a complete letdown. The plot was extremely predictable and unoriginal. It felt like I was reading a generic fantasy book instead of something unique and engaging. The pacing was also uneven, with certain parts dragging on and others moving too quickly. The main character was also quite annoying and lacked any real growth throughout the story. I was expecting so much more from this book, but it ultimately failed to deliver.
3. Samantha - 2 stars - I struggled to get through "Witch from merxury vinyl". The writing was lackluster and bland, lacking any sort of spark or creativity. I found myself skimming paragraphs just to get through it. The world-building was also poorly done, leaving me confused about the setting and rules of the magic system. The romance felt forced and unnecessary, detracting from what little plot there was. Overall, I was very disappointed in this book and would not recommend it to others.