There are certain witches who are just undeniably the baddest in their neighborhood. These are the witches who command respect and fear from everyone around them. Whether it is their powerful spells or their intimidating presence, these witches are the ones you definitely don't want to mess with. The baddest witch on the block is always the one with the most knowledge and experience. She has spent years honing her craft and has accumulated a vast array of spells and potions. This witch knows exactly how to manipulate the forces of nature to her advantage, and she uses this power to her full advantage.
The enormous spacecraft that will head to Jupiter’s moon Europa uses four large reaction wheels to help keep it oriented.
Engineers and technicians at NASA s Jet Propulsion Laboratory in Southern California recently installed four reaction wheels on Europa Clipper, which will rely on them during its journey at Jupiter s icy moon Europa. Just as NASA s Mars rovers rely on robust wheels to roam the Red Planet and conduct science, some orbiters rely on wheels, too in this case, reaction wheels to stay pointed in the right direction.
This witch knows exactly how to manipulate the forces of nature to her advantage, and she uses this power to her full advantage. Aside from her extensive knowledge, the baddest witch on the block also has an aura of strength and confidence that is impossible to ignore. This witch walks with purpose, her every move sending a message that she is not to be crossed.
The Magic of Storytelling
A captivating spectacle of storytelling and self-discovery.
Xavior Crowley, Staff Writer | February 19, 2021
Derek DelGaudio’s In and Of Itself.
An old home VHS tape plays, a scene with bustling and boundless youth at school. It takes you back. It cuts abruptly and pans across a wall of cards, all labeled with “I AM” and a different role of the world. Audience members take a journey, discarding their name for a title. You feel like the experience is your own.
“If you go back all the way to the beginning of recorded history, storytelling has been there,” Zaki Hamid, EvCC’s film and mass media professor, says. “It started on cave drawings and evolved from there. Everything from books, stage and movies and so on. Why do we have kids? It comes from really passing on something to the next generation.”
Think about the scattered perspectives of the world – how beliefs and feelings travel. A storyteller’s opportunity is not upon a specific moment, but in the moments found by a willingness to learn.
Zaki Hamid, EvCC film and mass media professor. (Courtesy Photo from Zaki Hamid.)
“You see the humanity in others, and that’s something that is just so deeply needed,” Hamid says.
Derek DelGaudio’s In and Of Itself is not satisfied with telling an uninvolved story. DelGaudio’s documentary emphasizes storytelling in an intricate performance which thrusts you into a free-fall of misdirection and steers you into the toils of self-conflict in the endeavor at self-discovery.
“It left me questioning what to believe,” Beth Peterson, head of EvCC’s drama department, says. “You ask how so many things are an illusion? It’s about perception, identity, influence. There is so much in it.”
The original Off-Broadway theater production ran for more than 500 shows at Daryl Roth Theatre; it now presents as a Hulu exclusive film. DelGaudio explores the illusions and complexities of identity through a story of theatrical existential crisis. A theater show encouraging audience members to use self-reflection and empathy without ever asking. Rather, commanding it.
The one-man show recounts heartfelt stories of his life and the untold stories of many others. Through six acts he brings awareness to consciousness and the struggling turbulent perception of all stories, an illuminatingly relevant exploit.
“One of my teachers said, ‘Everything I know about anything, I learned from theater.’ And I get that, in a way it exposes you to topics that you might not know anything about. It exposes you to different views, different perspectives. And the ones that are done well will have that effect on you.” Hamid says.
The method of the story is an extension of its ubiquitous meaning: in a book, you are entranced by something unexplainable; in a movie something untouchable, and in a theater something indisputable. Every great story has a message that transcends its own narrative.
“There’s something that happens inside of a theater that it could be quite magical when it hits,” Hamid says.
“There’s a universal quality in theater,” Peterson says. “Theater is relevance – it needs to be heard.”
“Theater helps us understand the problems of our world and what to do moving forward,” Peterson says. “There’s a human connection through it. To be impacted in a profound way.
Beth Peterson, head of EvCC’s drama department. (Courtesy Photo from Beth Peterson.)
“Something magical happens. There exists a common communication. An ephemeral quality. It happens one time and then is lost.”
Trying to focus on its proposed intention. DelGaudio creates an immediate reaction with storytelling as he applies your connection to him, and more importantly to his audience.
The film consumes you in its art of storytelling and leaves you clamoring for answers. Is it theater, a singularity, or something more?
“In plays, you have to invest. It’s live. You have to be committed. You can’t check out.” Peterson says, “It’s fascinating. I don’t know if I would specially call this theater. Theater uses the element of impersonation. He never tries to be something else… So by definition, is it really theater?”
These un-realizations are part of its mystique. To be enticed by a performance enough to examine the necessity of storytelling in all facets.
“Coming this year we will be bringing theater back. I have so many ideas. Perhaps using streaming and even building our own stages. Like our previous production, even using interactive elements to keep the audience engaged. I’m excited.” Peterson says. “Theater is a cockroach. It can never be destroyed. It comes back with vengeance.”
Storytelling defies description, whilst explaining itself in its first introduction. It divulges reality, whilst concealing it under a veil. It is what other people believe, whilst being everything it is not. It truly is, in and of itself.
“I AM” cards offering an identity to its audience members. (Screenshot from Derek DelGaudio’s In and Of Itself.)
The original Off-Broadway theater production ran for more than 500 shows at Daryl Roth Theatre; it now presents as a Hulu exclusive film. DelGaudio explores the illusions and complexities of identity through a story of theatrical existential crisis. A theater show encouraging audience members to use self-reflection and empathy without ever asking. Rather, commanding it.
Her steely gaze and commanding presence leave no doubt in anyone's mind that she is the one in charge. It is not just her power and presence that make her the baddest witch, but also her willingness to do whatever it takes to achieve her goals. This witch is not afraid to get her hands dirty, and she will do whatever it takes to get what she wants. Whether it means sacrificing a few innocent animals or making a deal with the dark forces, this witch is always willing to go that extra mile. But being the baddest witch on the block comes with its fair share of challenges as well. Other witches may see her as a threat and try to take her down. However, this witch is always one step ahead, ready to outsmart and outmaneuver anyone who dares to challenge her. In conclusion, the baddest witch on the block is someone who commands respect and fear from everyone around her. With her extensive knowledge, commanding presence, and willingness to do whatever it takes, this witch is the epitome of power and strength. Whether you admire her or fear her, there is no denying that she is the baddest witch on the block..
Reviews for "Supernatural Style: How the Baddest Witch Casts a Fashion Spell"
1. John - 2 stars: I was really disappointed with "Baddest witch on the block". The plot felt disjointed and confusing, with too many subplots that didn't seem to go anywhere. The main character was also quite unlikable and I couldn't find myself rooting for her. Overall, the book lacked depth and a cohesive storyline, making it a frustrating read for me.
2. Sarah - 1 star: I had high expectations for "Baddest witch on the block" based on the hype, but unfortunately, it fell flat for me. The writing style was stilted and awkward, making it difficult to become fully immersed in the story. Additionally, the characters felt one-dimensional and lacked development, making it challenging to connect with them on any level. I found myself skimming through pages, hoping it would get better, but it never did.
3. Emma - 2 stars: "Baddest witch on the block" was a letdown for me. The pacing was incredibly slow, and it took too long for the story to pick up. The romance subplot felt forced and unnecessary, detracting from the main plot's potential. Furthermore, the magical elements were underdeveloped and poorly explained, leaving many unanswered questions. Overall, I found this book lacking in both plot and execution.
4. Mike - 3 stars: I have mixed feelings about "Baddest witch on the block". While the world-building was intriguing and had potential, the execution fell short. The story felt rushed and could have benefited from further exploration of the magical society and its rules. I also found the dialogue to be somewhat clunky and unrealistic. Despite these flaws, I can see how some readers may enjoy this book, but it ultimately didn't fully satisfy me as a reader.