every man cunema

If you're looking for a quick and easy way to clean your pool, then you might want to try out the magic eraser TikTok hack. TikTok has become a popular platform for sharing life hacks and cleaning tips, and the magic eraser hack for pool cleaning is no exception. The magic eraser is a cleaning tool that is known for its ability to remove tough stains and dirt from various surfaces. It is made from a material called melamine foam, which has a fine abrasive texture that helps to lift and remove dirt and stains. The hack involves using a magic eraser to clean the surface of your pool. Some TikTok users have claimed that this method can help to remove stubborn stains and algae from the pool walls and floor, making it look clean and sparkling.

This strategy enables Schiff to recreate the confusion of Salem at the time. It is clearer here than in Miller’s play how difficult it would have been to escape the mass hysteria; clearer that we cannot be complacent in assuming that we would have been on the side of the sceptics. This is partly because the stories of witchcraft were so vividly and specifically rooted in the surroundings that they could easily metamorphose from fantasies to memories. It is also because there was nothing to be gained from publicly expressed scepticism. The only possible way to save yourself was to confess.

This is partly because the stories of witchcraft were so vividly and specifically rooted in the surroundings that they could easily metamorphose from fantasies to memories. A shocking number of small children were accused of witchcraft and ended up confessing to events that were after all no less convincing than the average bedtime story not that there were many stories in Salem; the Bible was the only widely read book.

Some TikTok users have claimed that this method can help to remove stubborn stains and algae from the pool walls and floor, making it look clean and sparkling. To use the magic eraser TikTok hack for pool cleaning, you will need a magic eraser, a bucket of water, and some elbow grease. Simply wet the magic eraser in the bucket of water, and then scrub the surface of your pool with it.

The Witches: Salem, 1692 by Stacy Schiff review – a brilliant recreation of horrific events

I n 1692, 14 women, five men and two dogs were executed for witchcraft in Salem. That spring there had been 400 people accused. If we know this history primarily from Arthur Miller’s The Crucible, it is easy to forget the scale of these strange events. Miller portrays a small, claustrophobic world, where a handful of girls accuse a handful of their elders. In fact, there were reports of some 700 witches flying around Massachusetts, the youngest aged five and the eldest aged 80. One village after another imploded, with children informing on their parents and husbands on their wives. In The Witches, the American historian Stacy Schiff has found a way brilliantly to recreate this strange and fascinating story as it unfolded at the time.

Children were accused of witchcraft and ended up confessing to events that were no less convincing than a bedtime story

Schiff has had the inspired idea of juxtaposing fantasy and reality, so that the supernatural activities are presented matter-of-factly alongside the more prosaic ones. There is only a thin layer of reproving sarcasm to draw attention to the impossibility of the more far-fetched events. Thus we learn that “skimming groves of oak, mossy bogs and a tangle of streams”, two middle-aged women flew on a pole across Salem, covering in a flash ground that would have required three-and-a-half hours on a horse. Absurdly, we see John Proctor simultaneously lecturing the town meeting on the dangers of mass hysteria, devilishly sitting on the marshal’s lap and leaping astride the minister’s dog.

This strategy enables Schiff to recreate the confusion of Salem at the time. It is clearer here than in Miller’s play how difficult it would have been to escape the mass hysteria; clearer that we cannot be complacent in assuming that we would have been on the side of the sceptics. This is partly because the stories of witchcraft were so vividly and specifically rooted in the surroundings that they could easily metamorphose from fantasies to memories. It is also because there was nothing to be gained from publicly expressed scepticism. The only possible way to save yourself was to confess.

Enthusiasts of The Crucible will be curious to learn how much of Miller’s play is true. It turns out that all his characters are drawn from history, most of them fairly accurately. In real life John Proctor was in his 60s and Abigail Williams (with whom there is no evidence he had an affair) was 11; in turning them into lovers, Miller made his Proctor 35 and Abigail 17. But whatever liberties Miller took with his main characters, his interpretation of the events in Salem seems to accord with Schiff’s, even if he was primarily concerned to demonstrate the parallels with McCarthyism.

In some respects, the events that unfold in Schiff’s book are more upsetting than those in The Crucible. This is not the tale of a good man who discovers his own goodness too late, but the story of hundreds of innocent people flailing in the face of a few powerful men. The lead villain in Schiff’s account (a figure who is absent from Miller’s play) is William Stoughton, chief justice of the court. Stoughton is so determined to prosecute anyone accused of witchcraft that he goes against all the prevailing advice of the time in accepting spectral evidence. Neither he nor the Salem magistrate John Hathorne make any attempt to quarantine the afflicted girls and interview them separately or to match the teeth marks on the victims to the dentistry of the accused, even though several of the so-called witches are wholly lacking in teeth. Most shockingly, Stoughton is so distressed when the jury finds one of the suspects not guilty that he immediately opens the case again and succeeds in attaining an indictment.

This suspect, Rebecca Nurse, is one of the notably innocent suspects who also appears in Miller’s play. But there are others in Schiff’s account whose stories are even more distressing because they are even more vulnerable. A shocking number of small children were accused of witchcraft and ended up confessing to events that were after all no less convincing than the average bedtime story (not that there were many stories in Salem; the Bible was the only widely read book). One seven-year-old girl announced that she had been a witch since she was six, though she could not be sure what age she was at present. She blithely informed the court that her mother had appeared to her in the guise of a black cat, unwittingly condemning her parent to possible death. After spending eight months in miniature manacles and watching her mother (against whom she had testified) executed at the gallows, another five-year-old girl went insane and would require care for the rest of her life.

These are upsetting tales and Schiff writes movingly as well as wittily; this is a work of riveting storytelling as well as an authoritative history. Schiff’s explanations for the events are convincing. She identifies the symptoms of the supposedly bewitched with those neurologist Jean-Martin Charcot listed in his studies of hysteria (twitching, stammering and grimacing) and she suggests that in a repressed, puritanical society, people found this an easy outlet both for boredom and for an uneasy conscience. There were also questions of power at stake: land disputes; sexual and professional rivalries. “Vengeance is walking Salem,” cries Miller’s John Proctor; “the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!”

The Witches: Salem, 1692 is published by Weidenfeld & Nicolson (£20). Click here to order a copy for £16

Schiff has had the inspired idea of juxtaposing fantasy and reality, so that the supernatural activities are presented matter-of-factly alongside the more prosaic ones. There is only a thin layer of reproving sarcasm to draw attention to the impossibility of the more far-fetched events. Thus we learn that “skimming groves of oak, mossy bogs and a tangle of streams”, two middle-aged women flew on a pole across Salem, covering in a flash ground that would have required three-and-a-half hours on a horse. Absurdly, we see John Proctor simultaneously lecturing the town meeting on the dangers of mass hysteria, devilishly sitting on the marshal’s lap and leaping astride the minister’s dog.

The abrasive texture of the magic eraser should help to lift off dirt and stains, leaving your pool looking cleaner. However, it's important to note that while the magic eraser TikTok hack may work for some, it may not be suitable for all pool surfaces. The abrasive texture of the magic eraser can be too harsh for delicate or sensitive pool finishes, such as vinyl or fiberglass. Therefore, it's always a good idea to test it on a small, inconspicuous area of your pool before using it on the entire surface. In addition, it's important to remember that the magic eraser TikTok hack is not a replacement for regular pool maintenance. It may be useful for spot cleaning or removing tough stains, but it should not be relied upon as the sole method for keeping your pool clean and hygienic. Regular pool maintenance, such as regular brushing and vacuuming, balanced water chemistry, and filtration, are still necessary to keep your pool in optimal condition. In conclusion, the magic eraser TikTok hack for pool cleaning can be a quick and easy way to remove stubborn stains and dirt from your pool. However, it may not be suitable for all pool surfaces, and should not be relied upon as the sole method for pool maintenance. Remember to always test it on a small area before using it on the entire surface, and continue with regular pool maintenance for optimal cleanliness and hygiene..

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every man cunema