The macabre witch giggling elicits a sense of both fascination and unease. It is a haunting sound that reverberates through the eerie silence of the night, sending shivers down the spine of anyone who hears it. The source of this unnerving giggling is a witch, a figure steeped in dark magic and folklore. There is a twisted joy in her laughter, a demented delight that hints at the sinister pleasures she derives from her supernatural abilities. It is as if she finds amusement in the torment and fear she instills in others. Her giggling is a manifestation of her power, a reflection of the darkness that lies within her.
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
We will discuss how occult and paranormal experiences and practices of poets in the past shaped their praxis and changed the world of poetry, and in some cases even saved lives. In class we will question whether the cards themselves are portals to psychological forces or living gods; is Last Call just fiction, or does it say something about how real practitioners engage with Tarot cards.
Her giggling is a manifestation of her power, a reflection of the darkness that lies within her. The macabre witch giggling is not a sound one can easily forget. It lingers in the mind, a haunting melody that echoes long after it ceases.
24PearlStreet Workshops
We will discuss how occult and paranormal experiences and practices of poets in the past shaped their praxis and changed the world of poetry, and in some cases even saved lives. We will read and discuss the occult poetics of Hannah Weiner, Jack Spicer, Robert Desnos, and others. We will also build (Soma)tic poetry rituals as well as collectively build personalized rituals for each participant in the workshop. CA will have follow-up contact with each student after the workshop to discuss the progress of their rituals and writing.
Biography
CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017). A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award. CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems. They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad
They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists. They have taught the last two spring semesters at Columbia University in New York City. They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon. They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others. They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.
We will discuss how occult and paranormal experiences and practices of poets in the past shaped their praxis and changed the world of poetry, and in some cases even saved lives. We will read and discuss the occult poetics of Hannah Weiner, Jack Spicer, Robert Desnos, and others. We will also build (Soma)tic poetry rituals as well as collectively build personalized rituals for each participant in the workshop. CA will have follow-up contact with each student after the workshop to discuss the progress of their rituals and writing.
It serves as a constant reminder of the presence of the supernatural, of the hidden forces that exist beyond the realm of the ordinary. But there is more to this eerie sound than mere malevolence. The macabre witch giggling also holds a sense of mystery and intrigue. It beckons the curious to uncover its secrets, to venture into the unknown and face the witch herself. In that twisted laughter lies the promise of a story waiting to be unveiled, a tale of magic and darkness that leaves its mark on all who encounter it. The macabre witch giggling is an embodiment of the allure of the occult, the fascination with the forbidden and the unknown. It represents a deeper aspect of human nature, one that is drawn to the darkness as much as it fears it. So, as the night grows darker and the wind whispers ancient incantations, be prepared for the macabre witch's giggling to invade your senses. Brace yourself for the shivers that crawl up your spine, and let yourself be drawn into the realm of the supernatural. For in that chilling laughter lies a world of magic and mystery, waiting to be explored..
Reviews for "The Witch's Laughter: Macabre Witch Giggling as an Agent of Transformation"
1. John - 2/5 stars - The macabre witch giggling track was not what I expected at all. The giggling sounds more annoying than scary, and it definitely did not send any chills down my spine. I found it more irritating than anything else, and it just ruined the creepy atmosphere I was trying to create. I wouldn't recommend this track if you're looking for genuinely scary sound effects.
2. Sarah - 1/5 stars - I don't understand the hype around the macabre witch giggling track. It was supposed to be spooky and unsettling, but it fell so flat for me. The giggles sounded forced and fake, and I couldn't help but laugh instead of feeling scared. I was hoping for a truly creepy sound effect, but this track was a complete disappointment. Don't waste your time or money on this one.
3. Alex - 2/5 stars - The macabre witch giggling track was underwhelming, to say the least. It lacked depth and variation, making it repetitive and boring after the first few seconds. I was hoping for a more sinister and bone-chilling sound, but the giggling just fell flat. It didn't even sound like a witch's giggle, more like a child pretending to be scary. I was left unimpressed and unsatisfied with this track.
4. Emily - 2/5 stars - As someone who enjoys horror and spooky themes, I had high expectations for the macabre witch giggling track. Unfortunately, it did not meet any of my expectations. The giggles were not eerie or haunting; instead, they sounded more comical than anything else. It was difficult to take the track seriously, and it definitely did not create the creepy atmosphere I was hoping for. If you're looking for genuinely bone-chilling sound effects, I would suggest looking elsewhere.