Carnival Magic Outline: - Introduction: - Definition and brief explanation of Carnival magic. - Explanation of the importance and popularity of Carnival magic. - History of Carnival Magic: - Origins of Carnival magic in ancient pagan rituals. - Influence of European traditions in Carnival magic. - Spread and evolution of Carnival magic in different regions. - Elements of Carnival Magic: - Costumes and disguises: Importance of costumes in Carnival magic performances.
Mayeda said it’s important for artists like Waterfield not to cross the line when it comes to creating new works based on the old characters. Certain aspects of a character that the general public recognizes as part of the Disney brand are off-limits for artists who wish to make use of the copyright expirations. If a particular work confuses the public into thinking it is actually affiliated with Disney, there could be major legal consequences.
In his early years, the impish and mischievous Mickey looked more rat-like, with a long pointy nose, black eyes, a smallish body with spindly legs and a long tail. That means everybody in the public has the ability to use that creation for their own interpretations, their own versions, said Erica Allen, an intellectual property attorney in Tampa Bay with DiAngelo Law.
- Elements of Carnival Magic: - Costumes and disguises: Importance of costumes in Carnival magic performances. - Music and dance: Role of music and dance in creating a magical atmosphere. - Tricks and illusions: Overview of different tricks and illusions used in Carnival magic.
Disney could soon lose exclusive rights to Mickey Mouse
As a consequence of US copyright law, entertainment giant Disney could soon lose the exclusive rights to some of the characters most responsible for the brand’s universal recognition, including the mouse that acts as its mascot.
Mickey Mouse will enter the public domain in the year 2024, almost 95 years after his creation on 1 October 1928 – the length of time after which the copyright on an anonymous or pseudo-anonymous body of artistic work expires.
How Disney found its pride – and riled the American right Read moreDaniel Mayeda is the associate director of the Documentary Film Legal Clinic at UCLA School of Law, as well as a longtime media and entertainment lawyer. He said the copyright expiration does not come without limitations.
“You can use the Mickey Mouse character as it was originally created to create your own Mickey Mouse stories or stories with this character. But if you do so in a way that people will think of Disney – which is kind of likely because they have been investing in this character for so long – then in theory, Disney could say you violated my trademark.”
Mickey Mouse first appeared in the black and white cartoon Steamboat Willie. The cartoon was a pioneer in animation for its use of synchronized sound – where movements on screen correspond to the music and sound effects, launching one of the most recognizable images in film and television.
According to the National Museum of American History: “Over the years, Mickey Mouse has gone through several transformations to his physical appearance and personality. In his early years, the impish and mischievous Mickey looked more rat-like, with a long pointy nose, black eyes, a smallish body with spindly legs and a long tail.”
While this first rat-like iteration of Mickey will be stripped of its copyright, Mayeda said Disney retains its copyright on any subsequent variations in other films or artwork until they reach the 95-year mark.
Mickey and Minnie Mouse at Disneyworld in Orlando, Florida. Photograph: AugustSnow/Alamy
Other characters have already moved into the public domain: with unpredictable and somewhat shocking results.
Honey-loving bear Winnie the Pooh from the Hundred-acre Woods and most of his animal friends entered public domain in January this year and some have wasted no time in capitalizing on the beloved characters.
Actor Ryan Reynolds made a playful nod to the now free-to-use Winnie the Pooh in a Mint Mobile commercial. In the advertisement, Reynolds reads a children’s book about ‘Winnie the Screwed,’ a bear with a costly phone bill.
More disturbingly, Pooh and his close pal Piglet are now the stars of Winnie the Pooh: Blood and Honey, a soon-to-be released horror film, written and directed by Rhys Waterfield, that sees the two go on a bloody rampage of killing after being abandoned by their old friend, Christopher Robin.
Mayeda said it’s important for artists like Waterfield not to cross the line when it comes to creating new works based on the old characters. Certain aspects of a character that the general public recognizes as part of the Disney brand are off-limits for artists who wish to make use of the copyright expirations. If a particular work confuses the public into thinking it is actually affiliated with Disney, there could be major legal consequences.
Successfully, they have had their term for Mickey and so forth extended, but I doubt that they’re going to be able to get additional extensions. I think this is going to be the end of the lineDaniel Mayeda
“Copyrights are time-limited,” Mayeda said. “Trademarks are not. So Disney could have a trademark essentially in perpetuity, as long as they keep using various things as they’re trademarked, whether they’re words, phrases, characters or whatever.”
Disney may still maintain trademarks on certain catchphrases or signature outfits worn by the characters, such as Pooh’s red shirt, which Waterfield intentionally avoided using in his movie.
In an interview with Variety, Waterfield said: “We’ve tried to be extremely careful. We knew there was this line between that and we knew what their copyright was and what they’ve done. So we did as much as we could to make sure [the film] was only based on the 1926 version of it. No one is going to mistake this [for Disney]. When you see the cover for this and you see the trailers and the stills and all that, there’s no way anyone is going to think this is a child’s version of it.”
Disney still retains exclusive rights to the bouncing tiger, Tigger, for one more year since his first appearance wasn’t until 1929 in The House at Pooh Corner, the series of stories written by Winnie the Pooh creator AA Milne.
- Carnival Magic around the World: - Carnivals in Brazil: The famous Rio Carnival and its magical elements. - Carnivals in Venice: The enchanting masquerade balls and artistic performances. - Carnivals in New Orleans: The mystical Mardi Gras celebrations with their unique charm. - Modern Carnival Magic: - Contemporary performers and their innovative approaches to Carnival magic. - Fusion of different performance styles and techniques in modern Carnival magic. - Conclusion: - Recap of Carnival magic as a fascinating and diverse form of entertainment. - Emphasis on the continued relevance and appeal of Carnival magic in various cultures worldwide..
Reviews for "A World of Choices: How Carnival Magic Pampers its Passengers"
1. John - 2 stars - I was really disappointed by Carnival Magic. The outline of the story was confusing and unclear, making it hard to follow along. The characters lacked depth and development, and I found it difficult to connect with any of them. The pacing of the plot was also off, with some scenes dragging on while others felt rushed. Overall, I did not enjoy this book and would not recommend it.
2. Lisa - 1 star - I absolutely despised Carnival Magic's outline. It was a jumbled mess of random events and disjointed plot points. I couldn't make sense of what was happening or why, and it left me feeling frustrated and confused. The writing style was also not to my liking, as it felt overly exaggerated and convoluted. I had high hopes for this book, but it ended up being a complete letdown.
3. Mike - 2 stars - The outline of Carnival Magic left much to be desired. It was filled with clichés and tired tropes, making it feel unoriginal and uninspired. The dialogue was cheesy and lacked authenticity, making it difficult to believe or invest in the characters. Additionally, the resolution of the conflicts felt forced and rushed, leaving me unsatisfied. I struggled to finish this book and would not recommend it to others.
4. Sarah - 3 stars - While I didn't hate the outline of Carnival Magic, I can't say that I particularly enjoyed it either. The story felt predictable and lacked any real surprises or twists. The characters were also quite forgettable and didn't leave a lasting impression. It had the potential to be an engaging and magical read, but it fell short of my expectations. Overall, it was a mediocre book that didn't leave a lasting impact.