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Bruno Mars makes a grand entrance with "24k Magic," his funky return to music

Twinkly electro keys and a synthesized bassline make it a P-funk party.

But broke his poker face shortly after:

He then shared the artwork for his upcoming album, also titled 24K Magic:

But promised an even bigger gift, not just the track but its accompanying video:

After kicking off with a Vocoder-affected intro that recalls Roger & Zapp’s greatest tunes or even 2Pac’s “California Love,” some classic record-scratching segues “24K Magic” into its true identity: a P-funk party. Twinkly electro keys and a synthesized bassline drive the track that’s scattered with sirens, falsetto, and Mars’ most cocky lyrics:

“Wearing Cuban links / Designer minks / Inglewood’s finest shoes / Don’t look too hard / Might hurt ya’self / Known to give the color red the blues / Oh shit, I’m a dangerous man with some money in my pocket / So many pretty girls around me and they waking up the rocket / Why you mad? Fix ya face / Ain’t my fault y’all be jocking.”

And in the clip, Bruno and his crew have the time of their lives hitting Vegas via private jet to cruise down the Strip, dance on city sidewalks under bright lights, party with pretty girls, sip champagne, win big at the casino, wreak havoc in hotel hallways, and ride a jetski through the famous Fountains of Bellagio.

Naturally, the whole clip feels coated in gold.

’24K Magic’ is due November 18.

Why Bruno Mars’ ’24K Magic’ Is ‘Stranger Things’ in Single Form

Bruno Mars' new single "24K Magic" is probably going to be a smash hit, just a few months after another piece of superb nostalgia, 'Stranger Things,' dominated pop culture.

Jason Lipshutz

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You’d heard Bruno Mars’ new single before “24K Magic” actually came out last night (Oct. 7). At least, you had digested every retro element of its production, and witnessed every drop of second-hand vocal braggadocio, before Bruno returned late on a Thursday to preview his first full-length in four years.

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Bruno Mars

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The words “24K Magic” might not have been familiar, but everything gleaming inside of it — the glittery disco synths, the cheesed-up vocoder flourishes, the popped-collar call-and-responses — certainly was. That doesn’t make Mars’ grand return any less exciting, or “24K Magic” any less impressive: The reference points are just clearer now, more than they’ve ever been, and if a synthesis of some well-worn ideas can stand on its own, what’s to prevent the masses from pressing play?

Nothing, it turns out. “24K Magic” is probably going to be a smash hit, just a few months after another piece of superb nostalgia, Stranger Things, dominated pop culture. You know the familiar feeling you got when you first heard the Stranger Things theme music and watched those red letters slowly come together onscreen? Bruno Mars knows that feeling well, and has harnessed it into a killer groove.

Set in 1983 Indiana and telling the story of a group of kids uncovering a supernatural mystery, Stranger Things is not a remake of a past film or series, but a reboot of an era of sentimental sci-fi filmmaking that’s instantly recognizable and fiercely beloved all the same. Creators Matt and Ross Duffer have openly discussed the show as an homage to Steven Spielberg’s ’80s films, but fans of Poltergeist, The Goonies and Starman have also picked up on the nods in those films’ directions.

The plot travels down well-treaded paths, with action sequences and government nemeses and unlikely heroes; there are character archetypes presented and subsequently deconstructed, to draw us in and then keep us on edge. Stranger Things would seem schlocky if it relied too heavily on its pastiche of source material, but something this carefully designed and thoroughly entertaining never had a chance to fail.

Same goes for “24K Magic,” which corrals Grandmaster Flash, Zapp & Roger, Rick James and the whole of G-funk into three minutes and 46 seconds, while adding some modern ornaments (“Got to blame it on Jesus / Hashtag blessed!”) for good measure. Mars, who grew up impersonating Elvis Presley and started his career as a songwriter for other artists, has become a superstar thanks to a knack for channeling different pop eras through his warm, expressive persona. Yet only recently have his gestures to the past become so explicit that a new single can produce memories of several classics upon first listen.

On 2012’s Unorthodox Jukebox, “Locked Out of Heaven” harkened back to the Police, “Treasure” took cues from funk greats like Earth, Wind & Fire and Kool & The Gang, and “Moonshine” leans on the futuristic cruise of Bad-era MJ. There were clear-cut influences on each track, but they were hardly karaoke sessions. With “Uptown Funk!,” however, Mars moved towards the melting-pot approach, gathering the sounds of Prince, Chic, James Brown and The Gap Band and tossing in a few “hot damn!”’s on the way to his biggest hit to date. The homage was obvious enough that the members of the Gap Band got added to the songwriting credits after the release of “Uptown Funk!,” for the song’s similarities to their 1979 hit “Oops Upside Your Head.”

24K Magic

24k mAGIC Bruno Mars q = 108 Intro F‹7(„ˆˆ11) B¨‹7 b & b bb c V ™ V ? ? ? 5 F‹7(„ˆˆ11) V™ V ? ? ? B¨‹7 b & b bb ?

24K-Magic - Bruno Mars.pdf

24K Magic Transcribed by Andrew Rooney q = 107 Drum Set ° ™4 / ¢ ™4 Bruno Marz (Rubato Vocoder ad libs) ∑ ™™ ü †

24k Magic - Keyboard

24K Magic Keyboard Bruno Mars Arr. The Soul Establishment A B¨‹7 C‹7 D¨Œ„Š7 Slideglis E¨/B¨ q = 108 b 4 & b bb 4 ? ?

Digital Booklet - 24K Magic

24k Magic (BRUNO MARS, PHILIP LAWRENCE, CHRISTOPHER BRODY BROWN) MARS FORCE SONGS, LLC / BMG RIGHTS MANAGEMENT (GMR) / Z

Bruno Mars 24k Magic Notation

24K Magic From the album "24K Magic" by Bruno Mars (2016) - B. Mars - P. Lawerence - C. Brown ã 107 (free form intro)

Bruno Mars 24k Magic Bass Guitar

Bruno Mars - "24k Magic" (Full Bass Line) ? b b 4 œ ~~~ bb 4 ~~~ œ q = 107 A ~~~ ‰. ‰. ? bb b b œ ‰. 3 ~~~ 5 ~

Citation preview

24K Magic Vocoder Intro

‰. r œ b œ œ œ b œ œ œ.

r b œ . œ ‰ . b œ œ œ œ- œ œ B b7

‰. r bœ œ œ œ . b œbœ œ œ C F m7

Bruno Mars Bassist: Jamareo Artis Transc: Pedro Zappa

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r b œ . œ ‰ . b œ œ œ œ- œ œ b œ œ ‰ . b œr œ œ b œ œ œ. -C F m7 B b7 Db

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