Oasis magical cityscape is a term that describes a unique and enchanting urban landscape. It refers to a city that is built within an oasis, surrounded by lush greenery, and filled with an aura of beauty and tranquility. Such a cityscape offers a striking contrast to the typical hustle and bustle of urban life. An oasis is a haven in the desert, a place where water and vegetation create a paradise-like environment amidst the arid surroundings. When a city is built within an oasis, it becomes an oasis magical cityscape, a place where the natural and man-made worlds blend seamlessly. The lush greenery of the oasis provides a refreshing and calming atmosphere for the city, offering a respite from the dry and dusty desert.
AGRIPPA, Heinrich Cornelius (1486-1535). Three Books of Occult Philosophy . Translated by John French. London: R.W. for Gregory Moule, 1651. 4 o (182 x 137mm). Engraved portrait of Agrippa as frontispiece, folding woodcut plate of Hebrew, Greek and Latin letters preceding M2, numerous woodcuts of cabalistic signs and diagrams, some nearly full-page. (Marginal soiling, a few pages a bit frayed at extreme margins.) FIRST EDITION IN ENGLISH of Agrippa's De occulta philosophia , originally published in 1533 and constituting "the first clear and useful survey of the field of Renaissance magic, with its peculiar blend of Hermeticism, Neo-Platonism, cabalism, natural philosophy and Chritianity" (Norman). Mellon 99; Osler 1747; Wellcome II, 18; Wing A-789; Norman 23.
Engraved portrait of Agrippa as frontispiece, folding woodcut plate of Hebrew, Greek and Latin letters preceding M2, numerous woodcuts of cabalistic signs and diagrams, some nearly full-page. Divided into three parts--the natural world, the celestial world, and the divine world--the book systematically explains the philosophy, logic, and methods of magic and astrology and how they work.
The lush greenery of the oasis provides a refreshing and calming atmosphere for the city, offering a respite from the dry and dusty desert. The trees and plants not only provide shade and oxygen, but they also create a sense of serenity and harmony. Walking through the city, one can feel as if they have been transported to a different world altogether.
3 books of occult philosophy
AGRIPPA, Heinrich Cornelius (1486-1535). Three Books of Occult Philosophy. Translated by John French. London: R.W. for Gregory Moule, 1651. 4o (182 x 137mm). Engraved portrait of Agrippa as frontispiece, folding woodcut plate of Hebrew, Greek and Latin letters preceding M2, numerous woodcuts of cabalistic signs and diagrams, some nearly full-page. (Marginal soiling, a few pages a bit frayed at extreme margins.) FIRST EDITION IN ENGLISH of Agrippa's De occulta philosophia, originally published in 1533 and constituting "the first clear and useful survey of the field of Renaissance magic, with its peculiar blend of Hermeticism, Neo-Platonism, cabalism, natural philosophy and Chritianity" (Norman). Mellon 99; Osler 1747; Wellcome II, 18; Wing A-789; Norman 23.
DetailsAGRIPPA, Heinrich Cornelius (1486-1535). Three Books of Occult Philosophy . Translated by John French. London: R.W. for Gregory Moule, 1651. 4 o (182 x 137mm). Engraved portrait of Agrippa as frontispiece, folding woodcut plate of Hebrew, Greek and Latin letters preceding M2, numerous woodcuts of cabalistic signs and diagrams, some nearly full-page. (Marginal soiling, a few pages a bit frayed at extreme margins.) FIRST EDITION IN ENGLISH of Agrippa's De occulta philosophia , originally published in 1533 and constituting "the first clear and useful survey of the field of Renaissance magic, with its peculiar blend of Hermeticism, Neo-Platonism, cabalism, natural philosophy and Chritianity" (Norman). Mellon 99; Osler 1747; Wellcome II, 18; Wing A-789; Norman 23.
Pseudo-AGRIPPA. His Fourth Book of Occult Philosophy . Translated by Robert Turner. London: J.C. for John Harrison, 1655. 4 o (166 x 124mm). Numerous woodcut diagrams and symbols in the text. (Soiling, a few headlines and catchwords just shaved by binder.) Together 2 works in one volume. 19th-century blue half roan, edges stained red (wear to edges and corners.) A spurious continuation of the previous work, first published in 1565. Mellon 120; Wellcome p.18; Wing A-785; Norman 24.
Provenance : Signature of "Ric[hard] Long," a 17th-century owner (of the first work only), beneath two manuscript stanzas of verse on b2, with his EXTENSIVE ANNOTATIONS, ADDITIONS AND MARGINALIA in brown and red inks, occupying four blank pages at the front of the book and the margins of virtually every printed page, attesting an extremely close reading of the work; inscription of "David Joannes Apothecary in Greek St. Soho Square" dated 16 May 1766 on recto of engraved frontispiece of the first work, who may have been the 18th-century owner who supplied EXTENSIVE MANUSCRIPT NOTES AND CHARTS (astrological charts, "Characters of the Angels," "A figure to preserve the sight" etc.) on inserted leaves (1 in the first work, 6 in the second, 11 at the end); 19th-century bookplate of Bernard Edward, Duke of Norfolk.
• Restores all of Agrippa’s original illustrations
The oasis magical cityscape is a visual marvel, with its architecture and infrastructure seamlessly blending with the natural surroundings. Buildings are designed to complement the landscape, with earthy tones and organic shapes that reflect the beauty of the oasis. Streets and pathways wind through the city, offering glimpses of gardens and water features at every turn. In addition to its visual appeal, the oasis magical cityscape also offers a host of recreational activities and amenities for its residents and visitors. Parks, gardens, and plazas provide spaces for relaxation and socializing. Water features, such as ponds and fountains, create a soothing ambiance. And cultural and recreational facilities, such as museums, theaters, and sports complexes, offer opportunities for entertainment and leisure. The oasis magical cityscape is not just a beautiful sight to behold, but it also has a positive impact on the well-being and quality of life of its residents. Being surrounded by nature and tranquility has been proven to reduce stress and promote mental and physical health. The sense of community fostered by the city's design and layout further enhances the overall livability of the place. In conclusion, the oasis magical cityscape is a testament to the harmonious coexistence of nature and urban life. It is a place where the beauty of the oasis merges with the creativity and ingenuity of human endeavor. Walking through its streets and experiencing its tranquility is like stepping into a magical world..
Reviews for "Oasis's Majestic Cityscape: A Tapestry of Magic"
- John Doe - 1 star - I'm sorry, but I just didn't see the magic in "Oasis magical cityscape". The graphics were mediocre at best, and the storyline felt disjointed and uninteresting. I was hoping for a captivating and immersive experience, but this game just fell flat for me.
- Sarah Smith - 2 stars - I had high expectations for "Oasis magical cityscape" based on all the positive reviews, but I found it to be underwhelming. The gameplay felt repetitive and monotonous, and I couldn't connect with the characters. The concept had potential, but the execution left much to be desired.
- Emily Johnson - 1 star - I was truly disappointed with "Oasis magical cityscape". The controls were clunky and unresponsive, making it frustrating to navigate through the game. Additionally, the game lacked depth and the puzzles were overly simplistic. It felt like a missed opportunity for an engaging and unique gaming experience.