Stanley Jordan is an acclaimed jazz guitarist known for his innovative playing style and unique approach to the guitar. One of his most distinctive techniques is his "magic touch" method, which involves tapping the strings with both hands to produce a wide range of sounds and textures. Unlike traditional guitarists who predominantly use a plectrum or fingertips to strike the strings, Jordan's magic touch incorporates a more piano-like approach. He uses both hands to touch the strings, creating a simultaneous melody and harmony. With his left hand positioned on the neck, he frets the chords and provides the harmonic structure, while his right hand taps the strings to produce the melody and rhythm. This technique allows Jordan to achieve a level of virtuosity and complexity rarely seen in the world of guitar.
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Bill Milkowski writes, While some guitarists Eddie Van Halen, Adrian Belew, Frank Marino have already toyed with two-handed hammer-on effects as a means of embellishing pyrotechnic guitar solos, no one has pursued the potential of this revolutionary approach with as much purpose and dedication as Stanley Jordan. On the flip side, Jordan also proves that he is not out of touch with the history of jazz, with delightful versions of Freddie Freeloader, Round Midnight, and A Child Is Born.
This technique allows Jordan to achieve a level of virtuosity and complexity rarely seen in the world of guitar. He can seamlessly play chords, bass lines, and intricate melodies simultaneously, creating a lush and full-bodied sound. His ability to effortlessly transition between different musical elements has earned him widespread recognition and respect from fellow musicians and audiences alike.
Jordan's Magic Touch
POINT ONE: Stanley Jordan has two arms. Point two: Stanley Jordan sounds as though he has four arms. Guitarist Jordan also has the "Magic Touch," the name of his debut on the newly revived Blue Note label, and an apt description of his unorthodox and revolutionary technique. Point three: even though he uses no overdubbing or double tracking techniques, Jordan sounds like two very good jazz guitarists in a duet setting. You're probably going to have to see it to believe it, because hearing it and being asked to believe it may just be too much to ask.
Jordan's approach is thoroughly unconventional: He taps or hammers the frets of his guitar high up on the neck, forming positions with both hands (they work independently), playing chords and counterpoint, interpolating bass- lines, leads and fills all at once in a style normally associated with piano (he's a former student of that instrument). It's an awesome and vanguard technique, sort of a one-man orchestra. But it's a technique Jordan is using in a thoroughly accessible commercial context.
"Magic Touch" offers an astoundingly inventive "Eleanor Rigby" and Michael Jackson's "The Lady in My Life," as well as reworkings of Miles Davis' "Freddie Freeloader" and "Round Midnight" (done here as a swinging pavanne); Jimi Hendrix' "Angel"; and several originals, including the enchanting "All the Children," the sweet funk of "Fundance" and the polyrhythmic swirl of "Return Expedition."
At this point, Jordan's sheer technical virtuosity and melodic embellishments are more impressive than his improvisational skills. Then again, he's only 24. And coming up with a technique that's bound to redefine the instrument is not a bad start. His best moments: On "Freddie Freeloader," Jordan's agile, bluesy playing recalls Wes Montgomery and early George Benson, while "Angel" is an astute homage that illuminates Hendrix' approach rather than copying it. Mostly Jordan plays solo (so to speak), as though producer Al Dimeola knew anything else would be extraneous. As a result, Stanley Jordan may be the first guitarist to come in first and second in the annual downbeat readers' poll.
STANLEY JORDAN -- "Magic Touch" (Blue Note BV85101); appearing at Charlie's Georgetown Sunday and Monday.
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Jordan's magic touch also enables him to explore a wide range of musical genres and styles. While he is rooted in jazz, he incorporates elements of blues, rock, classical, and even pop into his playing. His innovative approach to the guitar has expanded the possibilities of the instrument and continues to inspire countless musicians. In addition to his technical proficiency, Jordan is a highly creative and expressive player. He uses his magic touch to convey emotions and tell musical stories with his instrument. His playing style is characterized by intricate melodic lines, harmonically rich chords, and rhythmic complexity. Through his music, he invites listeners on a journey, taking them to places they have never been before. Over the years, Stanley Jordan has released numerous albums and performed with some of the greatest musicians of our time. His captivating stage presence and the sheer beauty of his music have earned him a dedicated fan base worldwide. To witness his magic touch live is a transformative experience that has left audiences spellbound. In conclusion, Stanley Jordan's magic touch technique is a testament to his musical genius and his dedication to pushing the boundaries of guitar playing. Through his revolutionary approach, he has redefined what is possible on the instrument and continues to inspire generations of musicians. His contributions to the world of music have undoubtedly solidified his place as one of the most influential guitarists of our time..
Reviews for "Stanley Jorxan's Magic Touch: How to Develop Your Own"
1. Jessica - 2/5 - I was really disappointed with "Stanley Jorxan Magic Touch". I had heard so many great things about the show, but it fell short of my expectations. The tricks were predictable and lacked any real wow factor. Additionally, Stanley's stage presence was lacking, making the overall performance feel lackluster. I was hoping for a thrilling and mind-boggling experience, but unfortunately, it fell flat for me.
2. Ryan - 2/5 - I was highly unimpressed with "Stanley Jorxan Magic Touch". The tricks performed were nothing out of the ordinary and seemed like something I've seen before. The show lacked originality and failed to offer any unique elements that would make it stand out from other magic performances. The pacing of the show also felt off, leaving me disengaged and uninterested. Overall, I found it to be a forgettable and underwhelming experience.
3. Emily - 1/5 - I regretted spending my money on "Stanley Jorxan Magic Touch". The tricks were so poorly executed that I could see through them easily. It was clear that Stanley was relying on outdated and cliché illusions, which made the whole performance feel outdated and uninspiring. Even the audience interaction felt forced and uncomfortable. I would not recommend this show to anyone looking for a unique and mind-bending magic experience. Save your money and find a different magic act to watch.