Incorporating Herbal Correspondences into Your Magical Practice

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The topic of magical correspondences is an essential aspect of many magical practices and traditions. Correspondences refer to the connections and associations between different elements, such as colors, plants, animals, planets, and more, that are believed to hold inherent qualities or energies that can be utilized in magical work. These correspondences are often used in rituals, spellcasting, divination, and other forms of magical work to enhance or align the practitioner's intentions and energies with particular qualities or forces. They can also help to create a symbolic or energetic link between the practitioner and the desired outcome or goal. For example, in many magical systems, the color red is associated with passion, energy, and strength. By incorporating red candles, clothing, or other objects into a spell or ritual, a practitioner can tap into the energetic qualities associated with this color to enhance their intentions or work.


Release Date: 10/7/22 (limited); 10/14/22 (Netflix)

The plot, obviously, has the two running around town, following clues and leads, and ending up at various places with different decorations to evade or fight. One probably could list a bunch of movies that use a similar premise and approach it with a similarly jokey tone Indeed, at least two were released within a month of this one.

The spell of bridge hollow rationality

By incorporating red candles, clothing, or other objects into a spell or ritual, a practitioner can tap into the energetic qualities associated with this color to enhance their intentions or work. Similarly, different herbs and plants are often associated with specific qualities or purposes. For instance, lavender is commonly used in spells or rituals to promote calmness and relaxation, while rosemary is often used for protection and purification.

The spell of bridge hollow rationality

THE CURSE OF BRIDGE HOLLOW

Director: Jeff Wadlow

Cast: Marlon Wayans, Priah Ferguson, Kelly Rowland, John Michael Higgins, Lauren Lapkus, Rob Riggle, Abi Monterey, Holly J. Barrett, Myles Vincent Perez, Nia Vardalos

MPAA Rating:

Running Time: 1:29

Release Date: 10/7/22 (limited); 10/14/22 (Netflix)

Review by Mark Dujsik | October 14, 2022

The Curse of Bridge Hollow is only trying to have some harmless, innocent fun. It's just not trying hard enough.

The central idea of this pre-teen-friendly horror-comedy is fine, even if it does feel as familiar as the results are routine. A small town that's obsessed with Halloween�and other holidays, apparently, as one character quickly notes to establish the possibility of a sequel or two�finds its many, many decorations coming to life, thanks to an evil spirit that once haunted the place and has been accidentally released from its otherworldly prison.

One probably could list a bunch of movies that use a similar premise and approach it with a similarly jokey tone (Indeed, at least two were released within a month of this one). What would be the point, though, beyond pointing out that one has watched or has awareness of a good number of movies? As always, a movie must be given the benefit of standing on its own, with its own virtues and faults, although there's always the conundrum when something as formulaic and predictable as this comes along. That formula and predictability don't exist in a vacuum.

To give director Jeff Wadlow's movie as much of that benefit as possible, though, the setup is somewhat clever, gets right to the point, and is supported by a cast that knows this is meant to be a comedy first and a horror tale by default. The story revolves around the Gordon family, husband Howard (Marlon Wayans), wife Emily (Kelly Rowland, who's sadly underutilized even though she clearly gets the joke as well as the rest of the cast of comedic actors), and their teenage daughter Sydney (Priah Ferguson). This family has just moved from Brooklyn to the small, fictional hamlet of Bridge Hollow somewhere in New England.

Sydney isn't happy about it, but Howard got a job offer to teach science at the local school. It's also supposedly the safest town in the entire country.

That title doesn't last, of course. While exploring the old house she now reluctantly calls home, Sydney discovers a chest hidden behind a wall in the attic. Inside it is a rather unappealing jack-o'-lantern made out of some aged, discolored gourd. Some local kids who formed a paranormal club at school already have told Sydney that her new house is supposedly haunted by the spirit of a witch (played by Nia Vardalos), who once summoned and then banished the demonic force known as Stingy Jack.

When the girl lights the candle inside the lantern, something from beyond is unleashed into the mortal realm. She wants to hunt it and stop it, but Howard, a man who doesn't believe in Halloween or anything supernatural, thinks there's a logical explanation for it all. The two go looking for the spirit or some rational explanation for why the town's Halloween decorations are coming to life.

The plot, obviously, has the two running around town, following clues and leads, and ending up at various places with different decorations to evade or fight. The effects here are competent, although the digital creations�such as tiny spiders or a giant one and some football gear-wearing skeletons�aren't nearly as convincing or effective as the practical ones�such as actors in zombie makeup or wearing killer-clown costumes. The screenplay, written by Todd Berger and Robert Rugan, does show a bit of imagination in coming up with a diverse collection of monsters, although every scene of them results in some kind of chase or brawl with whatever makeshift weapons might be lying around.

That feeling of a constant pattern hinders the action, the mildly scary bits (aimed at the movie's younger target audience, of course), and, unfortunately, the comedy. Wayans is much funnier in the skeptical mode of his character, desperately trying to figure out some scientific explanation for the supernatural occurrences happening right in front of him, but mostly, he's resigned here to running around and screaming a lot. Ferguson is an energetic presence, although Wadlow seems to have directed the young actor to take things a bit too seriously.

The supporting cast is made up of some funny people, although they're clearly limited by the characters they're playing and the jokes they're making. Rob Riggle plays the Gordons' Halloween-obsessed neighbor, who ends up in a brawl with the living models of the undead on his lawn. Lauren Lapkus plays the town's mayor, although the New England dialect seems to be main gag with her character. John Michael Higgins appears as the school principal who dabbles in the occult, and Nia Vardalos plays Madam Hawthorne, the spiritual medium who first released Stingy Jack a century ago, although her performance mainly amounts as a vocal cameo when the character's ghost possesses Howard.

In general, the tone of The Curse of Bridge Hollow is consistent and admirably light-hearted, and the cast, as restricted as the actors might be by the material, are clearly game for some fun. It's clear everyone's making an effort here, but the payoff is unfortunately underwhelming.

Copyright � 2022 by Mark Dujsik. All rights reserved.

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Taeot of magical corressondences

In addition to colors and herbs, a wide range of other correspondences can be considered when planning magical work. These may include things like specific animals, crystals or gemstones, deities, elements, planets, moon phases, or even certain times of the day or year. The correspondences used by a practitioner may vary depending on their individual beliefs, tradition, or personal associations. Some may follow established systems such as the correspondence tables found in books or teachings, while others may develop their own correspondences based on personal experiences or intuition. It is important to note that correspondences are not set in stone and can vary between individuals and different magical traditions. They are a tool or guide to help practitioners connect with, harness and direct certain energies or qualities, but they are not necessarily universal or absolute. As with any aspect of magical practice, it is essential for practitioners to experiment, explore, and cultivate their own understanding and relationship with correspondences. This can be done through personal reflection, meditation, intuition, and practical experience. By working with correspondences and incorporating them into their magical practice, practitioners can deepen their connection to the desired intentions, energies, and forces they seek to engage with, further enhancing their magical work and spiritual growth..

Reviews for "Incorporating Sound and Music Correspondences into Rituals"

1. John - 1 star - I was deeply disappointed with "Taeot of magical correspondences". The book claims to provide a comprehensive guide on magical correspondences, but the information provided was simply inadequate. The explanations were vague and lacked depth, leaving me with more questions than answers. Additionally, the book was poorly organized and it was difficult to find specific correspondences when needed. Overall, I do not recommend this book to anyone seeking a thorough and accurate guide on magical correspondences.
2. Sarah - 2 stars - As someone who has been practicing magic for several years, I was hoping for a book that would deepen my understanding of magical correspondences. Unfortunately, "Taeot of magical correspondences" fell short of my expectations. The information provided was overly simplistic and lacked nuance. I was hoping for a more in-depth exploration of the topic, but instead found myself reading superficial explanations that didn't offer much value. If you are already familiar with magical correspondences, this book won't provide any new insights.
3. Emily - 1 star - "Taeot of magical correspondences" was a complete waste of my time and money. The book is filled with inaccuracies and contradictions, making it impossible to rely on the information it presents. Furthermore, the writing style is convoluted and confusing, leaving me frustrated and unable to fully grasp the concepts being discussed. I would strongly advise against purchasing this book if you are serious about learning about magical correspondences. There are far better resources available that provide accurate and reliable information on the subject.
4. Michael - 2 stars - While "Taeot of magical correspondences" does touch upon a variety of correspondences, I found the explanations to be lacking in clarity and coherence. The author jumped from one topic to another without proper transitions, making it difficult to follow along. Additionally, the book seemed to be filled with personal opinions and subjective interpretations, rather than providing a solid foundation of knowledge. Overall, I was disappointed with the lack of structure and depth in this book.

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