Root magic, also known as rootwork or hoodoo, is a type of folk magic that originated in West Africa and has evolved over time in the United States, particularly in the American South. It has its roots in African spiritual practices, European folk magic, Native American traditions, and various other cultural influences. Root magic encompasses a wide range of practices, including spellcasting, divination, healing, and protection. It is often seen as a way to harness spiritual forces and manipulate them to achieve specific outcomes. Practitioners of root magic may incorporate various tools and materials, such as herbs, candles, crystals, symbols, and personal items, in their spells and rituals. One of the fundamental principles of root magic is the belief in the power of personal connection and intention.
One of the fundamental principles of root magic is the belief in the power of personal connection and intention. It emphasizes the individual's ability to shape their own reality through focused thought and action. Root workers may perform rituals to communicate with spirits or deities, seek guidance or assistance, or create a sacred space for their workings.
The Fleetwood Mac song Stevie Nicks wrote about Mick Fleetwood's infidelity
The Fleetwood Mac song ‘Sara’ is incontestably the most personal track that Stevie Nicks has ever written. The Tusk number captures the moment that the singer was left heartbroken and entirely bereft by her the infidelity of her bandmate Mick Fleetwood.
Writing a song about your lover deserting you for somebody else will always be a difficult task, a profoundly personal release of personal turmoil and one filled with raw emotion. What made Nicks’ task infinitely more difficult was that the person who had wronged her was somebody she was forced to spend time with daily. To make things even worse, he needed to assist her creativity. Rather than being overawed by the challenge at hand, Stevie Nicks had no qualms about letting Mick Fleetwood know precisely how his behaviour made her feel, and ‘Sara’ remains one of the greatest tracks she has ever penned.
Nicks’ relationship with Fleetwood was never a conventional one. While the relationship itself was an affair, the drummer broke a special bond the two enjoyed, an incident which left her feeling utterly betrayed. The relationship between the pair arrived when the Fleetwood Mac singer found herself painfully lonely despite dating Don Henley. While on the surface they may have appeared as the perfect rock couple, their busy schedules meant that, actually, they weren’t much of a couple at all. The situation led to Nicks starting a cocaine-fuelled affair with her bandmate. She later opened up to Oprah about the “doomed” experience, saying they were the “last two people at a party,” and that “it was a doomed thing [that] caused pain for everybody”.
Speculation around the meaning of the song has been spreading like wildfire for decades, and Don Henley even offered his thoughts on what inspired Nicks to write ‘Sara‘. When the couple were together in the late 1970s, Nicks fell pregnant. However, as they both spent their lives primarily on tour in different corners of the globe, she decided to abort the child because the timing simply wasn’t right. Henley told GQ in 1991: “I believe to the best of my knowledge she became pregnant by me. And she named the kid Sara, and she had an abortion and then wrote the song of the same name to the spirit of the aborted baby. I was building my house at the time, and there’s a line in the song that says ‘And when you build your house, call me.'”
Nicks was rightly furious about Henley’s decision to speak so openly and blasé about such a sensitive topic. Although Henley’s comments do have a degree of truth to them – according to the woman herself – Mick was the central muse. “Sara was pretty much about Mick,” Nicks told MTV in 1988. “So, he was the ‘great dark wing’. And, ah, it was about everything that was going on at that particular time, too, but he was the reason for the beginning of it.
“I remember the night I wrote it,” she later said on The Tommy Vance Show in 1994. “I sat up with a very good friend of mine whose name is Sara, who was married to Mick Fleetwood. She likes to think it’s completely about her, but it’s really not completely about her. It’s about me, about her, about Mick, about Fleetwood Mac. It’s about all of us at that point.”
Adding: “There’s little bits about each one of us in that song and when it had all the other verses it really covered a vast bunch of people. Sara was the kind of song you could fall in love with, because I fell in love with it.”
Stevie Nicks would be the first to admit that her short-lived relationship with Mick Fleetwood was built on sand. Their time together was the result of a close friendship coupled with crippling loneliness rather than love or lust. Fleetwood would eventually go on to marry Sara Recor in 1988, and the couple would spend seven years married before divorcing.
‘Sara’ is a prime example of the incestuous life that Fleetwood Mac found themselves locked into at the height of their fame. It’s concrete proof as to why you should avoid mixing work with pleasure, even if it does result in spectacularly beautiful music and timeless records.
Root magic is often practiced on a personal level, with individuals seeking to address specific needs or desires in their lives. It can be used for matters such as love, prosperity, protection, luck, and spiritual development. Additionally, root workers may be sought out by others for help with various issues, such as health problems, relationship troubles, or spiritual concerns. Despite its roots in African traditions, root magic is not limited to people of African descent. It has found a diverse following among individuals of various backgrounds, who are drawn to its practical and accessible nature. It is often passed down through generations within families or learned from knowledgeable practitioners. Root magic is deeply intertwined with cultural and historical contexts, as it has evolved in response to the experiences and challenges faced by African Americans throughout history. It has served as a source of strength, resilience, and empowerment in the face of oppression and adversity. In recent years, there has been a resurgence of interest in root magic and other forms of folk magic. This has been fueled by a growing desire for spiritual practices that are rooted in personal empowerment, connection with nature, and cultural heritage. Root magic continues to evolve and adapt, while remaining a powerful and transformative practice for those who engage with it..
Reviews for "Healing Crystals in Root Magic: Accessing the Vibrational Energies"
1. John - 1 star - I was extremely disappointed with "What is root magic". The plot was confusing and all over the place, making it difficult to follow. The characters lacked depth and I found it hard to connect with any of them. The writing style was also unappealing, with clunky sentences and awkward dialogue. Overall, I would not recommend this book to anyone.
2. Sarah - 2 stars - "What is root magic" had potential, but it fell short for me. The concept of root magic was interesting, but it was not explored in depth. The story itself felt rushed and underdeveloped, leaving many loose ends untied. The pacing was also inconsistent, leading to moments of boredom mixed with sudden leaps forward. Although it had its moments, I ultimately found this book to be lackluster.
3. Michael - 2 stars - I was really looking forward to "What is root magic" but was left disappointed. The world-building was confusing and the magical system felt underexplained. The characters were one-dimensional and lacked growth throughout the story. The dialogue was also unrealistic and didn't flow well. While the book had potential, it ultimately failed to deliver and left me feeling unsatisfied.