The Best Wiccan Herbs for Staying Grounded and Protected

By admin

Wiccan herbs for safeguard are an essential aspect of Wiccan rituals and practices, as they hold the power to protect and ward off negative energies. These herbs are often used in smudging, spellwork, and creating protective charms. **One of the most commonly used herbs for safeguard in Wicca is sage**. Sage is known for its purifying properties and is often burned to cleanse spaces and individuals from harmful energies. It is believed that sage can create a protective barrier that keeps unwanted energies away. **Another herb used for safeguard in Wicca is rosemary**.


The first fairy tale depicted is Tattercoats, and here Trung Le Nguyen’s skills at visualizing beautiful costumes is showcased, alongside with his ability to seamlessly weave between multiple narratives. Both Alera and Helen are haunted by the image of a cruel and unforgiving sea, nostalgic for the voice of their mother – whether projected through a magic ring or a phone call. Tiến’s own story also takes form here, as we see him with his friends Claire and Julian, and the tentative crush that he has on the latter. He goes on to tell us that he struggled to find a Vietnamese term for who he is, a boy who loves other boys. All of this unfold between the panels illustrating Princess Alera, the various disguise and celestial dresses that she dons.

If you can t tell, I love this book with my whole heart, and I hope you ll pick it up marvel in the exquisite artwork, and let yourself be transported in Tiến s world. Tiến and his family uses the framing of various fairy tales to communicate their truths, and the result is a nuanced, heartfelt story that rises above the trappings of fairy tale archetypes.

The magic fish book

**Another herb used for safeguard in Wicca is rosemary**. Rosemary is associated with fidelity, love, and protection. It can be used to create protective sachets, worn as an amulet, or added to bathwater for a protective cleansing ritual.

Graphic Novel Review: The Magic Fish

THE MAGIC FISH is a graphic novel that resonated so keenly with my entire being, it felt like it was created just for me. And it some ways, it was – in the way that it’s a labour of love which speaks specifically to the Vietnamese immigration experience. It ponders on the barrier and connections between the languages of first and generation immigrants, a relationship that are not restricted to mere words but to encapsulate our entire identity. Tiến and his family uses the framing of various fairy tales to communicate their truths, and the result is a nuanced, heartfelt story that rises above the trappings of fairy tale archetypes. If you can’t tell, I love this book with my whole heart, and I hope you’ll pick it up – marvel in the exquisite artwork, and let yourself be transported in Tiến’s world.

To me, language is a map to figure out where you are. If you can’t read the map, you’re lost.

As someone who grew up with two languages, feeling that I had to discard one to earn another when I immigrated to New Zealand – the weight of this quote, which appears at the beginning of The Magic Fish, absolutely gutted me. Helen, Tiến’s mother, spoke from similar experiences – her ‘past and present selves speak two different languages.’ She is irrevocably transformed ever since a little boat took her away from the shores of Vietnam, to the promised dreams of a foreign land. Helen’s is a woman separated from her past, rarely speaking about it to Tiến. The void of words in between them are filled by the spaces of fairy tales – a tool this book revisits time and again to contextualize feelings that are too complicated, even for people who speak multiple languages.

The first fairy tale depicted is Tattercoats, and here Trung Le Nguyen’s skills at visualizing beautiful costumes is showcased, alongside with his ability to seamlessly weave between multiple narratives. Both Alera and Helen are haunted by the image of a cruel and unforgiving sea, nostalgic for the voice of their mother – whether projected through a magic ring or a phone call. Tiến’s own story also takes form here, as we see him with his friends Claire and Julian, and the tentative crush that he has on the latter. He goes on to tell us that he struggled to find a Vietnamese term for who he is, a boy who loves other boys. All of this unfold between the panels illustrating Princess Alera, the various disguise and celestial dresses that she dons.

And Tien would finally know we came from the same stories.

The next fairy tale we visit is a Vietnamese classic, Tấm and Cám. A Cinderella fairy tale of our very own, which Trung infused with even more character by portraying it through the lens of colonial-era clothing and buildings. Where the retelling of Tattercoats was filled with wistful longing and half-realised dreams – the version we got of Tấm and Cám was one with teeth. We revisit the theme of death and life anew time and again, a story that continues where you would expect a clean cut ending. The Magic Fish remind its readers of a tale’s ability to transform, whether it’s through the metamorphosis of memories, or the magic of retelling. It also gently warns of the expectation of happy endings, when lives are infinitely complex and has a way of persisting through generations – like Vietnam and her children, a country moulded by the hands of colonisation, yet refuses to fit anyone else’s narratives.

It’s an old, old story. Details change. Things change. And now this story is ours. Yours and mine.

Finally, The Magic Fish ends with a rendition of The Little Mermaid. In the Author’s Note, Trung states that he’s always viewed this Hans Christian Andersen tale as a story of immigration – and I could not agree more. A girl who gives up her ability to communicate at a chance of fulfilling dreams in a distant land, who chafes and suffer with every step she takes. It is my favourite of the tales, beautifully drawn using inspiration of Hong Kong fantasy aesthetic and the imageries of ballet. It’s a tale that encourages the rewriting of our own endings, illustrate how love overcome barriers, and the beauty of a mother and a son learning to speak in one another’s language. It’s a heartfelt and victorious culmination of the narrative threads that this graphic novel is working towards. I’ve never felt more satisfied and joyous on the completion of a graphic novel, and I will treasure this book like a well-loved fairy tale for years to come.

It’s almost unfair how this graphic novel is both beautifully illustrated and poignantly written. As a child who grew up in a family of refugees, who have witnessed the silent sacrifices of my elder, who have learned to love a language and culture I once tried to discard – this book felt like a key to invisible shackles. I know I’ll be putting this into the hand of every Viet person I come across, first and foremost my own mother – who also raised me with the words of fairy tales.

There are a lot of excellent books releasing this October, but please make sure this one make its way onto your bookshelf!

When Hiền returns home, she meets with Mrs. Flynn. She and Tiền remain quiet on the way back from school. They finish the third fairytale, the story of the little mermaid.
Wiccan herbs for safeguard

Some Wiccans also use rosemary in smudging rituals or burn it as incense to create a protective atmosphere. **Lavender is another Wiccan herb known for its safeguarding properties**. It is often used in spells or rituals to promote calmness and peace while keeping negative energies at bay. Lavender can also be infused into oils or used in bath rituals for personal protection. **Mugwort is another herb commonly used in Wicca for safeguard**. It is believed to have strong protective qualities and is often used in dream work or divination rituals to enhance psychic abilities and ward off negative influences. Mugwort can also be burned as incense or carried in a sachet for personal protection. These are just a few examples of the Wiccan herbs used for safeguard. Each herb holds its own unique properties and energies, and their use in Wiccan practices for safeguard can vary. It is essential for Wiccans to research and understand the properties and associations of each herb before incorporating them into their rituals or spellwork..

Reviews for "Amplifying Magical Intentions with Wiccan Herbs for Protection"

1. Emily - 2/5 stars - I was really disappointed with this book. The title made it seem like it would provide some useful information on Wiccan herbs for protection and safety, but it fell short. The content was very basic and lacked depth. I was hoping for more detailed explanations of different herbs and their uses, but it felt more like a generic list. Overall, I didn't find this book helpful at all and would not recommend it to others.
2. David - 1/5 stars - This book was a complete waste of time and money. The information provided was extremely vague and lacked any practical advice. The author seems to have a limited understanding of Wiccan practices and herbs. It felt more like a rushed compilation of information from unreliable sources. I was hoping to enhance my knowledge on safeguarding herbs, but I ended up feeling more confused and frustrated. Save yourself the disappointment and find a better resource on the subject.
3. Sarah - 2/5 stars - I had high expectations for "Wiccan Herbs for Safeguard," but unfortunately, it fell short. The book lacked organization and coherence. The information was scattered and difficult to follow. It seemed like the author was trying to cover too much ground without providing substantial details. I would have appreciated more guidance and examples of how to incorporate these herbs into Wiccan rituals and spells. I found myself searching for additional resources to gain a better understanding of the topic. Overall, this book left me unsatisfied and wanting more.
4. Ethan - 1/5 stars - I found "Wiccan Herbs for Safeguard" to be a complete letdown. The information provided was very basic and didn't offer any new insights. It felt like a rehashing of common knowledge that can easily be found online or in other books. The lack of depth and practicality was disappointing. I was hoping for a comprehensive guide on using herbs for safeguarding purposes, but this book failed to deliver. I would not recommend it to anyone looking for in-depth knowledge on the subject.

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