The concept of being lost in magic can be interpreted in two different ways. On one hand, it can refer to the feeling of getting completely immersed and captivated by a magical performance or illusion. When watching a skilled magician, it is not uncommon to feel a sense of awe, wonder, and confusion as our logical minds struggle to understand how the tricks are being done. The skillful use of misdirection, sleight of hand, and other techniques can often leave us feeling completely baffled and lost in the world of magic. The ability of a magician to create a reality where the impossible seems possible is both captivating and enchanting. In these moments, we are transported to a different realm where our normal expectations and logical reasoning become irrelevant.
In either case, “From” is off to a great start that I hope evolves in to a rich horror epic.
I was anxious to learn so much more about the lore and mythology of this little pocket dimension, and I m interested to see if any of the residents actually attempt an escape at any point. Marsden s death was one of three so-called satanic cult killings that occurred in late 1979 and early 1980 in Fall River, a historic mill city notorious for the axe-murders of Lizzie Borden s father and stepmother.
In these moments, we are transported to a different realm where our normal expectations and logical reasoning become irrelevant. On the other hand, being lost in magic can also refer to an individual who becomes so obsessed with the world of magic that they lose touch with reality. This is often depicted in literature and movies, where characters become increasingly consumed by the pursuit of magical powers and lose sight of their own lives and relationships.
With Enough Momentum “From” Could Be the Next Horror Classic
One thing is for sure, EPIX in America sure does love Stephen King. Even when they’re not airing shows based on his work, they’re offering up shows that feel very much inspired by his work. “From” is a series that thrives on being as mysterious and cryptic as possible. Compared left and right to “Lost,” the series from John Griffith and the Russo Brothers ends that analogy as a series about strangers stuck on a deserted plot of land that they have to survive in, and look for a way out of. Beyond that, a lot of “From” is a harrowing mystery that terrorizes its audience, while never quite explaining what it is unfolding around us.
“From” is set in a small unnamed town in the middle of nowhere where its residents have to be home by night fall. With their strict sheriff Boyd on constant watch, the town must resort to various rituals including hanging a talisman by their doors and keeping away from windows. As we witness from the shocking prologue to the series, there’s a clear cut reason for these rituals, and it’s all about safety. Meanwhile, a dad, his wife and two children are on a road trip in their RV when they happen upon the town. After a freak accident, they’re told by Sheriff Boyd and the locals that they’re officially stuck in the town, and there’s no actual means of leaving.
At least none that anyone in this town are aware of.
During the day the roads are watched by large murders of Crows, and at night, monsters that look very similar to humans emerge from the woods looking to feast on one of the townies. For years the town has figured out how to evade the mysterious predators, but with new details emerging slowly, the survivors are slowly realizing that their days are likely numbered. The monsters from the woods are some of the most nightmare inducing horror villains conceived in the last few years. There’s little to no explanation on what they are, if anything, but there are a lot of stories about how merciless and relentless they can be.
Are they skinwalkers? Are they a cannibalistic coven of Witches? Are they Demons? Are they Lovecraftian monsters that have created a way to ensnare human food? Are these people stuck in a limbo between reality and the afterlife? Are they all cursed individuals paying for some horrible thing they’ve done? Even after EPIX debuted the first three episodes on Amazon Prime, there’s still little to no details about what’s happening. All we know is that every character is operating on a timer the moment the sun rises and it creates a sheer sense of terror every time.
The first three episodes of “From” are beautifully directed, and composed, introducing us to characters we’ll either grow to love, hate, or wish were dead. Even the support of the town, Sheriff Boyd, is a protagonist that doesn’t always garner love from the locals. And he is tortured with the burden of keeping the town together, lest they’re all slaughtered by the monsters in the woods. The cast is stellar including Harold Perrineau (an actor who quite possibly has never turned in an awful performance); as Boyd, he’s the uneasy moral center who is tasked with tough choices, and he has to live with them. There’s also Catalina Sandina Moreno, and Eoin Bailey, both of whom seem intent on finding a way out of the town.
I was anxious to learn so much more about the lore and mythology of this little pocket dimension, and I’m interested to see if any of the residents actually attempt an escape at any point.
In either case, “From” is off to a great start that I hope evolves in to a rich horror epic.
Now Airing on EPIX and streaming on Amazon Prime Video. Check Local Listings.
One thing is for sure, EPIX in America sure does love Stephen King. Even when they’re not airing shows based on his work, they’re offering up shows that feel very much inspired by his work. “From” is a series that thrives on being as mysterious and cryptic as possible. Compared left and right to “Lost,” the series from John Griffith and the Russo Brothers ends that analogy as a series about strangers stuck on a deserted plot of land that they have to survive in, and look for a way out of. Beyond that, a lot of “From” is a harrowing mystery that terrorizes its audience, while never quite explaining what it is unfolding around us.
The idea of being lost in magic in this sense can serve as a cautionary tale, reminding us of the importance of maintaining a balanced perspective and not allowing fantasy to overtake our reality. While it can be exciting to delve into the world of magic and illusion, it is crucial to remember that it is just that – an illusion. Whether we experience being lost in magic as an audience member or through our own involvement in the magical arts, it is important to recognize the power and allure of magic while also maintaining a healthy sense of skepticism and critical thinking. Magic has the ability to captivate our imaginations, take us on incredible journeys, and challenge our beliefs, but it is ultimately up to us to find our way back to reality..
Reviews for "Forgotten Charms: The Allure of Lost Magic"
1. John - 2/5 - I was really looking forward to reading "Lost in Magic" based on all the great reviews, but I was ultimately disappointed. The plot had so much potential, but it felt disjointed and rushed. The characters lacked depth and development, making it hard to connect with any of them. Additionally, the writing style was rather lackluster, lacking any real emotion or description. Overall, I found "Lost in Magic" to be a lackluster and forgettable read.
2. Mary - 1/5 - "Lost in Magic" was one of the most poorly written books I've ever read. The grammar and punctuation errors were constant and distracting. The dialogue between the characters felt forced and unnatural. The world-building was lacking, leaving me feeling confused and uninterested. The plot itself was poorly executed, with predictable twists and a lack of climax. I regret wasting my time on this book and would not recommend it to anyone.
3. David - 2/5 - I had high hopes for "Lost in Magic" but unfortunately, it fell flat for me. The pacing was incredibly slow, dragging out mundane details and leaving little room for actual plot progression. The characters were one-dimensional and unrelatable, often making decisions that didn't make sense. The author attempted to create suspense, but instead, it felt forced and predictable. Overall, I found "Lost in Magic" to be a disappointing and unengaging read.
4. Sarah - 2.5/5 - "Lost in Magic" had an interesting concept, but it failed to deliver. The writing style was mediocre at best, lacking vivid descriptions and leaving the reader detached from the story. The magic system, which could have been unique and intriguing, felt underdeveloped and confusing. The book also suffered from an overcrowded cast of characters, making it difficult to keep track of who was who. While I appreciated the effort, "Lost in Magic" didn't quite hit the mark for me.