Maisie Peters, also known as "the good witch," is a rising star in the music industry. At only 22 years old, she has captivated audiences with her enchanting voice and relatable lyrics. Maisie first gained recognition on YouTube, where she would upload covers of popular songs. Her talent and uniqueness quickly caught the attention of music industry professionals, leading her to sign a record deal. One of the defining qualities of Maisie's music is her ability to connect with her listeners on a deep emotional level. Her songs often deal with themes of love, heartbreak, and self-discovery.
But The Good Witch isn’t just a breakup album with attitude and vigor. It’s a continuing saga of what it means to be a 20-something female musician in an era where people come of age on social media, which can be toxic and empowering at once. Indeed, it would be more suitable to classify Peters’ sophomore LP as a post-third-wave feminist record, where young women can embrace their ennui unironically. This is displayed best on tracks like “You’re Just a Boy (And I’m Kinda the Man)” and “Wendy”, where Peters concludes on the latter that young men are expected to be lost boys, and young girls are expected to be Wendy. The sooner women learn they don’t have to mother their male partners, the better.
Indeed, aside from perhaps Olivia Rodrigo, few female musicians from Generation Z have crafted lyrics as compelling and relatable as the opening lines to Peters 2021 debut LP I am 20 and probably upset right now. After a year of scheming and crafting, building and destroying, Maisie Peters is ready to share what she s been conjuring up her brand new album The Good Witch , arriving via Gingerbread Man Records Asylum on June 16th.
Her songs often deal with themes of love, heartbreak, and self-discovery. Whether she is singing about the joy of falling in love or the pain of a failed relationship, Maisie's raw and honest lyrics resonate with people of all ages. Maisie's music is characterized by dreamy melodies and catchy hooks.
Maisie Peters Tells a Coming-of-Age Tale on ‘The Good Witch’
Maisie Peters knows the power of being the one who has it, of being the one who controls the narrative, as she shows on her new album, The Good Witch.
By Jeffrey Davies / 27 June 2023 The Good Witch Maisie Peters Gingerbread Man / Asylum 23 June 2023It’s only been five years since Maisie Peters started making the rounds on indie playlists on Spotify with her debut EP Dressed Too Nice for a Jacket, which quickly generated a passionate fan following. With the songwriting prowess of Taylor Swift and the generational pulse of Alessia Cara, Peters gained momentum for her unique ability to speak directly to her generation in ways few other artists can accomplish. Indeed, aside from perhaps Olivia Rodrigo, few female musicians from Generation Z have crafted lyrics as compelling and relatable as the opening lines to Peters’ 2021 debut LP: “I am 20 and probably upset right now.”
Barely two years later, Peters has returned with her sophomore record, The Good Witch, which the artist has described as the best way she could have preserved this period in her life and career. The title is derived from Greek mythology from female perspectives. There are several instances in The Good Witch‘s track listing where the singer could have been an angry woman scorned, but instead, she knows the power of being the one who has it, of being the one who controls the narrative.
That power was evident immediately with the record’s second single, “Lost the Breakup”, one of the year’s best pop songs. “I know I’m obsessin’ / Right now I might be a mess,” she acknowledges during the chorus. “But one day you’re gonna wake up / And oh shit, you lost the breakup.” The idea that one party of a relationship can claim victory over its end is what drives Peters’ stage presence and chutzpah during this album cycle, that there’s no sense in being sad and lovelorn when you’re the one who can reclaim their coming-of-age by writing it all into an album.
But The Good Witch isn’t just a breakup album with attitude and vigor. It’s a continuing saga of what it means to be a 20-something female musician in an era where people come of age on social media, which can be toxic and empowering at once. Indeed, it would be more suitable to classify Peters’ sophomore LP as a post-third-wave feminist record, where young women can embrace their ennui unironically. This is displayed best on tracks like “You’re Just a Boy (And I’m Kinda the Man)” and “Wendy”, where Peters concludes on the latter that young men are expected to be lost boys, and young girls are expected to be Wendy. The sooner women learn they don’t have to mother their male partners, the better.
In fact, Peters is kind of “the man” for all intents and purposes since these are her stories, and she gets to decide how to tell them. She’s strong enough to know when she needs to go back to therapy or that while she can’t necessarily rewrite the history of man, she can control her space within it. “There’s not a lot of anger, hate, or malice in it,” Peters said of her new album in a recent interview. “In a way, that’s what being a writer is. It’s about being the good witch and deciding to use your power for good, not evil.” It’s like the old saying goes: don’t get on a writer’s bad side, for their revenge could become immortal.
‘The Good Witch’ has two competing stars: its lyricism, and its starry sonics – each one could have a whole review written on its quality but more importantly, its perfect suitedness to the musical mission Maisie Peters sets out to achieve. Every facet of ‘The Good Witch’ is pitched perfectly alongside the others, making for a jewel of a pop record that throws prisms of technicolour fun onto every nearby surface. Zone out of Peters’s delightful, digestible musings that balance distinctly Gen Z quotidian alongside familiar metaphorical touchpoints – stare at the sky and listen. Earworm melodies abound, whether on the pulsing, party-ready likes of ‘Coming Of Age’ or ‘Lost The Breakup’, the moody atmospherics of ‘Therapy’, ‘Body Better’ or ‘Want You Back’.
Her distinctive voice, with its delicate yet powerful tone, adds a magical touch to each song. She has a natural talent for storytelling, and her lyrics paint vivid pictures in the minds of her listeners. Maisie's music is like a warm hug, providing comfort and solace during difficult times. In addition to her musical talent, Maisie is also known for her down-to-earth personality. She frequently interacts with her fans on social media, showing gratitude for their support and sharing glimpses of her life. Despite her success, Maisie remains humble and grateful for the opportunities she has been given. She values authenticity and strives to create music that is true to herself. As Maisie Peters continues to grow as an artist, her star power shows no signs of fading. Each new release is eagerly anticipated by her loyal fanbase, who eagerly await her next enchanting masterpiece. Maisie's ability to touch people's hearts and bring a little magic into their lives is what truly makes her the good witch of the music industry..
Reviews for "Maisie Peters' Magical Performance on The Good Witch: Secrets Revealed"
1. John - 2 stars - I had high hopes for "Maisie Peters the Good Witch" but I was left feeling disappointed. The plot was predictable and lacked originality. The characters were one-dimensional and their development was minimal. The writing felt rushed and lacked depth. Overall, it was a mediocre read that failed to live up to its potential.
2. Sarah - 1 star - I found "Maisie Peters the Good Witch" to be incredibly boring and unengaging. The story dragged on and had no clear direction. The dialogue felt forced and unnatural. The author seemed to rely on clichés and stereotypes rather than creating unique and interesting characters. I struggled to finish it and would not recommend it to others.
3. Alex - 2 stars - "Maisie Peters the Good Witch" had an intriguing premise, but unfortunately, it fell flat. The pacing was off, with slow and uneventful chapters followed by rushed and confusing ones. The magic system was poorly explained and inconsistently portrayed. The romance subplot felt forced and lacked chemistry. Overall, I was left feeling unsatisfied and unimpressed with this book.
4. Emily - 1 star - I found "Maisie Peters the Good Witch" to be poorly written and lacking in substance. The prose was overly simplistic and repetitive, making it difficult to become invested in the story. The characters lacked depth and their motivations were unclear. The world-building was minimal and left many unanswered questions. Overall, it was a forgettable and disappointing read.
5. Michael - 2 stars - "Maisie Peters the Good Witch" had an interesting concept but failed to deliver. The pacing was uneven, with long stretches of unnecessary exposition followed by rushed and chaotic action scenes. The main character lacked agency and often relied on others to drive the plot forward. The dialogue felt awkward and unrealistic. Despite its potential, the execution of this book was lacking, and I would not recommend it.