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PT 2 In the clip on The Lion King costumes, what is the dominate element, considered both scenery and lighting equipment, seen upstage in most of the scenes. A straightforward use of this technique is to transplant a play to a setting suggested by the text A Midsummer Night s Dream in a forest, The Pirates of Penzance on a ship, etc.

The magical pipe by Julie Taymor

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Julie Taymor

Julie Taymor’s version of Mozart’s opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Met’s condensed version for families.

By Oussama Zahr

How ‘The Lion King’ Got to Broadway and Ruled for 25 Years (So Far)

A surprising collaboration between an entertainment giant (Disney) and an avant-garde artist (Julie Taymor) birthed the most successful musical in history.

By Michael Paulson

Review: ‘Magic Flute’ Welcomes Children Back to the Met

A winning cast opened the company’s holiday season with a trimmed, English-language version of Mozart’s classic.

By Anthony Tommasini

These artists created Broadway’s biggest hits. They’re happy to be back.

Lin-Manuel Miranda, Julie Taymor and Stephen Schwartz tell us what it feels like to put their shows back onstage.

By Michael Paulson anatomy of a scene

How Julie Taymor Brings Visual Flair to ‘The Glorias’

The director discusses a scene from her film about the life of Gloria Steinem, featuring Julianne Moore and Alicia Vikander.

By Mekado Murphy Times Video

‘The Glorias’ | Anatomy of a Scene

Julie Taymor narrates a sequence from her film featuring Alicia Vikander and Julianne Moore. By Mekado Murphy

‘The Glorias’ Review: Hear Them Roar

Various incarnations of Gloria Steinem take to the road in this reverential biopic. By Jennifer Szalai

No Tony Awards Show? Make Your Own With These Great Moments

Miranda’s rap. Rylance’s poems. Jackman’s pelvis. And a brassy reunion for Bea Arthur and Angela Lansbury. Now set your clock for “Turkey Lurkey Time.”

By Ben Brantley, Jesse Green, Michael Paulson, Alexis Soloski, Elisabeth Vincentelli, Laura Collins-Hughes, Scott Heller and Eric Grode

Critic’s Pick

Review: Fresh Talent Fuels ‘The Magic Flute’ at the Met

An exceptional cast provides delights in this trimmed-down, family-friendly version of Mozart’s fairy tale opera.

By Anthony Tommasini

Review: ‘The Magic Flute,’ Trimmed for Families at the Met Opera

Julie Taymor’s production of Mozart’s opera, performed in English by a winning cast, returns in family-friendly form.

PT2 This is often fabricated of special seamless canvas and is commonly used to create a “sky” behind the set.

A surprising collaboration between an entertainment giant (Disney) and an avant-garde artist (Julie Taymor) birthed the most successful musical in history.

By Michael Paulson

A winning cast opened the company’s holiday season with a trimmed, English-language version of Mozart’s classic.

By Anthony Tommasini The magical pipe by Julie Taymor infographics
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