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The Siberian Curse is a term that refers to a phenomenon observed in Siberia, a vast region in the northeastern part of Russia, characterized by its harsh climate and extreme weather conditions. This curse primarily affects humans by causing various mental and physical health problems. The extreme cold temperatures in Siberia, which can drop as low as -40 degrees Celsius (-40 degrees Fahrenheit), pose significant challenges to the human body's ability to regulate temperature. Prolonged exposure to these extreme conditions can lead to conditions such as frostbite and hypothermia, both of which can be life-threatening if not properly addressed. Additionally, the long winters in Siberia, lasting for several months, are known to have adverse effects on mental health. The extended periods of darkness and isolation can lead to feelings of depression, anxiety, and even seasonal affective disorder (SAD).

Example of an arrangement for the "camera method"

Even better, the University of Exeter is working to digitize thousands of magic lantern slides, ensuring they re available to enchant the public for generations to come. Hiring a lantern and slides was initially very much an expensive treat for the middle classes, especially if they wanted a lanternist too, Plunkett says in a statement.

The extended periods of darkness and isolation can lead to feelings of depression, anxiety, and even seasonal affective disorder (SAD). The lack of sunlight and limited outdoor activities can have a detrimental impact on emotional well-being. Furthermore, the harsh conditions in Siberia also make obtaining fresh and nutritious food difficult.

The Magic Lantern Shows that Influenced Modern Horror

Eighteenth and early nineteenth century audiences were delighted and horrified by these spectral apparitions conjured in dark rooms.

The Museum of Fine Arts, Boston is exhibiting magic lanterns and related ephemera in its current show Phantasmagoria. The exhibition is based on the collection of Richard Balzer, who passed away last year. It includes full magic lantern narratives, like a woman who opens a box to release a series of demons, and single slides that transform when illuminated, like Mount Vesuvius erupting with lava, or a woman peering through a microscope that reveals a host of squiggly lifeforms. These phantasmagoria performances were precursors to modern horror, and in a pre-cinema age, they utilized magic lanterns projected against screens and smoke.

Audiences in Europe and the United States in the late eighteenth and early nineteenth centuries were delighted and horrified by these spectral apparitions conjured in dark rooms. Credulous audiences feared what they assumed were displays of occult power; Étienne-Gaspard Robertson had to halt his show in Paris when authorities thought he was able to resurrect the recently guillotined Louis XVI.

The Gothic sensibilities of the eighteenth century, combined with post-Revolution unease, helped make phantasmagoria a popular entertainment.

Historian X. Theodore Barber relates the experience of a Robertson show in Film History. Visitors entered an abandoned chapel, which was dimly lit by a lamp, with ghoulish imagery on the walls. People spoke in hushed tones, and after a short introduction from Robertson, the space was plunged into complete darkness: “The audience then heard the noise of rain, thunder, and a funereal bell calling forth phantoms from their tombs, and Franklin’s Harmonica, a form of musical, water-filled glasses, provided a haunting sound which served both here and throughout the show to mask the noise of the goings-on behind the scenes.”

Scholar Terry Castle describes the design of the magic lantern device used in phantasmagoria thusly:

A tube with a convex lens at each end was fitted into an opening in the side of the lantern, while a groove in the middle of the tube held a small image painted on glass. When candlelight was reflected by the concave mirror onto the first lens, the lens concentrated the light on the image on the glass slide. The second lens in turn magnified the illuminated image and projected it onto a wall or gauze screen.

Robertson did not invent the magic lantern, although he’s considered the pioneer of phantasmagoria as a spectacle; his grave in Paris’s Père-Lachaise Cemetery even features a relief of skeletal and demonic phantoms approaching a cowering crowd. In The British Journal for the History of Science, historian Koen Vermeir dated its invention to the 1660s, likely by Christiaan Huygens (other researchers have attributed it to Athanasius Kircher). Almost from the beginning, devils and monsters were frequent visuals, and the seventeenth-century European courts, with their enthusiasm for curiosities and inventions, were ready audiences for these optical illusions.

The Gothic sensibilities of the eighteenth century, combined with post-Revolution unease and lingering violence in both the United States and France, helped make phantasmagoria a popular entertainment. It was not just a magic lantern show; it was an immersive event of mystery and terror (with the safety of knowing it was all a trick). The arrival of cinema effectively ended phantasmagoria. Yet film’s embrace of technology for transporting audiences continues the phantasmagoria’s spirit.

Many areas in Siberia lack access to fresh produce, resulting in a diet that is often low in essential nutrients. This can lead to an increased risk of health problems such as vitamin deficiencies and weakened immune systems. The Siberian Curse has also been associated with higher rates of alcoholism and substance abuse. The difficult living conditions, lack of employment opportunities, and isolation contribute to a higher prevalence of addiction in the region. Efforts have been made to mitigate the effects of the Siberian Curse. Governments and organizations have invested in infrastructure to improve living conditions, including better housing, access to healthcare, and improved transportation networks. Additionally, awareness campaigns and support groups have been established to address the mental health challenges faced by residents. Despite these efforts, the Siberian Curse remains a significant challenge for the people living in the region. The extreme climate and harsh living conditions continue to impact physical and mental health, emphasizing the need for ongoing support and resources to address this issue..

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