SLR Magic is a renowned brand in the world of cinematography that specializes in designing and manufacturing high-quality lenses. One of their notable products is the SLR Magic Anamorphic lens. Anamorphic lenses are popular among filmmakers because they provide a distinct cinematic look by creating a unique widescreen aspect ratio. SLR Magic Anamorphic lenses are widely regarded for their exceptional optical performance and build quality. These lenses are designed to capture images with a 2:1 aspect ratio, which is commonly used in the film industry. The anamorphic look is characterized by horizontal lens flares, oval bokeh, and a shallow depth of field, giving a visually pleasing and immersive experience to the audience.
Where was Escape to Witch Mountain filmed?
John Hough's 1975 fantasy science-fiction film, Escape to Witch Mountain, is a successful adaptation of Alexander H. Key's same-titled 1968 novel and has captivated audiences with its gripping story ever since. Produced by Walt Disney Productions and distributed by the Buena Vista Distribution Company, the film was released on March 21st, 1975.
The plot centers on Tia (Kim Richards) and Tony (Ike Elsenmann) who are two extraordinary orphan siblings, pursued by Lucas Deranian (Donald Pleasence) who pretends to be their uncle. Aristotle Bolt (Ray Milland), a megalomaniacal millionaire, plans to use their special powers for his own gains. Jason O’Day (Eddie Albert), a widower still coming to terms with the loss of his wife, helps the kids make an escape to Witch Mountain.
Escape to Witch Mountain was the starting point of a series of films focused on the adventures of Tia and Tony. The sequel, Return from Witch Mountain, followed in September 1978 and was released in theaters as a double feature with its predecessor. The trilogy concluded with Beyond Witch Mountain, produced for television as a movie for CBS by Walt Disney in 1982.
In 1995, The Wonderful World of Disney released a made-for-TV remake of Escape to Witch Mountain, featuring a different cast and with some changes to the original story. This was followed by Race to Witch Mountain, an all-new feature film directed by Andy Fickman which was released in theaters in March 2009.
Witch Mountain performed decently at the box office, with a Domestic North American Total Lifetime Gross of $20 million. That consequently made it Rank No. 145 on the list of 'Rated G' films in accordance with the Motion Picture Association of America (MPAA). Furthermore, it accrued a total of $8.5 million in rental income within the region.
The anamorphic look is characterized by horizontal lens flares, oval bokeh, and a shallow depth of field, giving a visually pleasing and immersive experience to the audience. The SLR Magic Anamorphic lens series offers a wide range of focal lengths, allowing cinematographers to achieve their desired visual aesthetic. These lenses are highly versatile and can be used with various camera systems, including popular digital cinema cameras and mirrorless cameras.
Escape to Witch Mountain Locations
Escape to Witch Mountain was a beloved fantasy story filmed in various scenic locations across the United States. From the beaches of California to the rugged Rocky Mountains of Colorado, this adventure film showcased an array of stunning landscapes, establishing a sense of realism and wonder for viewers. Every location chosen by the filmmakers added something special to the story, creating a unique and captivating experience.
Most of the Escape to Witch Mountain scenes were shot at the Walt Disney Studios. In addition, the film crew visited Carmel and Monterey in California, Felton, Santa Cruz County, Menlo Park, Peninsula School (formerly the Coleman Mansion), Pebble Beach in Northern California, and Palo Alto on California Avenue.
A visit to the filming locations of "Escape to Witch Mountain" could be a truly rewarding experience. Not only can travelers take a nostalgic tour of the film sites, but they can also explore some of the most stunning natural sights in the country. From the majestic red rocks of Utah's Monument Valley to the sugary sand beaches of Pebble Beach and Carmel, California, there is something for everyone.
They are compatible with both full-frame and crop sensor cameras, making them suitable for a wide range of shooting scenarios. One of the standout features of SLR Magic Anamorphic lenses is their compact and lightweight design. This makes them ideal for handheld and run-and-gun style shooting. Despite their small size, these lenses deliver outstanding image quality, with sharpness and contrast that is on par with top-tier anamorphic lenses. SLR Magic Anamorphic lenses are also known for their user-friendly features. They offer smooth and precise manual focusing, allowing filmmakers to have full control over their shots. These lenses also have adjustable aperture rings, providing flexibility in controlling the depth of field. In conclusion, SLR Magic Anamorphic lenses are a reliable and affordable option for filmmakers wanting to achieve the coveted anamorphic look. With their excellent optical performance, compact design, and user-friendly features, these lenses have become a popular choice among cinematographers around the world..
Reviews for "A behind-the-scenes look at a film shot entirely with SLR Magic anamorphic lenses"
1. John - 1 out of 5 stars - I was really excited to try out the Slr Magic Anamorphic lens but I was extremely disappointed. The image quality was extremely poor, with a noticeable loss of sharpness and clarity. The lens also had a lot of distortion and vignetting, which made it unusable for professional work. Additionally, the lens was very heavy and bulky, making it difficult to use for extended periods of time. Overall, I would not recommend the Slr Magic Anamorphic lens.
2. Emily - 2 out of 5 stars - I had high hopes for the Slr Magic Anamorphic lens but unfortunately, it fell short of my expectations. While the lens did create the desired anamorphic look, the overall image quality was underwhelming. The lens had a lot of chromatic aberration and flaring, which was very distracting. The build quality also felt cheap and not sturdy. Considering the price of the lens, I expected much better performance. I would recommend looking into other anamorphic lens options before considering the Slr Magic Anamorphic.
3. Mike - 1 out of 5 stars - I had a terrible experience with the Slr Magic Anamorphic lens. Not only did it give me extremely soft and blurry images, but it also produced a significant amount of ghosting and lens flares. The lens was also quite difficult to focus accurately, which resulted in many out-of-focus shots. Overall, I found the lens to be of very poor quality and not worth the price. I would advise against purchasing the Slr Magic Anamorphic lens if you're looking for good image quality and reliability.