Witchy decor ideas can add a touch of magical charm to any space. Whether you want to create a witchy vibe for Halloween, or you are simply drawn to the mystical elements of witchcraft, there are many creative ways to incorporate witchy decor into your home. Candles are a key element in witchy decor. You can choose from a variety of candle colors and scents to create the perfect ambiance. Black candles are particularly popular for their witchy appeal, while white candles can symbolize purity and spiritual guidance. You can also choose candles in colors that correspond to specific intentions or desires, such as green for abundance or pink for love.
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One of my favorite looks for Wanda was actually just the simple long jacket with a hood she was wearing when she first saw the empty lot that Vision had bought for their family home. One of my favorite looks for Wanda was actually just the simple long jacket with a hood she was wearing when she first saw the empty lot that Vision had bought for their family home.
You can also choose candles in colors that correspond to specific intentions or desires, such as green for abundance or pink for love. Crystals are another essential component of witchy decor. Not only do they add a sparkling touch to any space, but they are also believed to possess healing and spiritual properties.
‘WandaVision’ Costume Designer on Creating a ‘More Mature’ Scarlet Witch Look
As Wanda Maximoff (Elizabeth Olsen) played out a family fantasy across multiple decades of sitcom television in Disney Plus’ “WandaVision,” veteran costume designer Mayes C. Rubeo had to dress her for the part. But while she played with color and texture to represent fashion trends of gone by, she also had to create present-day, real-world looks for those trying to get down to the bottom of what was going on with Wanda, as well as offer a new take on the iconic Scarlet Witch costume.
What rules did Marvel set about what could or could not be changed from previous iterations of the Scarlet Witch costume for your design?
This costume was made in collaboration with the great artist Andy Park. Every designer that works on a new Marvel project tries to bring something else to the character, and we wanted a more mature, more weathered Wanda Maximoff. She has gone through so much — this show is about grieving — and we wanted the costume to reflect that. It shows less flesh; we didn’t do any crazy corset or tights; we wanted to elevate this character and give her well-deserved recognition as an amazing superhero.
In addition to collaborating with Andy, did you collaborate with the stunt team in order to make sure the costume allowed for right kind of movement and rigging?
We worked very closely with the stunt coordinator to see what kind of harnesses they were going to use for the action — is there going to be wire work? We estimate to have two to four hero costumes, and then two or three stunt hero costumes for the main actor to wear if she’s going to do wire work and two more for a stunt double. We sacrifice a little of the costume [on those versions] because we have to cut them open to get to the point of the harness. It’s very technical.
But for the other costumes, like the ’50s housewife dress or sleepwear, you don’t need as many doubles, right?
Not as many, but for me, as for many costume designers, one is not one; two is one. So I never have only one because if someone bumps into them or drops coffee on their shirt or it rips, I just can’t have that risk!
How did you develop the color palette, given that we wouldn’t even see the colors of the first costumes to which we were introduced, since the early episodes were black and white, but also that so much of the action is playing out in a fake world from a grieving woman?
All of this comes from the pain Wanda is feeling inside — the grieving. The first episode was about how to blend in a normal utopia of 1950s homes, with the housewife in the kitchen and the husband with the briefcase who goes to work. So we started with that and we built to the color through the 1960s and with the nosy neighbor played by Kathryn Hahn and Wanda being pregnant and then the wins. When we got to the twins, there was much more color than you’d seen in the show because it was in the middle of a very weird Halloween.
Speaking of that Halloween episode, what inspired the idea to be so true to the comics with the cut of their costumes? It was almost like they were hiding in plain sight thanks to exaggerated looks.
It was Kevin Feige’s idea to go back to the actual comic book look with that pop of really vibrant colors in how these characters were portrayed. So, in that episode she was in that super, super read bodysuit with pink tights, and then Vision had that bright, bright lemon yellow color with super bright green and a very, very red face. It was like if you went to Comic-Con. They became very iconic, those two costumes, but they were so cheesy.
One of my favorite looks for Wanda was actually just the simple long jacket with a hood she was wearing when she first saw the empty lot that Vision had bought for their family home.
Oh I think the hoodie was from James Perse and the coat, I think, was from Zara.
And also Wanda’s real-world look when she met up with Monica. It’s modern and sleek but also heightened enough that it feels more elevated than something you could walk around in and not draw attention.
It had to be a little bit scientific-looking, without being crazy exaggerated. It’s more of a tech costume that also gives you the feeling you can wash the garment at 200-degrees and it will not fall apart. That was the goal, to really give that impression.
But what were some of your favorite designs from the season?
I liked the ’50s; I liked Vision’s suits very much. I love, love, love the wedding dress. That was an homage to Audrey Hepburn because I think there was no more beautiful wedding dress in that period of time than the dress she wore in “Funny Face,” and we got exactly the same fabric from the factory in France. We went all the way. It was supposed to look like a bonbon — like a beautiful object of delicacy.
There are so many big costumes in this show, but was there anything that was deceptively complicated?
The off-the-rack stuff — the really comfy sweatpants, the sweaters, the lounge stuff. That was all much more expensive than many other things.
Is that just because you wanted the highest quality fabrics?
It’s just the way things are knitted and constructed.
How easy was it to find these pieces to source from the various time periods, versus building from scratch?
There are many costume houses that have fantastic pieces. I wanted to do something different, unique for every character. When we go and rent costumes from special fashion periods like in the ’50s, in the ’60s, those clothes, if they were to fit right, they have to be built for the person, if you want them to look amazing. Everybody’s torso measures different [and] it was important that it fit well for the circumstances of the of the story and to really portray a blending of sitcoms with Marvel. It was maybe 80% built, and then we were able to rent from very special houses and very special collections. We were very lucky to have all of those available [because] of the time and the knowledge of fabrics and how garments were constructed in the ’50s or ’60s they had.
How many options did you present to actors like Elizabeth so they’d have a say in this essential piece of their characters?
I would bring so many things to Lizzie and she would say, “This piece, not that one.” We would talk about the color and, “What do you think about this? Is this too long or too short?” Lizzie, Kathryn, Teyonah [Parris] were all particular about details, and when I have actors that care that much, it’s great because they’re engaged and we can build the characters together.
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You can display crystals on shelves or in glass jars, or even create crystal grids to enhance their energy. Herbs and botanicals are often used in witchcraft, and incorporating them into your decor can add a natural and earthy touch. You can hang bundles of dried herbs, such as sage or lavender, on walls or doorways for a rustic look. If you have a green thumb, you can also create an indoor herb garden to have fresh herbs on hand for spells or cooking. Symbols and sigils are an important part of witchcraft, and incorporating them into your decor can add a mystical touch. You can find decorative wall art or tapestries featuring symbols such as pentacles or moon phases. You can also create your own sigils and display them on mirrors or in picture frames for a personalized touch. Tarot cards and divination tools are often associated with witchcraft and can be used as decorative elements. You can display a collection of tarot cards in a shadow box or create a tarot card collage on a wall. Crystal balls, pendulums, and rune sets can also be displayed on shelves or used as centerpiece decorations. Overall, witchy decor allows you to infuse your space with a sense of magic and mystery. Whether you choose to incorporate candles, crystals, herbs, symbols, or divination tools, there are countless ways to create a witchy vibe in your home. So embrace your inner witch and have fun exploring the world of witchy decor!.
Reviews for "Harnessing the Power of Symbols: Witchy Decor Inspired by Ancient Traditions"
1. Sara - ★☆☆☆☆
I was really disappointed with the "Witchy decor ideas" book. The ideas were extremely tacky and cheap-looking. It seemed like the author threw together a bunch of random items and called it witchy. As someone who loves witchcraft and has a deep appreciation for true witchy aesthetics, I expected more substance and authenticity from this book. Unfortunately, it failed to meet my expectations.
2. Alex - ★★☆☆☆
I found "Witchy decor ideas" to be uninspiring and lacking in creativity. The suggestions in the book were basic and obvious, such as hanging black curtains or painting your walls in dark colors. There was nothing unique or original about the concepts presented, and I hoped for more imaginative ideas that could truly help me capture a mystical, witchy atmosphere in my home. Overall, this book felt like a missed opportunity to provide genuine inspiration to those looking to incorporate witchy elements into their living spaces.
3. Jennifer - ★★☆☆☆
I was expecting "Witchy decor ideas" to offer some exciting and edgy suggestions to infuse my living space with an enchanting ambience. However, I was let down by the book's repetitive nature. The same ideas were recycled throughout the pages, making the reading experience monotonous and unengaging. Additionally, the photographs accompanying the suggestions were of poor quality, making it difficult to visualize how the decor ideas would actually look in practice. Overall, I don't feel like I gained any valuable insights or inspiration from this book.