Candle magic is a practice that involves using candles as a tool for casting spells, performing rituals, and manifesting intentions. The flame of a candle in candle magic holds significant meaning and symbolism, adding power to the practice. The flame itself is believed to represent the element of fire, which is associated with transformation, passion, energy, and illumination. When a candle is lit, the flame becomes a direct connection to these qualities, making it a potent tool for creating change and manifesting desires. The size, color, and behavior of the flame during candle magic rituals can also provide insight into the effectiveness of the spell or the energy surrounding the situation. A strong and steady flame is generally seen as a positive sign, indicating that the energy is focused and the spell is working.
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Given that it is January, the month of cinematic dogs, and that critically lauded pictures from the holiday season such as American Hustle, Inside Llewyn Davis, and good lord The Wolf of Wall Street aren t really ideal YA fare, there are potentially worse things. The film was originally titled Mariah Mundi and the Curse of the Midas Box, and the new title and its colon would suggest that Image Entertainment could well be hoping for a franchise here.
A strong and steady flame is generally seen as a positive sign, indicating that the energy is focused and the spell is working. Conversely, a weak or flickering flame may suggest that there are obstacles or resistance to overcome. Additionally, the direction in which the flame leans or dances can offer further information about the spell's progress.
The Adventurer: The Curse of the Midas Box
There are some critics and thinkers who posit that mediocrity is worse than out-and-out failure, but the really pernicious thing about mediocrity is that it's so banal that it's more difficult to get productively agitated about than the truly awful. Arguably, that is. I'm sorry that I seem to be so circuitous, but I'm trying to give a proper account of the state of thought into which I found myself thrust by "The Adventurer: The Curse of the Midas Box." This movie's title indicates that it could be the first of a series, and sure enough, the movie's script was adapted from a popular fantasy book by G.P. Taylor that is the first of a series, not under the rubric "The Adventurer" but rather "Mariah Mundi" who is the lead character of the book and whose name probably doesn't look great on a movie poster.
AdvertisementNot that Mariah, a late teen in Victorian-era England, is really much of an adventurer. In this picture he's a fellow who's obliged to do some hopping around London to find his younger brother Felix, who's been kidnapped by the minions of Otto Luger (Sam Neill) on account of having half of an amulet that leads to a realm in which resides the changing-stuff-to-gold "Midas Box" of the movie's subtitle, an object of enormous power as you of course can imagine. If you can't imagine, the movie, directed by Jonathan Newman, spells it out for you with some opening narration: "He who owns the box can own the world." Mariah's quest leads him to an unusual "hotel" presided over by a vampy Lena Headley, where he encounters an eccentric magician, a waifish teen maid from a bad/sad home, and eventually the underground quasi-mine in which his bro is enslaved.
Helping him in his quest is a puckish fellow named Charity (Michael Sheen). Similarly, Luger's grinchiest henchmen are named Grimm and Grendel. It's that kind of fantasy realm; a little watered-down steampunk, some similarly diluted Indiana Jones stuff, a little not-quite-Pottery material. The derivative and on-the-nose aspects of the material and its treatment are, of course, big parts of what make this movie, well, mediocre. But even as I was being figuratively pummeled with the aforementioned quality, I couldn't get mad at "The Adventurer." Well, except maybe at lines of dialogue such as "He drinks away the pain of my mother's death." At other points, and perhaps I was just in a humdrum non-judgmental mood, I thought, "I'm not really engaged by this but then again it's not really for me, and it seems…harmless." Given that it is January, the month of cinematic dogs, and that critically lauded pictures from the holiday season such as "American Hustle," "Inside Llewyn Davis," and good lord "The Wolf of Wall Street" aren't really ideal YA fare, there are potentially worse things. Then again, it's entirely conceivable that teens and YAs are a lot more ruthless in their judgment than I am, and that the sheer toothlessness of "The Adventurer: The Curse of the Midas Box" might push all the wrong buttons. I couldn't really tell you. Meh and double meh on this movie. That's my story and I'm sticking to it.
Glenn Kenny
Glenn Kenny was the chief film critic of Premiere magazine for almost half of its existence. He has written for a host of other publications and resides in Brooklyn. Read his answers to our Movie Love Questionnaire here.
There are some critics and thinkers who posit that mediocrity is worse than out-and-out failure, but the really pernicious thing about mediocrity is that it's so banal that it's more difficult to get productively agitated about than the truly awful. Arguably, that is. I'm sorry that I seem to be so circuitous, but I'm trying to give a proper account of the state of thought into which I found myself thrust by "The Adventurer: The Curse of the Midas Box." This movie's title indicates that it could be the first of a series, and sure enough, the movie's script was adapted from a popular fantasy book by G.P. Taylor that is the first of a series, not under the rubric "The Adventurer" but rather "Mariah Mundi" who is the lead character of the book and whose name probably doesn't look great on a movie poster.
If a flame leans heavily to the right, it may symbolize success and positive outcomes. On the other hand, a flame leaning to the left might signify resistance or challenges that need to be addressed. The color of the candle flame in candle magic can also hold significance. For example, a blue flame may represent spiritual communication, while a red flame might symbolize passion or love. Different colors can be chosen based on the specific intention or desired outcome of the spell. It is important to note that interpreting candle flames in candle magic is a subjective practice and can vary depending on personal beliefs, cultural background, and individual intuition. Some practitioners may follow specific guidelines or traditions, while others may rely on their own instincts and interpretations. In conclusion, the flame in candle magic carries deep meaning and symbolism. It serves as a connection to the element of fire and represents transformation, energy, and illumination. The size, color, and behavior of the flame during rituals can provide insight into the effectiveness of the spell and the energy surrounding the situation..
Reviews for "The Healing Flames: Illuminating the Path to Physical and Emotional Wellness"
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