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Master playing Puff the magic dragon on the piano Playing the piano can be a rewarding and enjoyable hobby. It allows one to express themselves creatively and provides a sense of accomplishment when mastering a new piece. One popular song that many piano enthusiasts aspire to learn is "Puff the Magic Dragon." "Puff the Magic Dragon" is a celebrated children's song that was released in 1963 by American folk group Peter, Paul, and Mary. Written by Leonard Lipton and Peter Yarrow, the song tells the bittersweet story of a dragon named Puff and his young human friend, Jackie Paper. To master playing "Puff the Magic Dragon" on the piano, it is important to start by familiarizing oneself with the melody and structure of the song.

An unfortunate thing about reading The Bone Witch was that there were quite a lot of terms which confused me, so I think the book might have benefited from a glossary readers could flip back to from time to time.

Another is the gender imbalances with regards to Ashas only recruiting women, and Deathseekers only taking in men in spite of the Ashas being trained in combat. One House takes them in and money is spent on them for their formation if you can succeed in being an asha apprentice and you have to pay them back when you become an asha.

To master playing "Puff the Magic Dragon" on the piano, it is important to start by familiarizing oneself with the melody and structure of the song. The song follows a simple chord progression and primarily uses four basic chords: C, G, Am, and F. Beginners can start by practicing these chords and getting comfortable with transitioning between them smoothly.

Book Review: The Bone Witch by Rin Chupeco

The Bone Witch is the story of a young girl, Tea, whose life is turned upside down when her brother dies. But her life isn’t turned upside down because he died. It’s turned upside down because she accidentally brings him back from the dead. Tea discovers that she is a bone witch, a rare and feared type of asha unlike the other witches in her village. Tea must move to the city to learn how to harness her power. She becomes an apprentice to the only other bone witch she’s ever met.

The Bone Witch is a dark, setting-driven young adult fantasy with lyrical prose.

This novel took me a while to get into. From the description, I thought it would be fast-paced with a lot of action, intrigue, and drama. While there is quite a bit of action in the story, the focus isn’t on these scenes, but on the development of setting. Chupeco doesn’t spend a chapter describing an action scene. Instead, she takes the time to set the scene, explaining in incredible detail what every main and minor character is wearing, what they look like, the texture of the floors, ceilings, and walls, and then the action takes place over a couple of quick paragraphs. While this irritated me, if you read stories primarily for language and setting—if you want to bury yourself in a book that has an elaborately-crafted, unique world that’s so totally different from the one you live in—then this book is for you.

I’ve already said that the book is very setting-focused. I generally don’t mind this if it’s at the expense of plot, but I draw the line at allowing this at the expense of developing well-rounded characters. Unfortunately, I found this to be the case in The Bone Witch. First off, there are far too many characters in the story. It was hard to keep track of them, especially since some are introduced, described in great detail, and then they disappear for several chapters. The characters that do matter get swept up in the deluge of unimportant characters. The most important people don’t get enough attention. For example, Tea raises her brother, Fox, from the dead in the first few chapters. They’re connected in a unique way, and while Chupeco goes into great detail explaining the mechanism of this connection, what it feels like, etc., we don’t actually get to see a lot of the development of Fox and Tea’s relationship. The book spans several years, and as Tea grows into a young woman and a dark asha, I would have liked to have seen their relationship either blossom or wither. Instead, it doesn’t seem to evolve much, except for a sentence here or there to demonstrate that there has been some change. But it isn’t the focus of the story, which is a shame, because there was a lot of potential with this and it’s a highlight of the blurb on the back of the book.

One of the most valuable lessons in writing is to show, not tell. Because Tea is learning the ropes, a lot of the book is about her learning about magic runes, etc. Chupeco relays all this information to the reader through dense exposition. Reading these pages felt akin to wading through molasses. The descriptions were so dense and complex that I was begging for the plot to move forward. Ordinarily in high fantasy books, one of my favourite parts is learning about how magic works in that unique world, but it’s often done in a way that you barely realize that you’re being taught. I felt like I was back in school and I did not sign up to get another degree.

Finally, The Bone Witch takes place over two timelines. There’s the “past”, where Tea is learning to become a bone witch, and there’s the “present”, which takes place several years later. In the “present”, Tea is an outcast and she’s telling her story to a local bard. It’s understood that the “past” is the story she’s telling the bard, and that a lot has changed (for the worse) over the last few years. Because the story is so slow paced, I initially found these “present” scenes to be unnecessary. They slowed down the plot (even more, if that was possible), and they seemed to provide little extra. They were too short to be substantial, and they often had heavy-handed foreshadowing that almost spoiled the following chapters. While beautifully written, I didn’t see much value in them until about halfway through the book. I won’t include any spoilers here, but they showed their worth, and it came to the point where I was actually looking forward to these sections.

I give this book 3 stars because of the beautiful writing style and the gorgeous world that Chupeco has created, but I generally read novels for story and characters, and I didn’t fall in love (figuratively speaking) with any of the characters in this book, and the plot was too slow paced to be engaging. That said, Chupeco has created a beautifully crafted and elaborate world that’s worth exploring if you’re so inclined.

*I received a copy of this book as a Goodreads Giveaway. This in no way affects the contents of my review.*

*I received a copy of this book as a Goodreads Giveaway. This in no way affects the contents of my review.*

Once this is achieved, one can then move on to learning the different sections of the song, such as the verse and chorus. The verse of "Puff the Magic Dragon" consists of four lines, and the chorus has three. It is essential to break down the song into smaller sections and practice each part gradually. By doing so, one can ensure that the timing and finger placement are accurate. Additionally, paying attention to dynamics is crucial when learning to play "Puff the Magic Dragon" on the piano. The song has moments of softness, signifying the gentle character of Puff, as well as moments of crescendo, indicating the more intense emotions of the story. As with any piano piece, practice is key to mastery. Consistent practice sessions will help refine one's technique and enable a smoother performance. Recording oneself playing can also be beneficial, as it allows for self-assessment and the identification of areas for improvement. In conclusion, mastering "Puff the Magic Dragon" on the piano requires dedication, practice, and a love for music. By familiarizing oneself with the song's structure, practicing chord transitions and dynamics, and gradually learning each section, aspiring piano players can bring this beloved children's song to life on the keys. So, why not embark on this musical journey and let the magic of Puff soar through your fingertips?.

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