"The Witch Who Fell Into the Well" is a dark and captivating novel written by Camilla Bruce. The story follows the life of a mysterious witch named Caroline, who finds herself trapped in a well in the town of Hylland, Scotland. This novel excellently blends elements of horror, mystery, and fantasy, making it an incredibly gripping and atmospheric read. The main character, Caroline, is a compelling and complex protagonist who struggles with her identity as a witch. Throughout the novel, we learn more about Caroline's troubled past and the reasons behind her decision to flee to Hylland. Her interactions with the townspeople and her eventual discovery in the well create a sense of tension and intrigue that keeps the reader hooked from start to finish.
Each of the bosses was a mix of spectacle and just clever design. I’m not sure how they fit into the story, but that’s not the main appeal for Curse of the Moon anyways.
Of course, losing a character can make things harder as there are fewer options and less health all around, so it s important to keep them all alive before a boss. The Nintendo Switch joy cons are fine for games like this, I have played the Mega Man Legacy Collection, and the Wonder Boy 3 remake and the joy cons perform just fine.
Her interactions with the townspeople and her eventual discovery in the well create a sense of tension and intrigue that keeps the reader hooked from start to finish. Bruce's writing style is both poetic and haunting, effectively conveying the eerie atmosphere of the Scottish town. The well itself becomes a central symbol, representing Caroline's isolation and confinement.
In depth Review – Bloodstained: Curse of the Moon (Switch 2018)
Holy crap it’s a new classic Castlevania! Well, actually it’s not really a Castlevania game but a spiritual successor. This is Bloodstained: Curse of the Moon, a prequel game of the kickstarted Bloodstained: Ritual of the Night developed by Inti Creates and overseen by IGA the director of legendary game Castlevania: Symphony of the Night and of course the director of Bloodstained: Ritual of the Night.
I have been waiting for a game like this for over a decade, settling for Castlevania romhacks and perhaps some indie games in the meantime. Inti Creates is responsible for some great games like the Mega Man Zero series and the Gunvolt games, but they also worked on Mighty nr.9….. eeks….
I played the game in normal mode and nightmare mode partly at first but now I have done 100% of the game and can give you a complete score review.
Oh man doesn’t this just look Castlevania perfect?!
Bloodstained: Curse of the Moon puts you in charge of Zangetsu, a cursed man on a path of killing all demons as revenge for placing him under this curse. This one night he senses an especially strong demon so naturally he embarks on a journey to slay him. As he fights through hordes of monsters and jumps between platforms he meets more companion who share his goal of slaying the great demon.
With a total of 4 characters with various strong and weak points it is your job to figure out how to utilize each characters moveset and identify where when to use a use them. Zangetsu is your strong vanilla character but the other characters have special moves that can take you to shortcuts; Miriam can jump high and slide, Alfred can use magic and Gebel can turn into a bat and fly.
Of course we also have sub-weapons similar to the ones we are used to from earlier Castlevania games and the level design makes sure you will need them. For example we get items that work exactly like the holy water, cross and the dagger plus much more.
By now you might have figured out that this game is very similar and most likely inspired by one of my favorite games of all time, Castlevania III: Dracula’s Curse. Gebel plays basically like Alucard in Castlevania III and Alfred plays like Sypha.
The cast of characters is just fantastic; Miriam, Zangetsu, Alfred and Gebel
The controls are like a hybrid of the Dracula’s Curse controls and the Rondo of Blood Controls. You and jump, but you cannot turn back a la Mega Man, but like in Rondo of Blood you can turn around mid air but just to attack. You can also jump and land in the stairs like in Rondo of Blood, but you cannot jump while ascending/descending the stairs like in Super Castlevania IV.
The Nintendo Switch joy cons are fine for games like this, I have played the Mega Man Legacy Collection, and the Wonder Boy 3 remake and the joy cons perform just fine.
Enemies and level design are also like a hybrid of those two games as you have multiple paths in each stage, although they always lead down to the same boss on a linear path.
Speaking of bosses, they are just absolutely amazing! They sprites are huge, and their design in completely off the chains cool. They have extremely innovative ways of attacking but they have a pretty simple pattern you should learn in three tries at maximum.
Giant undead rich bitch boss
This is a point that bothered me the most about my first run of the game; Despite the fantastic authentic Castlevania controls, good level design and the great bosses etc the game is just too easy. I breezed through the game in 1h30m and that included short breaks so I was a bit disappointed but thankfully it was not over yet.
SPOILERS for unlockable extra modes.
But after that I unlocked a Nightmare mode which has all the cast minus Zangetsu plus tougher bosses. You go through all the same stages except only the final stage and final boss is different which is really cool.
Then, if you really want to increase the difficulty you kill your companions instead of talking to them. In that case you get extra abilities for Zangetsu like a crescent moon aerial slash, a dash and a double jump. This mode is plenty challenging in the later stages at least.
Crescent slash has a pretty decent hit box and is available in a Zangetsu only run if you kill Miriam instead of recruiting her. Also available in Ultimate mode
But the true hardcore classic way of playing the game however is not killing your allies and steal their abilities but to ignore them and go through the game as vanilla Zangetsu only. This mode is pretty hardcore and reminds of earlier classicvania difficulty levels. After that you get Ultimate mode(All characters, nightmare mode bosses, all Zangetsu abilities unlocked plus a charge attack slash) and boss rush mode.
End Spoilers….
All these different ways of playing the game and all the different endings add great replayability to just a 10$ game. Still, the fact that I had already seen all the stages in the game before the game got to an interesting level of challenge was a bit disappointing.
One big difference from Castlevania III is the fact that when you die, you will spawn in the same area and be able to play as the other characters and you will not lose an extra life until all four characters are dead. When you lose a life(all 4 character die) you get sent to a checkpoint which is not so bad and losing all extra lives will send you to the beginning of the stage. Beating a boss with only one or characters alive can be tough so losing those characters will hurt your later chances.
Zangetsu only mode game get pretty rough because everytime you die you cannot rely on the other characters and spawn in the same area, so you get sent way back to a checkpoint.
Another great looking boss, now pitted against the classic Castlevania whip wielder Miriam (main character of Ritual of the Night)
Graphically, Bloostained: Curse of the Moon looks like an authentic NES Castlevania horror game. Sure there are some sprites in the game the NES might not have handled and perhaps the NES could not have handled all the colors at once but it truly looks like a sequel of Castlevania III: Dracula’s Curse and perhaps a prequel to Rondo of Blood.
I am not a big fan of indie games with what I call “fake retro” graphics where the sprites look super pixelated without really looking like NES or Master system games. Bloostained: Curse of the Moon does this perfectly and is a festival for the eyes of the NES and Castlevania fanboy.
The music in this game is also pretty big. Although not composed by former Castlevania composer heavy hitters like Michiru Yamane this game has some amazing tunes. It might not live up to the NES originals but it sure tries only to maybe come up a bit short.
Gebel is a nice fight in a stage reminiscent of the ghost ship in Castlevania III and perhaps also the one in Rondo of Blood
Overall, Bloostained: Curse of the Moon is a fantastic spiritual successor to the NES Castlevania games and it scratches that old classic Castlevania itch so really well with the exception that your first playthrough of the game is way too easy and therefore short.
The controls, environment, level design, extra modes, multiple paths, boss fights, graphics and music is all at a level of excellency worthy of great praise.
This is the complete review of the game, and I stand by my earlier score except that I have to bump up the lasting appeal by 0,5 and repeated listens of the OST makes me want to draw 0,5 from the music in return…
Gameplay 9
Visuals 9,5
Music 8
Lasting appeal 8,5
Is it fun? 9
Overall 9 an awesome game
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Curse of the Moon’s action is most reminiscent of Castlevania III: Dracula's Curse, since it features multiple playable characters and levels with branching paths. Throughout the game, four heroes join your squad, each with unique skills and side weapons. You can swap between anyone in your squad at any time, and this diversity adds some needed variety to the action. I grew particularly fond of Mirim, whose high jumps and long-range whip make her incredibly effective. On the other hand, Gebel’s ability to transform into a bat allows you to circumvent more than a few frustrating sequences. I enjoyed hot-swapping between my entire crew and matching their unique talents to the task at hand.
As the story progresses, we witness Caroline's transformation and her determination to not only escape the well but also confront her own demons. The novel also explores themes of identity, guilt, and redemption. Caroline's struggles to find her place in a society that fears her powers and rejects her serves as a powerful metaphor for anyone who has ever felt like an outsider. The narrative delves into the complexities of human nature and the choices we make that define who we are. "The Witch Who Fell Into the Well" is a masterfully crafted tale that keeps the reader engrossed until the very end. Camilla Bruce's skillful storytelling and vivid imagery make this novel an immersive reading experience. Whether you are a fan of dark fantasy, psychological thrillers, or simply enjoy well-developed characters and a captivating plot, this book is sure to satisfy. It is a tale of survival, self-discovery, and the enduring power of hope..
Reviews for "Grimm Fairy Tales and 'The Witch Who Fell into the Well': A Comparative Study"
1. John - ⭐️⭐️
I found "The Witch Who Fell Into the Well" to be extremely underwhelming. The story felt disjointed, with a lack of clear direction and a confusing narrative. The characters were underdeveloped and lacked depth, making it difficult to connect with or care about their fates. The pacing was slow, dragging on in some parts and rushing through others. Overall, I was disappointed with this book and would not recommend it to others.
2. Emily - ⭐️
"The Witch Who Fell Into the Well" failed to captivate me. The writing style was convoluted and pretentious, with excessive descriptions that added nothing to the overall plot. The book lacked a compelling storyline and the characters felt hollow and uninteresting. The so-called "twists" in the plot were predictable and did little to redeem the lackluster narrative. I felt no emotional investment in the story and was left feeling unsatisfied by the end. This book just didn't do it for me.
3. Michael - ⭐️⭐️⭐️
While "The Witch Who Fell Into the Well" had some intriguing elements, it ultimately fell short for me. The plot had potential, but it was executed in a confusing and scattered manner. The book tried to be atmospheric and mysterious, but ended up being more frustrating than anything. The pacing was inconsistent, with too much unnecessary build-up and a rushed conclusion. Additionally, the characters felt one-dimensional and their motivations were often unclear. Overall, I found the book to be mediocre and would not recommend it to others.
4. Sarah - ⭐️⭐️⭐️⭐️
I must admit, I had high hopes for "The Witch Who Fell Into the Well," but it didn't quite live up to my expectations. While the writing was beautiful and vivid, the plot was slow-moving and lacked a sense of urgency. The characters were intriguing but ultimately underdeveloped, making it difficult to fully invest in their stories. The book had its moments of intrigue and tension, but they were too few and far between. Despite its flaws, "The Witch Who Fell Into the Well" still had its merits, with its unique concept and mystical atmosphere. It may not be for everyone, but some readers may find it worth a shot.