Army of darkness witch refers to a concept in mythology and fiction where a group or army of powerful and malevolent witches are united under a common cause. This idea stems from the belief that witches, who are often associated with dark magic and supernatural abilities, can pose a significant threat when they join forces. The notion of an army of darkness witches has been depicted in various forms of media, such as books, movies, and games. In these stories, the witches often possess formidable magical skills and use their powers to serve a dark and nefarious purpose. They may be led by a powerful witch or sorceress, who orchestrates their actions and commands their loyalty. The motivations of an army of darkness witches can vary, depending on the narrative.
In all honesty, the premise of Evil Dead 4 would have probably been too much of a good thing. Raimi uses Army of Darkness to let his unhinged imagination run wild. But the story is still contained enough to be a straight adventure narrative that never goes completely off the rails. Army of Darkness takes the Raimi formula that defined the demonic mania of Evil Dead II and incorporates it into a twisted send-up of classic quest films like John Boorman’s Excalibur.
Depending on which version you watch, Ash either makes it back to S-Mart in the Theatrical Cut or winds up a man out of time in a distant futuristic wasteland in Raimi s preferred original ending. After meeting producer and longtime collaborator Rob Tapert, the trio scraped some money together to make the proof-of-concept 32-minute 16mm film Within the Woods.
The motivations of an army of darkness witches can vary, depending on the narrative. They may seek to conquer lands, collect powerful artifacts, or carry out a specific agenda that aligns with their dark beliefs. Often, their actions are driven by a desire for power and dominance over others.
Army of Darkness
Horror films used to be primordial spook shows, tapping midnight-dark fears. Now they tap bodily goo: rivers of blood, dripping limbs, eyeballs that go pop in the night. Thanks to the Halloween, Friday the 13th, and Nightmare on Elm Street series (all schlock derivatives of Psycho), as well as creative-dismemberment cult favorites like Dawn of the Dead and Re-Animator, we now have an entire generation of moviegoers who can spend 90 minutes viewing bodies ripped apart by power tools the way a previous generation watched beach-party comedies. And since the audience no longer takes horror seriously, neither do the movies themselves. Fear, dread, and anxiety are out; kinetic gross-out comedy is in — the grosser (and therefore funnier) the better.
In Sam Raimi’s Army of Darkness and Peter Jackson’s Dead-Alive (unrated), there’s gore and mayhem aplenty, but it’s all a goof, a naughty game of how-far-can-we-go? (and will-you-still-look?). These are movies made by a new breed of gonzo splattermeister. Raimi and Jackson demolish the old dark house of classical horror and, in its place, erect a fun house of campy mayhem.
Some fun houses, of course, are more fun than others. Army of Darkness is the third installment in Raimi’s madly inventive Evil Dead series and the first one in which his manic inspiration appears to be flagging. In the first two films, Raimi simply placed his characters in a cabin in the forest and let the hyperkinetic beasties run wild. Imagine a woodland remake of The Exorcist starring the Three Stooges, and you’ll have an idea of Raimi’s demented talent.
In Army of Darkness, the director sends his usual hero, the square-jawed wiseacre Ash (Bruce Campbell), through a time warp and back to the Dark Ages, where he comes on like a smart-ass cross between Indiana Jones and Mad Max. With his Dudley Do-Right chin and light-as-air machismo, Campbell is a walking human cartoon, and it’s fun to watch him drop insults in late-20th-century slang and treat his medieval hosts, including the demons, with brazen contempt (”Yo, she-bitch, let’s go!”). There are also a few flashes of Raimi at his best: A loony-tunes sequence in which Ash does bloody battle with lilliputian versions of himself, an encounter with the Book of the Dead that leaves his face all bent out of shape. As always, Raimi’s ”evil dead” are amusingly corporeal: In Army of Darkness, the rubber-faced ghouls and witchy-poos don’t just spook you-they thwack you in the face.
Still, there are major valleys between high points; the movie lacks the insane relentlessness that made the previous Evil Dead films such funny, original rides. It’s supposed to be a joke that the medieval characters, in their robes and fake beards, look like they just stepped out of a grade-C storming-the-castle epic. Raimi, though, doesn’t push the joke far enough: This spoofy cast of thousands looks a little too much like a crew of bland Hollywood extras. By the time Army of Darkness turns into a retread of Jason and the Argonauts, featuring an army of fighting skeletons, the film has fallen into a ditch between parody and spectacle. Raimi, who had a hit with 1990’s Darkman, is working with a bigger budget than he had on either of the other two Evil Dead films; he did more there with less. Time to let these dead rest in peace.
Anyone who thinks over-the-top horror is strictly an American phenomenon should check out Dead-Alive, a black-comic monster mash from New Zealand that manages to stay breezy and good-natured even as you’re watching heads get snapped off of spurting torsos. The movie starts out as a cornball neo-Psycho spoof about a nebbish (Timothy Balme) and his awful mother (Elizabeth Moody). But as soon as Mum gets bitten by a Sumatran rat monkey and turns into the undead (a condition that, naturally, proves contagious), director Peter Jackson simply pulls out all the stops and keeps them out.
Dead-Alive is one outrageously gruesome set piece after another, a movie in which the human characters are boring but the limbs, eyeballs, and — especially — intestinal tracts have an exuberant life of their own. There are no rules in Jackson’s slapstick carnival of gore. Bodies tear themselves in half; rib cages are ripped from their owners; a murderous monster baby burrows into someone’s head from the inside; the hero plows through a living room full of zombies while wielding a raised lawn mower. Do you really want me to go on? Dead-Alive obviously isn’t for everyone, but it’s the most delirious bloodbath since Re-Animator, the kind of horror movie that makes you want to turn your head — and then dares you to look away. Army of Darkness: C+ Dead-Alive: B
Despite causing the predicament faced by the Medieval soldiers, Ash initially demands to be returned to his own time. However, Sheila is captured by a Flying Deadite (Nadine Grycan), and then transformed into a Deadite. Ash becomes determined to lead the humans against the skeletal Deadite army. Reluctantly, the people agree to join Ash. Using scientific knowledge from textbooks in the trunk of his 1973 Oldsmobile Delta 88, and enlisting the help of Duke Henry, Ash successfully trains and leads the Medieval soldiers to defeat his Deadite clone, Evil Ash, and his undead army, and save Sheila. Victorious, he is sent back to his own time using a potion made from the Necronomicon.
One famous example of an army of darkness witches is the Coven of the Norns, featured in Norse mythology. The Norns were a group of three powerful witch-like entities who controlled fate and destiny. They were often depicted as weaving the threads of life and held immense power over the gods and mortals alike. In modern popular culture, the concept of an army of darkness witches has been portrayed in movies like "The Craft" and TV series like "American Horror Story: Coven." These representations often showcase the witches as dangerous and unpredictable, capable of wreaking havoc and causing destruction. Overall, the idea of an army of darkness witches captures the imaginations of many, as it combines the allure of magic and mysticism with the thrilling notion of a united force of wicked sorceresses. In various forms of media, this concept continues to be explored, offering rich storytelling opportunities and captivating audiences with the portrayal of these formidable and enchanting characters..
Reviews for "Tales of Bravery: Ordinary People Standing Against the Army of Darkness"
- John - 1 star
I found "Army of Darkness Witch" to be extremely disappointing. The plot was confusing and lacked depth, the characters were one-dimensional and uninteresting, and the dialogue was cheesy and poorly written. The acting was subpar, with the actors delivering their lines in a way that felt forced and unnatural. Additionally, the special effects were laughably bad and took away from any sense of immersion in the story. Overall, I would not recommend this film to anyone looking for an enjoyable movie-watching experience.
- Sarah - 2 stars
I had high hopes for "Army of Darkness Witch," but unfortunately, it fell short of my expectations. The storyline had potential, but it was poorly executed. The pacing was uneven, with slow moments that dragged on and action sequences that felt rushed. The character development was weak, and I couldn't connect with any of the main characters. The dialogue was cliche and lacked originality. While there were a few visually pleasing scenes, the overall cinematography and special effects were underwhelming. I wouldn't necessarily call it a terrible film, but I don't think it's worth a watch unless you're a die-hard fan of the genre.
- Michael - 1.5 stars
"Army of Darkness Witch" was a major disappointment for me. The plot was convoluted and hard to follow, with too many subplots that didn't add much to the overall story. The characters were forgettable and poorly written, lacking any depth or motivation. The acting was subpar at best, with wooden performances that failed to bring any emotion or believability to the film. The special effects were also poorly done, with obvious CGI that took me out of the movie. Overall, I found "Army of Darkness Witch" to be a forgettable and uninspired film that I would not recommend to others.